Skippings Fine Arts has dated this Mariette Lydis Original Drawing to the 1940s.
These works cemented her as an up-and-coming avant-garde artist.

Mariette Lydis would remain married to her third husband, an Italian count and publisher, but was openly bisexual. At the end of the 1930s she escaped Paris and the ensuing Nazi roundup of Jews to be briefly in England and from 1940 in Argentina. From 1940 until her death in 1970 she lived with her partner Erica Marx.

Lydis was known for her lithographic depictions celebrating lesbian and bisexual relationships. Critics of her work in this style often described the illustrations as "perverse" and compared her work to Tamara de Lempicka.

One of Mariette Lydis’s last major book commissions was from Paris publisher Georges Guillot, who in 1949 asked her for fifteen engravings to illustrate Paul Verlaine’s poetry collection "Parallèlement" first published in 1889. "Parallèlement" was a popular subject for illustration, largely because it includes the two lesbian-themed cycles, so it is not hard to see why Mariette was an obvious choice for the Guillot edition.

Presented proudly here is an ORIGINAL graphite drawing by Lydis for "Paralellement", as well as the original etched copper plate for the book which ensued. Both works are mounted and presented in the same frame. The original drawing is annotated by Lydis' hand at the upper left p(age) 10 "Vous ici, toi, copine détestable" , a quote from Verlaine's poem.

Size of the graphite drawing: 34 x 26 cm
Size of the etched copper plate: 35 x 28 cm
Overall size of the frame: 52 x 78 cm
Works by Mariette Lydis are in the collections of the Victoria and Albert Museum in London, the Fogg Art Museum at Harvard University, and Davidson Galleries in Seattle, Washington.
Skippings Fine Arts has dated this Mariette Lydis Original Drawing to the 1940s.
Modern french & continental pictures selected by a former french auction house expert
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