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ID #SA1138646
FOR SALE
£3,900
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Landscape Oil Painting of a Harvest Field at Sunset by Walter Williams
For sale by Benton Fine Art
for sale €4,563     $4,953
£3,900
Benton Fine Art

Benton Fine Art

Sellingantiques Verified Since Sep 2012
Browse dealers 213 items
  • About Us
    Specialists in 19th & early 20th century original oil paintings by listed artists
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Id #SA1138646
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Landscape Oil Painting of a Harvest Field at Sunset by Walter Williams

19th century
For Sale by Benton Fine Art
Description

Walter Williams

British, (1834-1906)

Harvest Field at Sunset, Clayton near Brighton Sussex

Oil on canvas, signed

Image size: 15.5 inches x 23.5 inches

Size including frame: 21.5 inches x 29.5 inches

Provenance: Burlington Paintings, London

A beautifully lit painting of figures harvesting at sunset by Walter Williams. Farm workers are shown gathering sheaves in a field and standing them into shocks as evening falls. In the distance, the original Clayton windmill known as Jill can be seen rising above the landscape on the crest of a hill. Clayton is a small village which lies at the foot of the South Downs in Sussex. It is famous for its two windmills named Jack and Jill, which stand at the site of Duncton mill. Jill was the first windmill built in 1821 with Jack being built in 1866. Given the absence of the second windmill in the painting, this would suggest the work was executed by the artist prior to this date.

Walter Williams was born in North London on the 29 November 1834 to the artist George Augustus Williams (1814-1901) and his wife Caroline Francis (nee Smith). He was part of the Williams family of artists founded by his grandfather Edward Williams (1781-1855). His uncles Edward Charles Williams (1807-1881), Henry John Boddington (1811-1865), Arthur Gilbert (1819-1895), Sidney Richard Percy (1821–1886) and Alfred Walter Williams (1824–1905) were all artists.

He was christened George after his father, but later used his middle name to distinguish between the two. He lived with his family in Liverpool Street on the Grays Inn Road in London until around 1846 when they moved to Castlenau Villas in Barnes. Williams was taught by his father and may have also received guidance from other members of the Williams family including his Grandfather. His father worked out of neighbouring studios with his grandfather and uncles and Williams and his cousins often joined them there to paint.

He made his debut at the Royal Academy in 1854 and went on to exhibit at the British Institution and the Society of British Artists. On 27 June, 1857 he married Jane Pearcy (1832-1872) who was also an artist. They lived at 8 Lonsdale Terrace on Lonsdale Road in Barnes and went on to have two children, Florence and Cyril who inherited their parent’s talent. The house was renamed Florence Villa from 1870. After the death of his wife in 1872 he continued living in Lonsdale Road. Sometime around the late 1890’s he remarried and moved with his second wife Mary to 20 Lonsdale Road. Williams died in Richmond on 14 April, 1906.

Examples of his work can be found at the Beverley Art Gallery and Hastings Museum & Art Gallery.

Presentation: The work is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
54.5cm (21.46")
Width
75cm (29.53")
Depth
6.5cm (2.56")
Declaration

Benton Fine Art has dated this Victorian Harvest Landscape Painting to the 1860s.

Reference Numbers
Sellingantiques Reference
SA1138646
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

We use a professional, fully insured and tracked door to door service for our UK and international deliveries. Please contact us for further information and shipping quotes.

Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
Walter Williams

British, (1834-1906)

Harvest Field at Sunset, Clayton near Brighton Sussex

Oil on canvas, signed

Image size: 15.5 inches x 23.5 inches

Size including frame: 21.5 inches x 29.5 inches

Provenance: Burlington Paintings, London

A beautifully lit painting of figures harvesting at sunset by Walter Williams. Farm workers are shown gathering sheaves in a field and standing them into shocks as evening falls.

“
In the distance, the original Clayton windmill known as Jill can be seen rising above the landscape on the crest of a hill.
Benton Fine Art

Clayton is a small village which lies at the foot of the South Downs in Sussex. It is famous for its two windmills named Jack and Jill, which stand at the site of Duncton mill. Jill was the first windmill built in 1821 with Jack being built in 1866. Given the absence of the second windmill in the painting, this would suggest the work was executed by the artist prior to this date.

fig 1. A Victorian landscape oil painting depicting field workers harvesting wheat at sunset, housed within an ornate gilded frame.
fig 1. Landscape Oil Painting of a Harvest Field at Sunset by Walter Williams

Walter Williams was born in North London on the 29 November 1834 to the artist George Augustus Williams (1814-1901) and his wife Caroline Francis (nee Smith). He was part of the Williams family of artists founded by his grandfather Edward Williams (1781-1855). His uncles Edward Charles Williams (1807-1881), Henry John Boddington (1811-1865), Arthur Gilbert (1819-1895), Sidney Richard Percy (1821–1886) and Alfred Walter Williams (1824–1905) were all artists.

fig 2. A Victorian landscape oil painting depicting field workers harvesting wheat at sunset, housed within an ornate gilded frame.
fig 2. Landscape Oil Painting of a Harvest Field at Sunset by Walter Williams

He was christened George after his father, but later used his middle name to distinguish between the two. He lived with his family in Liverpool Street on the Grays Inn Road in London until around 1846 when they moved to Castlenau Villas in Barnes. Williams was taught by his father and may have also received guidance from other members of the Williams family including his Grandfather. His father worked out of neighbouring studios with his grandfather and uncles and Williams and his cousins often joined them there to paint.

fig 3. A Victorian landscape oil painting depicting field workers harvesting wheat at sunset, housed within an ornate gilded frame.
fig 3. Landscape Oil Painting of a Harvest Field at Sunset by Walter Williams

He made his debut at the Royal Academy in 1854 and went on to exhibit at the British Institution and the Society of British Artists. On 27 June, 1857 he married Jane Pearcy (1832-1872) who was also an artist. They lived at 8 Lonsdale Terrace on Lonsdale Road in Barnes and went on to have two children, Florence and Cyril who inherited their parent’s talent. The house was renamed Florence Villa from 1870. After the death of his wife in 1872 he continued living in Lonsdale Road. Sometime around the late 1890’s he remarried and moved with his second wife Mary to 20 Lonsdale Road. Williams died in Richmond on 14 April, 1906.

fig 4. A Victorian landscape oil painting depicting field workers harvesting wheat at sunset, housed within an ornate gilded frame.
fig 4. Landscape Oil Painting of a Harvest Field at Sunset by Walter Williams

Examples of his work can be found at the Beverley Art Gallery and Hastings Museum & Art Gallery.

Presentation: The work is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
54.5cm (21.46")
Width
75cm (29.53")
Depth
6.5cm (2.56")
Date of Manufacture

Benton Fine Art has dated this Victorian Harvest Landscape Painting to the 1860s.

Reference Numbers
Sellingantiques Ref
SA1138646
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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A Victorian landscape oil painting depicting field workers harvesting wheat at sunset, housed within an ornate gilded frame.
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Archive I A Victorian landscape oil painting depicting field workers harvesting wheat at sunset, housed within an ornate gilded frame.

Landscape Oil Painting of a Harvest Field at Sunset by Walter Williams

Archive II A Victorian landscape oil painting depicting field workers harvesting wheat at sunset, housed within an ornate gilded frame. View II
Archive III A Victorian landscape oil painting depicting field workers harvesting wheat at sunset, housed within an ornate gilded frame. View III
Archive IV A Victorian landscape oil painting depicting field workers harvesting wheat at sunset, housed within an ornate gilded frame. View IV
Archive V A Victorian landscape oil painting depicting field workers harvesting wheat at sunset, housed within an ornate gilded frame. View V
Archive VI A Victorian landscape oil painting depicting field workers harvesting wheat at sunset, housed within an ornate gilded frame. View VI
Archive VII A Victorian landscape oil painting depicting field workers harvesting wheat at sunset, housed within an ornate gilded frame. View VII
Archive VIII A Victorian landscape oil painting depicting field workers harvesting wheat at sunset, housed within an ornate gilded frame. View VIII
Archive IX A Victorian landscape oil painting depicting field workers harvesting wheat at sunset, housed within an ornate gilded frame. View IX
Enlarged Archival View
Telephone 07710 540 549
Location
Near Broadway
Worcestershire
United Kingdom

By appointment only.
Verified Since Sep 2012
Items For Sale 213
Benton Fine Art
Benton Fine Art
Verified Since Sep 2012
View Dealer Info
Location: Near Broadway, Worcestershire, United Kingdom, , By appointment only.
Verified
Sep 2012
For Sale
213
A Victorian landscape oil painting depicting field workers harvesting wheat at sunset, housed within an ornate gilded frame.
Landscape oil painting of a harvest field at sunset by Walter Williams
Ref: SA1138646
A Victorian landscape oil painting depicting field workers harvesting wheat at sunset, housed within an ornate gilded frame.
Detail View 1
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Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period19th century
  • StyleVictorian
  • MaterialOil on canvas, Wood, Gold Leaf, Composition
  • ColourGold, Yellow
  • MotifsAcanthus leaf moulding, Harvest scene, Sunset sky, Gilded frame
  • SizeH 54.5 cm (21 in) x W 75 cm (30 in) x D 6.5 cm (3 in)

This 1860 Victorian oil painting on canvas depicts a harvest field at sunset, attributed to the artist Walter Williams. The scene shows farm workers gathering wheat in a field beneath a yellow sky, with a windmill on a distant hill. The artwork is housed within a gold-coloured, ornate gilded frame decorated with an acanthus leaf moulding and corner cartouches. The entire piece measures 54.5 cm high, 75 cm wide, and 6.5 cm deep. Suitable for placement above a sideboard in an English country house setting, the painting brings traditional landscape motifs to domestic interiors. The wood and composition frame carries a bright finish that contrasts with the dark tones of the rural landscape within. The canvas has undergone professional cleaning, restoration, and revarnishing, arriving in ready to hang gallery condition.

Victorian landscape art emphasised naturalism, atmospheric light, and idealized pastoral scenes, capturing the changing British countryside during a period of rapid industrialisation.

Artists typically used oil paints applied to stretched flax or hemp canvas, framed in carved timber covered with composition moulding and layered with real gold leaf gilding.

Authentic period pieces feature age-appropriate craquelure in the paint layer, natural darkening or yellowing of historic varnish, original canvas stretchers, and gilding wear showing bole beneath.

Hang the painting above a modern console or sideboard to create a focal contrast, or integrate it into a gallery wall alongside sleek modern photography and minimalist frames.

Keep the painting away from direct sunlight and heat sources, dust gently with a soft dry brush, and avoid water or liquid cleaners on both the canvas and gilded frame.
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