This accomplished work, from Kilcooley Abbey, Ireland, portrays a gentleman traditionally known as the English military commander and politician, Edward Cecil 1st Viscount Wimbledon (1572-1738). Depicted standing on a portico beside a large plinth and column he is shown wearing a suit of armour and holding a symbol of power and office, a baton. Cecil served with the English forces several times, most notably during the War of the J�lich succession, when he commanded the British and Irish contingent of 4000 men. The battle scene in the distance most likely represents The Siege of J�lich of 1610. This was the first ever army flagged as British under the Union Flag.His heroic visage suitably reflects his wealth and status and the martial. Most likely painted just after the sitter�s death in 1638 to commemorate his life, the body has been modelled on Van Dyke�s finest portrait of Charles I which was painted a few years earlier in 1635/6. Van Dyke�s portrait became wildly popular and is still one of his most renowned works of the monarch today. The head itself was probably modelled from a known mezzotint of the sitter of 1618 by the engraver Simon de Passe (1595-1647). De Passe had settled in London in 1616 from Utrecht and established a successful engraving practice (mainly of portraits of the royal family and noblemen). This approach to creating a composition was not unusual. The painting is inscribed on the plinth: �Edward Cecil 3rd son of Thomas Earl of Exeter, Created Viscount Wimbledon, Great Grandfather to Albina, Present Marchioness of Lindsey�. Inscriptions such as this were commonly added to paintings at the time the work was painted and also later by descendants to record the sitter. Albina Farington (1689-1745) held the title of Marshioness of Linsday between 1706 and 1715 as the wife of British statesman and nobleman Robert Bertie, 1st Marquess of Lindsey.Cecil was born into one of the most influential families in England, his grandfather...