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Pair of Military Landscape Oil Paintings of Volunteer Rifle Soldiers by Frederick Henry Howard Harris
Benton Fine Art
for sale €20,943     $22,733
£17,900
Benton Fine Art

Benton Fine Art

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    Specialists in 19th & early 20th century original oil paintings by listed artists
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Id #SA872354
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Pair of Military Landscape Oil Paintings of Volunteer Rifle Soldiers by Frederick Henry Howard Harris

19th century
For Sale by Benton Fine Art
Description

Frederick Henry Howard Harris

British, (1829-1901)

Volunteer Rifle Soldiers by a Country House & Companion

Oil on canvas, pair, one signed & dated 1872

Image size: 19.5 inches x 30.5 inches (each)

Size including frame: 26.25 inches x 37.25 inches (each)

A fantastic pair of military paintings of British Volunteer Soldiers at an encampment by Frederick Henry Howard Harris. The paintings depict the annual fortnightly camp of two volunteer Rifle Corps. Britain has a long history of recruiting part-time civilian soldiers to help defend its shores, using conscription from 1757. The conscription ballot ended in the early 19th century, however troop shortages after the Crimean War (1854-56) prompted the creation of the volunteer force movement in 1859. Many local Volunteer rifle, artillery and engineer corps were subsequently formed, consisting of men from local trades and businesses. From 1859 to 1908 they played a vital role in national defence until the formation of the Territorial force. The part-time soldiers were required to train for certain number of days each year as well as attend an annual camp which took place over a fortnight. The camps were mainly to provide realistic military training outdoors and were often held on public holidays to prevent inconvenience to employers and employees. They quickly evolved into popular days out for wives and families to visit. Several units had grey uniforms including the Bristol Rifle Volunteers, who also had similar green plumes. (Acknowledgements: Q&C Militaria, Cheltenham and the Royal Birmingham Society of Artists (RBSA) archives).

Frederick Henry Howard Harris was the son of Henry Harris (b.1811), an artist and drawing master and his wife Margaret who lived at 16 Caroline Street, Birmingham. According to official records, he was born on 23 January, 1829 rather than the date of 1826 which has been previously listed. He is also sometimes mistakenly referred to as Francis.

Whilst he was growing up, his parents ran a school in Frederick Street, Edgbaston and it is highly likely he was tutored there by his father and his mother who was a school mistress. His future wife Lucinda Evetts also worked there for a time as an assistant and this is undoubtedly where they first met. By the time of his marriage to Lucinda at Old Church, Edgbaston church on 20 June, 1859 he had established himself as an artist. Together they lived at 18 Harborne road, where his wife later set up a school. Lucinda was nearly 10 years older than him which may have caused a bit of a stir at the time. This could account for the differing birth years recorded on the censuses after their marriage, as they may have wanted to conceal this. As well as travelling around the UK to paint, he also went abroad visiting Europe and Morocco. He exhibited at the Royal Society of Artists, Birmingham becoming a member of the organisation in 1872.

After giving up the school around 1881, the couple moved to Hills Side, Kingscote Road, Edgbaston. Harris spent his final years living at Mariecroft, Margaret Road in Birmingham. He died on 30 December, 1901 at Birmingham.

Examples of his work can be found at the Wolverhampton Art Gallery and the Birmingham Museum.

Presentation: The paintings are housed in new, English made gilt frames which are in excellent condition.

Condition: As with all of our original antique oil paintings, these works are offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
66.5cm (26.18")
Width
94.5cm (37.20")
Depth
8.5cm (3.35")
Declaration

Benton Fine Art has dated these Military Landscape Oil Paintings to the 1870s.

Reference Numbers
Sellingantiques Reference
SA872354
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

We use a professional, fully insured and tracked door to door service for our UK and international deliveries. Please contact us for further information and shipping quotes.

Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
Frederick Henry Howard Harris

British, (1829-1901)

Volunteer Rifle Soldiers by a Country House & Companion

Oil on canvas, pair, one signed & dated 1872

Image size: 19.5 inches x 30.5 inches (each)

Size including frame: 26.25 inches x 37.25 inches (each)

A fantastic pair of military paintings of British Volunteer Soldiers at an encampment by Frederick Henry Howard Harris.
Benton Fine Art

The paintings depict the annual fortnightly camp of two volunteer Rifle Corps. Britain has a long history of recruiting part-time civilian soldiers to help defend its shores, using conscription from 1757. The conscription ballot ended in the early 19th century, however troop shortages after the Crimean War (1854-56) prompted the creation of the volunteer force movement in 1859. Many local Volunteer rifle, artillery and engineer corps were subsequently formed, consisting of men from local trades and businesses. From 1859 to 1908 they played a vital role in national defence until the formation of the Territorial force. The part-time soldiers were required to train for certain number of days each year as well as attend an annual camp which took place over a fortnight. The camps were mainly to provide realistic military training outdoors and were often held on public holidays to prevent inconvenience to employers and employees. They quickly evolved into popular days out for wives and families to visit. Several units had grey uniforms including the Bristol Rifle Volunteers, who also had similar green plumes. (Acknowledgements: Q&C Militaria, Cheltenham and the Royal Birmingham Society of Artists (RBSA) archives).

fig 1. A pair of matching Victorian oil paintings depicting military camp scenes with soldiers and tents, housed in ornate gilt frames.
fig 1. Pair of Military Landscape Oil Paintings of Volunteer Rifle Soldiers by Frederick Henry Howard Harris

Frederick Henry Howard Harris was the son of Henry Harris (b.1811), an artist and drawing master and his wife Margaret who lived at 16 Caroline Street, Birmingham. According to official records, he was born on 23 January, 1829 rather than the date of 1826 which has been previously listed. He is also sometimes mistakenly referred to as Francis.

fig 2. A pair of matching Victorian oil paintings depicting military camp scenes with soldiers and tents, housed in ornate gilt frames.
fig 2. Pair of Military Landscape Oil Paintings of Volunteer Rifle Soldiers by Frederick Henry Howard Harris

Whilst he was growing up, his parents ran a school in Frederick Street, Edgbaston and it is highly likely he was tutored there by his father and his mother who was a school mistress. His future wife Lucinda Evetts also worked there for a time as an assistant and this is undoubtedly where they first met. By the time of his marriage to Lucinda at Old Church, Edgbaston church on 20 June, 1859 he had established himself as an artist. Together they lived at 18 Harborne road, where his wife later set up a school. Lucinda was nearly 10 years older than him which may have caused a bit of a stir at the time. This could account for the differing birth years recorded on the censuses after their marriage, as they may have wanted to conceal this. As well as travelling around the UK to paint, he also went abroad visiting Europe and Morocco. He exhibited at the Royal Society of Artists, Birmingham becoming a member of the organisation in 1872.

fig 3. A pair of matching Victorian oil paintings depicting military camp scenes with soldiers and tents, housed in ornate gilt frames.
fig 3. Pair of Military Landscape Oil Paintings of Volunteer Rifle Soldiers by Frederick Henry Howard Harris

After giving up the school around 1881, the couple moved to Hills Side, Kingscote Road, Edgbaston. Harris spent his final years living at Mariecroft, Margaret Road in Birmingham. He died on 30 December, 1901 at Birmingham.

fig 4. A pair of matching Victorian oil paintings depicting military camp scenes with soldiers and tents, housed in ornate gilt frames.
fig 4. Pair of Military Landscape Oil Paintings of Volunteer Rifle Soldiers by Frederick Henry Howard Harris

Examples of his work can be found at the Wolverhampton Art Gallery and the Birmingham Museum.

Presentation: The paintings are housed in new, English made gilt frames which are in excellent condition.

Condition: As with all of our original antique oil paintings, these works are offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
66.5cm (26.18")
Width
94.5cm (37.20")
Depth
8.5cm (3.35")
Date of Manufacture

Benton Fine Art has dated these Military Landscape Oil Paintings to the 1870s.

Reference Numbers
Sellingantiques Ref
SA872354
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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A pair of matching Victorian oil paintings depicting military camp scenes with soldiers and tents, housed in ornate gilt frames.
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Archive I A pair of matching Victorian oil paintings depicting military camp scenes with soldiers and tents, housed in ornate gilt frames.

Pair of Military Landscape Oil Paintings of Volunteer Rifle Soldiers by Frederick Henry Howard Harris

Archive II A pair of matching Victorian oil paintings depicting military camp scenes with soldiers and tents, housed in ornate gilt frames. View II
Archive III A pair of matching Victorian oil paintings depicting military camp scenes with soldiers and tents, housed in ornate gilt frames. View III
Archive IV A pair of matching Victorian oil paintings depicting military camp scenes with soldiers and tents, housed in ornate gilt frames. View IV
Archive V A pair of matching Victorian oil paintings depicting military camp scenes with soldiers and tents, housed in ornate gilt frames. View V
Archive VI A pair of matching Victorian oil paintings depicting military camp scenes with soldiers and tents, housed in ornate gilt frames. View VI
Archive VII A pair of matching Victorian oil paintings depicting military camp scenes with soldiers and tents, housed in ornate gilt frames. View VII
Archive VIII A pair of matching Victorian oil paintings depicting military camp scenes with soldiers and tents, housed in ornate gilt frames. View VIII
Archive IX A pair of matching Victorian oil paintings depicting military camp scenes with soldiers and tents, housed in ornate gilt frames. View IX
Archive X A pair of matching Victorian oil paintings depicting military camp scenes with soldiers and tents, housed in ornate gilt frames. View X
Archive XI A pair of matching Victorian oil paintings depicting military camp scenes with soldiers and tents, housed in ornate gilt frames. View XI
Archive XII A pair of matching Victorian oil paintings depicting military camp scenes with soldiers and tents, housed in ornate gilt frames. View XII
Archive XIII A pair of matching Victorian oil paintings depicting military camp scenes with soldiers and tents, housed in ornate gilt frames. View XIII
Archive XIV A pair of matching Victorian oil paintings depicting military camp scenes with soldiers and tents, housed in ornate gilt frames. View XIV
Archive XV A pair of matching Victorian oil paintings depicting military camp scenes with soldiers and tents, housed in ornate gilt frames. View XV
Archive XVI A pair of matching Victorian oil paintings depicting military camp scenes with soldiers and tents, housed in ornate gilt frames. View XVI
Archive XVII A pair of matching Victorian oil paintings depicting military camp scenes with soldiers and tents, housed in ornate gilt frames. View XVII
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Telephone 07710 540 549
Location
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Worcestershire
United Kingdom

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Verified Since Sep 2012
Items For Sale 212
Benton Fine Art
Benton Fine Art
Verified Since Sep 2012
View Dealer Info
Location: Near Broadway, Worcestershire, United Kingdom, , By appointment only.
Verified
Sep 2012
For Sale
212
A pair of matching Victorian oil paintings depicting military camp scenes with soldiers and tents, housed in ornate gilt frames.
Pair of military landscape oil paintings of volunteer rifle soldiers by Frederick Henry Howard Harris
Ref: SA872354
A pair of matching Victorian oil paintings depicting military camp scenes with soldiers and tents, housed in ornate gilt frames.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Nineteenth-century British military landscape paintings typically depict army encampments, volunteer corps manoeuvres, and historical battlefields. Artists focused on recording uniforms, regimental discipline, camp life, and atmospheric outdoor topography with pictorial accuracy.

Paintings from this period were created using oil-based pigments applied to natural flax canvas or wood panels. Frames were predominantly crafted from carved timber covered with plaster or gesso ornamentation and finished with genuine leaf gilding.

Authentic period paintings show age-appropriate craquelure across the paint surface, natural oxidisation on the reverse of the canvas, and original stretcher marks. Inspecting artist signatures, canvas manufacturer stamps, and period-correct military uniforms further confirms provenance.

These historical works serve as focal points in traditional dining rooms, hallways, or library spaces. Pairing gilt-framed artwork against dark accent walls creates contrast, while hanging them in symmetrical pairs balances structural proportions.

Keep paintings away from direct sunlight, dampness, and heat sources to prevent cracking and canvas warp. Dust frames gently with a soft dry brush, and consult a professional conservator for cleaning aged varnish or repair work.
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