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Antique Doulton Lambeth Florence Barlow Vase, C. 1882
Gillers Antiques Ltd
for sale €585     $635
£500
Gillers Antiques Ltd

Gillers Antiques Ltd

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Antique Doulton Lambeth Florence Barlow Vase, C. 1882

19th century
Description

This is a very rare Doulton Lambeth stoneware vase featuring Pâte-sur-pâte style, blue panels on a light brown body, beautifully hand-painted images of birds and flowers; the peacock feather is skillfully drawn. The piece created by the renowned artist Florence Barlow. The vase is signed with her distinctive monogram and marked with the company's brand. Royal Doulton's first pottery was established by John Doulton in the Lambeth area of London in 1815. His son, Henry Doulton, took over the running of the Lambeth pottery and was knighted by Queen Victoria in 1887 for his contributions to the ceramic industry. From the early 1870s, Sir Henry engaged talented artists to decorate a wide range of art pottery, including vases and figurines. Leading artists at the Lambeth Studio included George Tinworth, George Tabor, Frank Butler, and the Barlow sisters, Hannah and Florence. Florence Barlow is one of Royal Doulton's most popular and collectible artists. She and her sister Hannah were two of nine children born to Benjamin Iram Barlow (1813-1866), a bank manager, and his wife Hannah (1816-1882) in Hadham, Hertfordshire, England. In 1871, Hannah Barlow, along with several other students, including their brother Arthur, was employed by Doulton Lambeth Pottery to decorate salt-glazed stoneware. Florence joined Doulton in 1873 and remained there for 36 years, until 1909. Initially, Florence’s designs were very much in the style of her sister's. However, when Doulton introduced Pâte-sur-pâte wares in 1878, Florence mastered this technique. It was agreed between the sisters that Florence would specialize in birds, while Hannah would focus on depicting the rest of the animal kingdom. Florence Barlow's fine work, particularly featuring her favorite subjects-birds and flowers-on decorative vases produced in the late 1890s, can sell for around £800 to £1,500, depending on the condition. Florence marked all her pieces with a distinctive monogram that differs from her sister's. Florence Barlow exhibited her work at various exhibitions, societies, and galleries. She showcased her talent at the 1876 Philadelphia Centennial Exhibition; in 1884 and 1885, she exhibited watercolors at the Royal Academy; and in 1883 and 1889, she displayed her work at the Royal Society of British Artists. In 1904, she participated in the Louisiana Purchase Exhibition, receiving well-deserved accolades for her work. Collectors of Doulton and other ceramics increasingly appreciate the superb detail in Florence's bird studies, and prices are on the rise. Her pieces are not as frequently seen as Hannah's, but they consistently perform well at both local and national auctions. Interest in Florence Barlow's work has grown considerably, making her pieces rarer and a sound financial investment.

Dimensions: Height: 28.8 cm, top diameter: 9.9 cm, bottom diameter: 9.8 cm, diameter at the widest part: 14.6 cm, weight: 1,422 grams.

Condition: The porcelain is chipped in several places; one of the flower panels shows some peeled paint. Some small beads on the top decoration are missing. Minor paint

Declaration

Gillers Antiques Ltd has dated this Doulton Lambeth Stoneware Vase to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1090588
Description
This is a very rare Doulton Lambeth stoneware vase featuring Pâte-sur-pâte style, blue panels on a light brown body, beautifully hand-painted images of birds and flowers; the peacock feather is skillfully drawn. The piece created by the renowned artist Florence Barlow. The vase is signed with her distinctive monogram and marked with the company's brand. Royal Doulton's first pottery was established by John Doulton in the Lambeth area of London in 1815.
His son, Henry Doulton, took over the running of the Lambeth pottery and was knighted by Queen Victoria in 1887 for his contributions to the ceramic industry.
Gillers Antiques Ltd

From the early 1870s, Sir Henry engaged talented artists to decorate a wide range of art pottery, including vases and figurines. Leading artists at the Lambeth Studio included George Tinworth, George Tabor, Frank Butler, and the Barlow sisters, Hannah and Florence. Florence Barlow is one of Royal Doulton's most popular and collectible artists. She and her sister Hannah were two of nine children born to Benjamin Iram Barlow (1813-1866), a bank manager, and his wife Hannah (1816-1882) in Hadham, Hertfordshire, England. In 1871, Hannah Barlow, along with several other students, including their brother Arthur, was employed by Doulton Lambeth Pottery to decorate salt-glazed stoneware. Florence joined Doulton in 1873 and remained there for 36 years, until 1909. Initially, Florence’s designs were very much in the style of her sister's. However, when Doulton introduced Pâte-sur-pâte wares in 1878, Florence mastered this technique. It was agreed between the sisters that Florence would specialize in birds, while Hannah would focus on depicting the rest of the animal kingdom. Florence Barlow's fine work, particularly featuring her favorite subjects-birds and flowers-on decorative vases produced in the late 1890s, can sell for around £800 to £1,500, depending on the condition. Florence marked all her pieces with a distinctive monogram that differs from her sister's. Florence Barlow exhibited her work at various exhibitions, societies, and galleries. She showcased her talent at the 1876 Philadelphia Centennial Exhibition; in 1884 and 1885, she exhibited watercolors at the Royal Academy; and in 1883 and 1889, she displayed her work at the Royal Society of British Artists. In 1904, she participated in the Louisiana Purchase Exhibition, receiving well-deserved accolades for her work. Collectors of Doulton and other ceramics increasingly appreciate the superb detail in Florence's bird studies, and prices are on the rise. Her pieces are not as frequently seen as Hannah's, but they consistently perform well at both local and national auctions. Interest in Florence Barlow's work has grown considerably, making her pieces rarer and a sound financial investment.

fig 1. A late 19th-century stoneware vase featuring a flared rim, warm brown buff body decorated with raised blue and white beaded borders, peacock feather motifs, and a painted central oval panel displaying a bird.
fig 1. Antique Doulton Lambeth Florence Barlow Vase, C. 1882

Dimensions: Height: 28.8 cm, top diameter: 9.9 cm, bottom diameter: 9.8 cm, diameter at the widest part: 14.6 cm, weight: 1,422 grams.

Condition: The porcelain is chipped in several places; one of the flower panels shows some peeled paint. Some small beads on the top decoration are missing. Minor paint

Date of Manufacture

Gillers Antiques Ltd has dated this Doulton Lambeth Stoneware Vase to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1090588
Gillers Antiques Ltd
Gillers Antiques Ltd
Sellingantiques verified Since Mar 2023
Dealer Profile

You can view the stock and full dealer information on the Gillers Antiques Ltd Profile Page

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A late 19th-century stoneware vase featuring a flared rim, warm brown buff body decorated with raised blue and white beaded borders, peacock feather motifs, and a painted central oval panel displaying a bird.
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Archive I A late 19th-century stoneware vase featuring a flared rim, warm brown buff body decorated with raised blue and white beaded borders, peacock feather motifs, and a painted central oval panel displaying a bird.

Antique Doulton Lambeth Florence Barlow Vase, C. 1882

Archive II A late 19th-century stoneware vase featuring a flared rim, warm brown buff body decorated with raised blue and white beaded borders, peacock feather motifs, and a painted central oval panel displaying a bird. View II
Archive III A late 19th-century stoneware vase featuring a flared rim, warm brown buff body decorated with raised blue and white beaded borders, peacock feather motifs, and a painted central oval panel displaying a bird. View III
Archive IV A late 19th-century stoneware vase featuring a flared rim, warm brown buff body decorated with raised blue and white beaded borders, peacock feather motifs, and a painted central oval panel displaying a bird. View IV
Archive V A late 19th-century stoneware vase featuring a flared rim, warm brown buff body decorated with raised blue and white beaded borders, peacock feather motifs, and a painted central oval panel displaying a bird. View V
Archive VI A late 19th-century stoneware vase featuring a flared rim, warm brown buff body decorated with raised blue and white beaded borders, peacock feather motifs, and a painted central oval panel displaying a bird. View VI
Archive VII A late 19th-century stoneware vase featuring a flared rim, warm brown buff body decorated with raised blue and white beaded borders, peacock feather motifs, and a painted central oval panel displaying a bird. View VII
Archive VIII A late 19th-century stoneware vase featuring a flared rim, warm brown buff body decorated with raised blue and white beaded borders, peacock feather motifs, and a painted central oval panel displaying a bird. View VIII
Archive IX A late 19th-century stoneware vase featuring a flared rim, warm brown buff body decorated with raised blue and white beaded borders, peacock feather motifs, and a painted central oval panel displaying a bird. View IX
Archive X A late 19th-century stoneware vase featuring a flared rim, warm brown buff body decorated with raised blue and white beaded borders, peacock feather motifs, and a painted central oval panel displaying a bird. View X
Archive XI A late 19th-century stoneware vase featuring a flared rim, warm brown buff body decorated with raised blue and white beaded borders, peacock feather motifs, and a painted central oval panel displaying a bird. View XI
Archive XII A late 19th-century stoneware vase featuring a flared rim, warm brown buff body decorated with raised blue and white beaded borders, peacock feather motifs, and a painted central oval panel displaying a bird. View XII
Archive XIII A late 19th-century stoneware vase featuring a flared rim, warm brown buff body decorated with raised blue and white beaded borders, peacock feather motifs, and a painted central oval panel displaying a bird. View XIII
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A late 19th-century stoneware vase featuring a flared rim, warm brown buff body decorated with raised blue and white beaded borders, peacock feather motifs, and a painted central oval panel displaying a bird.
Antique Doulton Lambeth Florence Barlow vase, c. 1882
Ref: SA1090588
A late 19th-century stoneware vase featuring a flared rim, warm brown buff body decorated with raised blue and white beaded borders, peacock feather motifs, and a painted central oval panel displaying a bird.
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Produced in Lambeth, London, during the late 19th century, Doulton Lambeth stoneware became prominent during the Arts and Crafts movement, featuring hand-decorated organic motifs, bird designs, and distinctive salt-glazed finishes executed by studio artists.

Stoneware vessels were shaped from dense clay, decorated using techniques such as sgraffito, incising, beaded slip-work, and painted slip application, and subsequently fired with a salt glaze to produce a textured surface.

Authentic pieces feature impressed factory marks on the base, such as the Doulton Lambeth rosette stamp, production date indicators, shape numbers, and distinct monograms corresponding to individual studio artists.

Position the piece as a focal point on a fireplace mantel, console table, or open bookshelf alongside natural timber accents and neutral tones to highlight the hand-applied ceramic detail.

Dust the surface regularly using a dry, soft lint-free cloth or a soft bristle brush to clear recessed relief details, avoiding submersion in water or exposure to chemical cleaners.
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