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ID #SA1129942
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Studio of Pompeo Batoni, “Madonna of the Annunciation” – Mid-18th Century Italian Old Master
Antiques Decorative (Sussex)
for sale €1,164     $1,264
£995
Antiques Decorative (Sussex)

Antiques Decorative (Sussex)

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Studio of Pompeo Batoni, “Madonna of the Annunciation” – Mid-18th Century Italian Old Master

18th century
Description

Mid-18th-century oil painting from the Studio of Pompeo Batoni (1708–1787), presenting a revered composition: The Madonna of the Annunciation. This remarkable work exemplifies Batoni’s celebrated synthesis of Baroque drama and Rococo refinement, echoing the serenity, luminosity, and compositional grace for which the artist is world-renowned

.

Styled interiors are for presentation purposes and intended to inspire. Final layout may vary

Born in Lucca and trained in Rome, Batoni became the preeminent portraitist of European aristocracy in the 18th century, painting royalty, popes, and pilgrims alike. His religious compositions, however, remain some of the most spiritually and artistically revered of his oeuvre. The Madonna of the Annunciation stands among his most enduring subjects, interpreted by the master himself and his studio in a series of twelve documented versions.

This particular example—an oil on canvas in unrestored condition—captures the Virgin with quiet reverence and poised emotion. Soft chiaroscuro modelling, a delicately rendered complexion, and harmonious cool-green drapery all underscore the sophisticated painterly technique characteristic of Batoni’s workshop. The luminous, diffused light imbues the composition with both grace and divine intimacy.

Provenance & Condition

Attributed to the Studio of Pompeo Batoni, circa 1750

Retains original 18th-century stretcher and patina

Verso features multiple wax seals, including a Saint Martin mark, suggesting ecclesiastical or noble provenance

Craquelure consistent with age; canvas relining and surface cleaning recommended for preservation and tonal restoration

Comes with supporting documentation and expert attribution references

This is not only a beautiful devotional work, but also a significant acquisition for collectors of Italian Baroque and Rococo religious art. Works from Batoni’s studio rarely come to market in such authentic condition, making this a distinguished investment piece for serious collectors, dealers, or museums.

Key Features

Italian Old Master painting, mid-18th century

Studio of Pompeo Batoni

Subject: The Madonna of the Annunciation

Oil on canvas, unrestored

Original wax seals and historical backing

Ideal for restoration and scholarly inclusion

Physical Dimensions
Height
63cm (24.80")
Width
56cm (22.05")
Declaration

Antiques Decorative (Sussex) has dated this Italian Old Master Oil Painting to the 1750s.

Reference Numbers
Sellingantiques Reference
SA1129942
Dealers Notes

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Description
Mid-18th-century oil painting from the Studio of Pompeo Batoni (1708–1787), presenting a revered composition: The Madonna of the Annunciation.
“
This remarkable work exemplifies Batoni’s celebrated synthesis of Baroque drama and Rococo refinement, echoing the serenity, luminosity, and compositional grace for which the artist is world-renowned.
Antiques Decorative (Sussex)
fig 1. An 18th-century oil painting depicting the Virgin Mary with downcast eyes and folded hands, set within a moulded gilt wood frame.
fig 1. Studio of Pompeo Batoni, “Madonna of the Annunciation” – Mid-18th Century Italian Old Master

Styled interiors are for presentation purposes and intended to inspire. Final layout may vary

Born in Lucca and trained in Rome, Batoni became the preeminent portraitist of European aristocracy in the 18th century, painting royalty, popes, and pilgrims alike. His religious compositions, however, remain some of the most spiritually and artistically revered of his oeuvre. The Madonna of the Annunciation stands among his most enduring subjects, interpreted by the master himself and his studio in a series of twelve documented versions.

fig 2. An 18th-century oil painting depicting the Virgin Mary with downcast eyes and folded hands, set within a moulded gilt wood frame.
fig 2. Studio of Pompeo Batoni, “Madonna of the Annunciation” – Mid-18th Century Italian Old Master

This particular example—an oil on canvas in unrestored condition—captures the Virgin with quiet reverence and poised emotion. Soft chiaroscuro modelling, a delicately rendered complexion, and harmonious cool-green drapery all underscore the sophisticated painterly technique characteristic of Batoni’s workshop. The luminous, diffused light imbues the composition with both grace and divine intimacy.

fig 3. An 18th-century oil painting depicting the Virgin Mary with downcast eyes and folded hands, set within a moulded gilt wood frame.
fig 3. Studio of Pompeo Batoni, “Madonna of the Annunciation” – Mid-18th Century Italian Old Master

Provenance & Condition

Attributed to the Studio of Pompeo Batoni, circa 1750

Retains original 18th-century stretcher and patina

Verso features multiple wax seals, including a Saint Martin mark, suggesting ecclesiastical or noble provenance

fig 4. An 18th-century oil painting depicting the Virgin Mary with downcast eyes and folded hands, set within a moulded gilt wood frame.
fig 4. Studio of Pompeo Batoni, “Madonna of the Annunciation” – Mid-18th Century Italian Old Master

Craquelure consistent with age; canvas relining and surface cleaning recommended for preservation and tonal restoration

Comes with supporting documentation and expert attribution references

This is not only a beautiful devotional work, but also a significant acquisition for collectors of Italian Baroque and Rococo religious art. Works from Batoni’s studio rarely come to market in such authentic condition, making this a distinguished investment piece for serious collectors, dealers, or museums.

fig 5. An 18th-century oil painting depicting the Virgin Mary with downcast eyes and folded hands, set within a moulded gilt wood frame.
fig 5. Studio of Pompeo Batoni, “Madonna of the Annunciation” – Mid-18th Century Italian Old Master

Key Features

Italian Old Master painting, mid-18th century

Studio of Pompeo Batoni

Subject: The Madonna of the Annunciation

Oil on canvas, unrestored

Original wax seals and historical backing

Ideal for restoration and scholarly inclusion

Height
63cm (24.80")
Width
56cm (22.05")
Date of Manufacture

Antiques Decorative (Sussex) has dated this Italian Old Master Oil Painting to the 1750s.

Reference Numbers
Sellingantiques Ref
SA1129942
Antiques Decorative (Sussex)
Antiques Decorative (Sussex)
Sellingantiques verified Since May 2024

Timeless treasures: elevate your space with decorative art and antiques

Dealer Profile

You can view the stock and full dealer information on the Antiques Decorative (Sussex) Profile Page

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An 18th-century oil painting depicting the Virgin Mary with downcast eyes and folded hands, set within a moulded gilt wood frame.
1 / 11
Archive I An 18th-century oil painting depicting the Virgin Mary with downcast eyes and folded hands, set within a moulded gilt wood frame.

Studio of Pompeo Batoni, “Madonna of the Annunciation” – Mid-18th Century Italian Old Master

Archive II An 18th-century oil painting depicting the Virgin Mary with downcast eyes and folded hands, set within a moulded gilt wood frame. View II
Archive III An 18th-century oil painting depicting the Virgin Mary with downcast eyes and folded hands, set within a moulded gilt wood frame. View III
Archive IV An 18th-century oil painting depicting the Virgin Mary with downcast eyes and folded hands, set within a moulded gilt wood frame. View IV
Archive V An 18th-century oil painting depicting the Virgin Mary with downcast eyes and folded hands, set within a moulded gilt wood frame. View V
Archive VI An 18th-century oil painting depicting the Virgin Mary with downcast eyes and folded hands, set within a moulded gilt wood frame. View VI
Archive VII An 18th-century oil painting depicting the Virgin Mary with downcast eyes and folded hands, set within a moulded gilt wood frame. View VII
Archive VIII An 18th-century oil painting depicting the Virgin Mary with downcast eyes and folded hands, set within a moulded gilt wood frame. View VIII
Archive IX An 18th-century oil painting depicting the Virgin Mary with downcast eyes and folded hands, set within a moulded gilt wood frame. View IX
Archive X An 18th-century oil painting depicting the Virgin Mary with downcast eyes and folded hands, set within a moulded gilt wood frame. View X
Archive XI An 18th-century oil painting depicting the Virgin Mary with downcast eyes and folded hands, set within a moulded gilt wood frame. View XI
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Antiques Decorative (Sussex)

Antiques Decorative (Sussex)
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Antiques Decorative (Sussex)
Antiques Decorative (Sussex)
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An 18th-century oil painting depicting the Virgin Mary with downcast eyes and folded hands, set within a moulded gilt wood frame.
Studio of Pompeo Batoni, “Madonna of the Annunciation” – Mid-18th Century Italian Old Master
Ref: SA1129942
An 18th-century oil painting depicting the Virgin Mary with downcast eyes and folded hands, set within a moulded gilt wood frame.
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FAQs

Devotional paintings from 18th-century Italy often feature biblical figures, particularly the Virgin Mary, depicted with soft lighting, drapery, and expressive facial postures. These works reflect late Baroque and Rococo influences, characterised by balanced compositions and refined color application.

Artisans used natural ground mineral pigments bound in linseed or walnut oil, applied directly onto hand-stretched linen or cotton canvas. Frames from this period were typically carved from wood and finished with water gilding using genuine gold leaf over a red bole preparation.

Authentic paintings of this era display age-appropriate craquelure patterns across the paint surface, historic canvas lining or stretcher structures, and signs of oxidisation on the timber frame backings. Microscopic examination often reveals hand-ground pigments rather than modern synthetic paints.

A classical oil painting provides visual balance when placed above modern architectural features, such as a minimalist mantelpiece or a contemporary sideboard. The rich gilding and deep paint tones create an engaging contrast against neutral, textured walls.

Paintings should be kept in stable environmental conditions away from direct sunlight, central heating vents, and high humidity. Cleaning should strictly be conducted by professional art conservators using non-invasive techniques to avoid removing varnish layers.
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