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ID #SA1126150
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Landscape Oil Painting of Figures with Highland Cattle by George Turner
Benton Fine Art
for sale €3,978     $4,318
£3,400
Benton Fine Art

Benton Fine Art

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Landscape Oil Painting of Figures with Highland Cattle by George Turner

19th century
For Sale by Benton Fine Art
Description

George Turner

British, (1843-1910)

A Highland Drove

Oil on board, signed, further signed & inscribed verso

Image size: 12 inches x 17.25 inches

Size including frame: 18 inches x 23.25 inches

A lovely landscape painting of figures with Highland cattle by George Turner. In the foreground to the left, a figure can be seen riding a white horse alongside a herd of Highland cattle. As they approach a ford, one of the cows stops to take a drink whilst others graze or continue to make their way along the track. In the distance behind the drove lies a dramatic mountainous landscape.

George Turner was a landscape painter born in Cromford, Derbyshire around 1843 to Thomas and Mary Turner. His father was a tailor and encouraged his son’s natural talent for art. Although largely self- taught, he was able to set himself up as a professional artist by the age of 20. He also turned his hand to private art teaching as a young man.

After moving to Barrow-on-Trent he met and married his first wife Eliza Lakin in 1865. They lived at her family farm ‘The Walnuts’ in Barrow on Trent and had four children, two of whom became artists, Mary Turner (later Woore) and the better known William Lakin Turner (1867-1936).

Turner specialised in rustic views and often painted scenes in South Derbyshire and the Trent Valley where he lived. He also visited Birmingham, North Wales and Scotland. He exhibited from 1860 at the Birmingham Society of Artists and Suffolk Street. He was a frequent exhibitor at the Derby Art Gallery and became a member of the Derby Corporation Art Gallery Committee. He continued teaching art throughout his life and became art master to Louis Bosworth Hurt (1856-1929), who lived in nearby Ashbourne and David Payne (1843-1894) who also lived in Barrow-on-Trent, as well as his son William.

In 1880, he was commissioned to paint views of Calk Abbey by Lady Crewe. After the death of his wife in 1900, he moved to Kirk Ireton, living for a time at the Barley Mow Inn and then at 81 Oxford Street, Derby. On 16 November, 1903, he married the artist Kate Stevens Smith (1871-1964) and moved to Cliffe Ash Cottage in Idridgehay. Turner died at Idridgehay on 29 March, 1910 and is buried in St James’ churchyard.

Turner has been dubbed ‘Derbyshire’s John Constable’ with his paintings being highly collectable. His work is held by a number of public collections including the Brampton Museum, Colchester & Ipswich Museums, Derby Museum & Art Gallery, Erewash Borough Council, National Library of Wales, National Trust, Russell-Cotes Art Gallery, Southampton City Art Gallery, Wigan Arts & Heritage Service and Wolverhampton Art Gallery.

Presentation: The work is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
46cm (18.11")
Width
59cm (23.23")
Depth
5cm (1.97")
Declaration

Benton Fine Art has dated this Highland Cattle Oil Painting to the 1890s.

Reference Numbers
Sellingantiques Reference
SA1126150
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

We use a professional, fully insured and tracked door to door service for our UK and international deliveries. Please contact us for further information and shipping quotes.

Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
George Turner

British, (1843-1910)

A Highland Drove

Oil on board, signed, further signed & inscribed verso

Image size: 12 inches x 17.25 inches

Size including frame: 18 inches x 23.25 inches

A lovely landscape painting of figures with Highland cattle by George Turner.

In the foreground to the left, a figure can be seen riding a white horse alongside a herd of Highland cattle.
Benton Fine Art

As they approach a ford, one of the cows stops to take a drink whilst others graze or continue to make their way along the track. In the distance behind the drove lies a dramatic mountainous landscape.

fig 1. A Victorian landscape oil painting depicting a herd of Highland cattle and a rider on horseback traveling along a dirt track, presented in an ornate gilt frame.
fig 1. Landscape Oil Painting of Figures with Highland Cattle by George Turner

George Turner was a landscape painter born in Cromford, Derbyshire around 1843 to Thomas and Mary Turner. His father was a tailor and encouraged his son’s natural talent for art. Although largely self- taught, he was able to set himself up as a professional artist by the age of 20. He also turned his hand to private art teaching as a young man.

fig 2. A Victorian landscape oil painting depicting a herd of Highland cattle and a rider on horseback traveling along a dirt track, presented in an ornate gilt frame.
fig 2. Landscape Oil Painting of Figures with Highland Cattle by George Turner

After moving to Barrow-on-Trent he met and married his first wife Eliza Lakin in 1865. They lived at her family farm ‘The Walnuts’ in Barrow on Trent and had four children, two of whom became artists, Mary Turner (later Woore) and the better known William Lakin Turner (1867-1936).

fig 3. A Victorian landscape oil painting depicting a herd of Highland cattle and a rider on horseback traveling along a dirt track, presented in an ornate gilt frame.
fig 3. Landscape Oil Painting of Figures with Highland Cattle by George Turner

Turner specialised in rustic views and often painted scenes in South Derbyshire and the Trent Valley where he lived. He also visited Birmingham, North Wales and Scotland. He exhibited from 1860 at the Birmingham Society of Artists and Suffolk Street. He was a frequent exhibitor at the Derby Art Gallery and became a member of the Derby Corporation Art Gallery Committee. He continued teaching art throughout his life and became art master to Louis Bosworth Hurt (1856-1929), who lived in nearby Ashbourne and David Payne (1843-1894) who also lived in Barrow-on-Trent, as well as his son William.

fig 4. A Victorian landscape oil painting depicting a herd of Highland cattle and a rider on horseback traveling along a dirt track, presented in an ornate gilt frame.
fig 4. Landscape Oil Painting of Figures with Highland Cattle by George Turner

In 1880, he was commissioned to paint views of Calk Abbey by Lady Crewe. After the death of his wife in 1900, he moved to Kirk Ireton, living for a time at the Barley Mow Inn and then at 81 Oxford Street, Derby. On 16 November, 1903, he married the artist Kate Stevens Smith (1871-1964) and moved to Cliffe Ash Cottage in Idridgehay. Turner died at Idridgehay on 29 March, 1910 and is buried in St James’ churchyard.

fig 5. A Victorian landscape oil painting depicting a herd of Highland cattle and a rider on horseback traveling along a dirt track, presented in an ornate gilt frame.
fig 5. Landscape Oil Painting of Figures with Highland Cattle by George Turner

Turner has been dubbed ‘Derbyshire’s John Constable’ with his paintings being highly collectable. His work is held by a number of public collections including the Brampton Museum, Colchester & Ipswich Museums, Derby Museum & Art Gallery, Erewash Borough Council, National Library of Wales, National Trust, Russell-Cotes Art Gallery, Southampton City Art Gallery, Wigan Arts & Heritage Service and Wolverhampton Art Gallery.

fig 6. A Victorian landscape oil painting depicting a herd of Highland cattle and a rider on horseback traveling along a dirt track, presented in an ornate gilt frame.
fig 6. Landscape Oil Painting of Figures with Highland Cattle by George Turner

Presentation: The work is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
46cm (18.11")
Width
59cm (23.23")
Depth
5cm (1.97")
Date of Manufacture

Benton Fine Art has dated this Highland Cattle Oil Painting to the 1890s.

Reference Numbers
Sellingantiques Ref
SA1126150
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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A Victorian landscape oil painting depicting a herd of Highland cattle and a rider on horseback traveling along a dirt track, presented in an ornate gilt frame.
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Archive I A Victorian landscape oil painting depicting a herd of Highland cattle and a rider on horseback traveling along a dirt track, presented in an ornate gilt frame.

Landscape oil painting of figures with Highland Cattle by George Turner

Archive II A Victorian landscape oil painting depicting a herd of Highland cattle and a rider on horseback traveling along a dirt track, presented in an ornate gilt frame. View II
Archive III A Victorian landscape oil painting depicting a herd of Highland cattle and a rider on horseback traveling along a dirt track, presented in an ornate gilt frame. View III
Archive IV A Victorian landscape oil painting depicting a herd of Highland cattle and a rider on horseback traveling along a dirt track, presented in an ornate gilt frame. View IV
Archive V A Victorian landscape oil painting depicting a herd of Highland cattle and a rider on horseback traveling along a dirt track, presented in an ornate gilt frame. View V
Archive VI A Victorian landscape oil painting depicting a herd of Highland cattle and a rider on horseback traveling along a dirt track, presented in an ornate gilt frame. View VI
Archive VII A Victorian landscape oil painting depicting a herd of Highland cattle and a rider on horseback traveling along a dirt track, presented in an ornate gilt frame. View VII
Archive VIII A Victorian landscape oil painting depicting a herd of Highland cattle and a rider on horseback traveling along a dirt track, presented in an ornate gilt frame. View VIII
Archive IX A Victorian landscape oil painting depicting a herd of Highland cattle and a rider on horseback traveling along a dirt track, presented in an ornate gilt frame. View IX
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Benton Fine Art
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Verified Since Sep 2012
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Location: Near Broadway, Worcestershire, United Kingdom, , By appointment only.
Verified
Sep 2012
For Sale
210
A Victorian landscape oil painting depicting a herd of Highland cattle and a rider on horseback traveling along a dirt track, presented in an ornate gilt frame.
Landscape oil painting of figures with Highland Cattle by George Turner
Ref: SA1126150
A Victorian landscape oil painting depicting a herd of Highland cattle and a rider on horseback traveling along a dirt track, presented in an ornate gilt frame.
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Nineteenth-century British landscape painting focused on capturing natural scenes, pastoral views, and rural life, often emphasizing dramatic atmospheric conditions and regional scenery such as the Scottish Highlands.

Artists typically painted with oil-based pigments on stretched linen or cotton canvas, mounted on wooden stretcher bars, and displayed within molded plaster and giltwood frames.

Authentic pieces generally show age-consistent canvas darkening on the reverse, natural craquelure across the paint surface, original artist signatures, and period-correct construction in the framing.

Position the framed painting as a central focal point above a fireplace mantle or sideboard, or pair it alongside contemporary minimalist furniture to create a balanced contrast between historic and modern elements.

Display the artwork away from direct sunlight and fluctuating humidity, dust the frame lightly with a soft dry brush, and consult a professional conservator for cleaning or varnish restoration.
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