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Pair of Marine Oil Paintings of Shipping Off Scarborough & Portsmouth Harbour by John James Wilson
Benton Fine Art
for sale €6,318     $6,858
£5,400
Benton Fine Art

Benton Fine Art

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Pair of Marine Oil Paintings of Shipping Off Scarborough & Portsmouth Harbour by John James Wilson

19th century
For Sale by Benton Fine Art
Description

John James Wilson

British, (1818-1875)

Shipping off Scarborough & Shipping off Portsmouth Harbour

Oil on canvas, pair, both signed

Image size: 11.25 inches x 19.25 inches (each)

Size including frame: 18.5 inches x 26.5 inches (each)

An attractive pair of seascape paintings depicting ships off two British harbours by John James Wilson. The distinctive ruins of Scarborough castle and the harbour lighthouse can be seen to the left of the first painting. In the second, the fortified wall of the old Portsmouth harbour is visible to the right, just above the sea line.

John James Wilson was born in Lambeth in 1818. He was the son of the famous marine artist John H. (Jock) Wilson and the brother of William A Wilson, a landscape and architectural painter. He studied under his father who undoubtedly influenced his style and over the years produced a large number of works.

He specialised in marine paintings and began exhibiting at the British Institution in 1834 and at Royal Academy from 1835 where he exhibited 55 paintings in total. He was a regular contributor at the Royal Society of British Artists with 384 works and was elected a member in 1845. He also exhibited at the Royal Scottish Academy, Royal Hibernian Academy and the Royal Glasgow Institute of Fine Arts.

He married Elizabeth Parker in 1845 and they lived in Bayswater where their first child was born. After living in Redhill for a couple of years the family moved to 13 Park Place, Milton-on-Thames near Gravesend in 1851. He spent his time travelling around England painting landscape and coastal views of England but also visited Scotland, North Wales, Holland and Brittany.

By 1856, he had made the move to Folkestone, living at 3 Westcliffe Place and began concentrating on marine scenes, particularly of the English Channel. From 1865, he lived at Belle Vue House in Folksestone where he spent the rest of his life. He died at Belle Vue House in 1875.

Examples of his work can be found at a number of museums and art galleries including the Dundee Art Gallery, Folkestone Museum, the National Maritime Museum, the Scottish National Gallery, Sheffield Museum, Watford Museum and the Wolverhampton Art Galleries.

Presentation: The paintings are housed in new, English made gilt frames which are in excellent condition.

Condition: As with all of our original antique oil paintings, these works are offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
47cm (18.50")
Width
67cm (26.38")
Depth
7cm (2.76")
Declaration

Benton Fine Art has dated these Victorian Marine Oil Paintings to the 1860s.

Reference Numbers
Sellingantiques Reference
SA979807
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

We use a professional, fully insured and tracked door to door service for our UK and international deliveries. Please contact us for further information and shipping quotes.

Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
John James Wilson

British, (1818-1875)

Shipping off Scarborough & Shipping off Portsmouth Harbour

Oil on canvas, pair, both signed

Image size: 11.25 inches x 19.25 inches (each)

Size including frame: 18.5 inches x 26.5 inches (each)

An attractive pair of seascape paintings depicting ships off two British harbours by John James Wilson.
Benton Fine Art

The distinctive ruins of Scarborough castle and the harbour lighthouse can be seen to the left of the first painting. In the second, the fortified wall of the old Portsmouth harbour is visible to the right, just above the sea line.

fig 1. A pair of 19th-century marine oil paintings depicting sailing ships on choppy seas, housed in matching ornate giltwood frames.
fig 1. Pair of Marine Oil Paintings of Shipping Off Scarborough & Portsmouth Harbour by John James Wilson

John James Wilson was born in Lambeth in 1818. He was the son of the famous marine artist John H. (Jock) Wilson and the brother of William A Wilson, a landscape and architectural painter. He studied under his father who undoubtedly influenced his style and over the years produced a large number of works.

fig 2. A pair of 19th-century marine oil paintings depicting sailing ships on choppy seas, housed in matching ornate giltwood frames.
fig 2. Pair of Marine Oil Paintings of Shipping Off Scarborough & Portsmouth Harbour by John James Wilson

He specialised in marine paintings and began exhibiting at the British Institution in 1834 and at Royal Academy from 1835 where he exhibited 55 paintings in total. He was a regular contributor at the Royal Society of British Artists with 384 works and was elected a member in 1845. He also exhibited at the Royal Scottish Academy, Royal Hibernian Academy and the Royal Glasgow Institute of Fine Arts.

fig 3. A pair of 19th-century marine oil paintings depicting sailing ships on choppy seas, housed in matching ornate giltwood frames.
fig 3. Pair of Marine Oil Paintings of Shipping Off Scarborough & Portsmouth Harbour by John James Wilson

He married Elizabeth Parker in 1845 and they lived in Bayswater where their first child was born. After living in Redhill for a couple of years the family moved to 13 Park Place, Milton-on-Thames near Gravesend in 1851. He spent his time travelling around England painting landscape and coastal views of England but also visited Scotland, North Wales, Holland and Brittany.

fig 4. A pair of 19th-century marine oil paintings depicting sailing ships on choppy seas, housed in matching ornate giltwood frames.
fig 4. Pair of Marine Oil Paintings of Shipping Off Scarborough & Portsmouth Harbour by John James Wilson

By 1856, he had made the move to Folkestone, living at 3 Westcliffe Place and began concentrating on marine scenes, particularly of the English Channel. From 1865, he lived at Belle Vue House in Folksestone where he spent the rest of his life. He died at Belle Vue House in 1875.

fig 5. A pair of 19th-century marine oil paintings depicting sailing ships on choppy seas, housed in matching ornate giltwood frames.
fig 5. Pair of Marine Oil Paintings of Shipping Off Scarborough & Portsmouth Harbour by John James Wilson

Examples of his work can be found at a number of museums and art galleries including the Dundee Art Gallery, Folkestone Museum, the National Maritime Museum, the Scottish National Gallery, Sheffield Museum, Watford Museum and the Wolverhampton Art Galleries.

fig 6. A pair of 19th-century marine oil paintings depicting sailing ships on choppy seas, housed in matching ornate giltwood frames.
fig 6. Pair of Marine Oil Paintings of Shipping Off Scarborough & Portsmouth Harbour by John James Wilson

Presentation: The paintings are housed in new, English made gilt frames which are in excellent condition.

Condition: As with all of our original antique oil paintings, these works are offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
47cm (18.50")
Width
67cm (26.38")
Depth
7cm (2.76")
Date of Manufacture

Benton Fine Art has dated these Victorian Marine Oil Paintings to the 1860s.

Reference Numbers
Sellingantiques Ref
SA979807
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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A pair of 19th-century marine oil paintings depicting sailing ships on choppy seas, housed in matching ornate giltwood frames.
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Archive I A pair of 19th-century marine oil paintings depicting sailing ships on choppy seas, housed in matching ornate giltwood frames.

Pair of marine oil paintings of shipping off Scarborough & Portsmouth Harbour by John James Wilson

Archive II A pair of 19th-century marine oil paintings depicting sailing ships on choppy seas, housed in matching ornate giltwood frames. View II
Archive III A pair of 19th-century marine oil paintings depicting sailing ships on choppy seas, housed in matching ornate giltwood frames. View III
Archive IV A pair of 19th-century marine oil paintings depicting sailing ships on choppy seas, housed in matching ornate giltwood frames. View IV
Archive V A pair of 19th-century marine oil paintings depicting sailing ships on choppy seas, housed in matching ornate giltwood frames. View V
Archive VI A pair of 19th-century marine oil paintings depicting sailing ships on choppy seas, housed in matching ornate giltwood frames. View VI
Archive VII A pair of 19th-century marine oil paintings depicting sailing ships on choppy seas, housed in matching ornate giltwood frames. View VII
Archive VIII A pair of 19th-century marine oil paintings depicting sailing ships on choppy seas, housed in matching ornate giltwood frames. View VIII
Archive IX A pair of 19th-century marine oil paintings depicting sailing ships on choppy seas, housed in matching ornate giltwood frames. View IX
Archive X A pair of 19th-century marine oil paintings depicting sailing ships on choppy seas, housed in matching ornate giltwood frames. View X
Archive XI A pair of 19th-century marine oil paintings depicting sailing ships on choppy seas, housed in matching ornate giltwood frames. View XI
Archive XII A pair of 19th-century marine oil paintings depicting sailing ships on choppy seas, housed in matching ornate giltwood frames. View XII
Archive XIII A pair of 19th-century marine oil paintings depicting sailing ships on choppy seas, housed in matching ornate giltwood frames. View XIII
Archive XIV A pair of 19th-century marine oil paintings depicting sailing ships on choppy seas, housed in matching ornate giltwood frames. View XIV
Archive XV A pair of 19th-century marine oil paintings depicting sailing ships on choppy seas, housed in matching ornate giltwood frames. View XV
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Benton Fine Art
Benton Fine Art
Verified Since Sep 2012
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Location: Near Broadway, Worcestershire, United Kingdom, , By appointment only.
Verified
Sep 2012
For Sale
210
A pair of 19th-century marine oil paintings depicting sailing ships on choppy seas, housed in matching ornate giltwood frames.
Pair of marine oil paintings of shipping off Scarborough & Portsmouth Harbour by John James Wilson
Ref: SA979807
A pair of 19th-century marine oil paintings depicting sailing ships on choppy seas, housed in matching ornate giltwood frames.
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Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

British marine painting in the 19th century focused on detailed depictions of naval vessels, coastal trade, and ocean weather conditions. Artists emphasized dramatic cloud formations, realistic wave textures, and precise nautical rigging to reflect Britains maritime influence.

Victorian marine artworks were typically painted using oil pigments on stretched linen or cotton canvas. Frames were frequently constructed from carved wood or molded composition plaster coated in gold leaf or gilt finish.

Authentic pieces generally exhibit natural age craquelure across the paint layer, historical canvas stretching techniques, and age-appropriate oxidation on the timber backing or frame. Signatures, artist labels, or gallery stencils on the reverse also assist in verification.

Pairing classical seascapes with neutral wall tones or deep wood paneling creates visual balance. Hanging a pair side-by-side above a sideboard or console table establishes a formal focal point in modern or traditional rooms.

Dusting should be done lightly with a soft, dry camel-hair brush, avoiding commercial cleaners or water. Paintings should be kept away from direct sunlight, extreme humidity, and working heat sources to prevent cracking or warping.
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