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ID #SA1146703
FOR SALE
£1,480
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John Falconar Slater "The Farmstead" . Large Oil Painting Landscape.
William Greenwood Fine Art
for sale €1,732     $1,880
£1,480

William Greenwood Fine Art

Sellingantiques Verified Since Oct 2012
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John Falconar Slater "The Farmstead" . Large Oil Painting Landscape.

1900 - 1920
Description

Artist: John Falconar Slater( 1857-1937)

Title: ''The Farmstead".

Signed. Dated circa 1900.

.Oil on board.

Size: 30" x 24". Framed size: 37"x 31".

In it's very good original gilt frame.

A very good large early oil painting by Falconar Slater.

Now painting and frame cleaned. In very good ready to hang condition. Free UK delivery.

For more info please contact us at:

Tel: 01677 424830

Mob: 07885 175279

Email: williamgreenwoodfineart@gmail.com

Website: wgreenwoodfineart.co.uk

Trade enquiries welcome.

John Falconar Slater was a Newcastle born artist who painted a wide range of subjects in oils and watercolours exhibiting prolifically in the North East of England. Initially Slater worked as a bookkeeper for his father's corn mill and then, having emigrated at 20, ran a store in the diamond fields of South Africa. Returning to the Northumberland he turned to art as a career. J.F. Slater could well be one of the best Northern Impressionist artists and he was expert at depicting the many moods of the North Sea. It is reported that he was often seen clad in oil-skins, his easel tied to rocks and weighed down by stones, so he could paint in all weathers. Indeed, the blue plaque that honours him and commemorates his time lived in Cullercoats (St. Oswins Avenue) cites that he was, “known as the 'weatherproof artist' for his practice of painting outdoors in all conditions.” John Falconar Slater was a member of the Bewick Club, the President of the North East Art Club, based in Whitley Bay, and a leading member of the Cullercoats Colony. Slater exhibited widely on Tyneside, Walker Gallery, Liverpool, (5) and Manchester City Art Gallery (1) and exhibited 22 works at the Royal Academy. Today his works are held, among others, by the: Laing Art Gallery; Shipley Art Gallery; Government Art collection; National Maritime Museum; South Shields, Sunderland, Lancaster, Museums.

Physical Dimensions
Height
94cm (37.01")
Width
79cm (31.10")
Depth
6cm (2.36")
Declaration

William Greenwood Fine Art has dated this Antique Landscape Oil Painting to the 1900s.

Reference Numbers
Sellingantiques Reference
SA1146703
Dealers Internal Reference
wgb
Description
Artist: John Falconar Slater( 1857-1937)

Title: ''The Farmstead".

Signed. Dated circa 1900.

Oil on board.

Size: 30" x 24". Framed size: 37"x 31".

In it's very good original gilt frame.

A very good large early oil painting by Falconar Slater.

fig 1. An impressionistic oil painting depicting a rural lane lined with autumn trees and cottages, housed within an ornate swept gilt frame.
fig 1. John Falconar Slater "The Farmstead" . Large Oil Painting Landscape.

Now painting and frame cleaned. In very good ready to hang condition. Free UK delivery.

For more info please contact us at:

Tel: 01677 424830

Mob: 07885 175279

Email: williamgreenwoodfineart@gmail.com

Website: wgreenwoodfineart.co.uk

fig 2. An impressionistic oil painting depicting a rural lane lined with autumn trees and cottages, housed within an ornate swept gilt frame.
fig 2. John Falconar Slater "The Farmstead" . Large Oil Painting Landscape.

Trade enquiries welcome.

“
John Falconar Slater was a Newcastle born artist who painted a wide range of subjects in oils and watercolours exhibiting prolifically in the North East of England.
William Greenwood Fine Art

Initially Slater worked as a bookkeeper for his father's corn mill and then, having emigrated at 20, ran a store in the diamond fields of South Africa. Returning to the Northumberland he turned to art as a career. J.F. Slater could well be one of the best Northern Impressionist artists and he was expert at depicting the many moods of the North Sea. It is reported that he was often seen clad in oil-skins, his easel tied to rocks and weighed down by stones, so he could paint in all weathers. Indeed, the blue plaque that honours him and commemorates his time lived in Cullercoats (St. Oswins Avenue) cites that he was, “known as the 'weatherproof artist' for his practice of painting outdoors in all conditions.” John Falconar Slater was a member of the Bewick Club, the President of the North East Art Club, based in Whitley Bay, and a leading member of the Cullercoats Colony. Slater exhibited widely on Tyneside, Walker Gallery, Liverpool, (5) and Manchester City Art Gallery (1) and exhibited 22 works at the Royal Academy. Today his works are held, among others, by the: Laing Art Gallery; Shipley Art Gallery; Government Art collection; National Maritime Museum; South Shields, Sunderland, Lancaster, Museums.

Height
94cm (37.01")
Width
79cm (31.10")
Depth
6cm (2.36")
Date of Manufacture

William Greenwood Fine Art has dated this Antique Landscape Oil Painting to the 1900s.

Reference Numbers
Sellingantiques Ref
SA1146703
Dealers Internal Ref
wgb
William Greenwood Fine Art
Sellingantiques verified Since Oct 2012
Dealer Profile

You can view the stock and full dealer information on the William Greenwood Fine Art Profile Page

Relevant Links
PDF SHARE
SAVE
An impressionistic oil painting depicting a rural lane lined with autumn trees and cottages, housed within an ornate swept gilt frame.
1 / 6
Archive I An impressionistic oil painting depicting a rural lane lined with autumn trees and cottages, housed within an ornate swept gilt frame.

John Falconar Slater "The Farmstead" . Large Oil Painting Landscape.

Archive II An impressionistic oil painting depicting a rural lane lined with autumn trees and cottages, housed within an ornate swept gilt frame. View II
Archive III An impressionistic oil painting depicting a rural lane lined with autumn trees and cottages, housed within an ornate swept gilt frame. View III
Archive IV An impressionistic oil painting depicting a rural lane lined with autumn trees and cottages, housed within an ornate swept gilt frame. View IV
Archive V An impressionistic oil painting depicting a rural lane lined with autumn trees and cottages, housed within an ornate swept gilt frame. View V
Archive VI An impressionistic oil painting depicting a rural lane lined with autumn trees and cottages, housed within an ornate swept gilt frame. View VI
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William Greenwood Fine Art
Telephone 01677 424 830 or 07885 175279
Location
Oakdene
Church Wynd
Burneston
Bedale
DL8 2JE
United Kingdom
Dealer Profile Page sellingantiques.co.uk/williamgreenwoodfineart
Verified Since Oct 2012
Items For Sale 217
Items Sold 508
William Greenwood Fine Art
Verified Since Oct 2012
View Dealer Info
Location: Oakdene, Church Wynd, Burneston, Bedale, DL8 2JE, United Kingdom
Profile: sellingantiques.co.uk/williamgreenwoodfineart
Verified
Oct 2012
For Sale
217
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508
An impressionistic oil painting depicting a rural lane lined with autumn trees and cottages, housed within an ornate swept gilt frame.
John Falconar Slater "The Farmstead" . Large oil painting landscape.
Ref: SA1146703
An impressionistic oil painting depicting a rural lane lined with autumn trees and cottages, housed within an ornate swept gilt frame.
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FAQs

British Impressionist landscape paintings from the late 19th and early 20th centuries emphasize natural light, expressive impasto brushwork, and atmospheric depictions of countryside scenes, often capturing rural life and changing seasons.

Artwork from this period typically features oil pigments mixed with drying oils applied to stretched linen canvas, mounted inside moulded wooden frames finished with plaster, gesso, and gold leaf gilding.

Authenticity is assessed by examining artist signatures, surface craquelure patterns, stretcher construction, brushwork technique, and natural oxidisation or aging on the reverse of the canvas and frame.

A gilt-framed landscape functions as a focal point when hung above a mantelpiece or sideboard, providing textural contrast against contemporary neutral walls or complementing traditional timber paneling.

Oil paintings should be kept away from direct sunlight, high humidity, and heat sources. The frame can be gently dusted with a soft, dry brush, while canvas cleaning should be performed exclusively by a professional art conservator.
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