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Theobald Chartran, 1849-1907 Portrait Lady Florence Caroline Dixie Née Douglas, 1855 – 1905 , Scottish Writer, War Correspondent, and Feminist signed Dated: "1883" and Further Signed with a Monogram Top Left
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£4,500

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Theobald Chartran, 1849-1907 Portrait Lady Florence Caroline Dixie Née Douglas, 1855 – 1905 , Scottish Writer, War Correspondent, and Feminist signed Dated: "1883" and Further Signed with a Monogram Top Left

19th century
For Sale by Artware Fineart
Description

THEOBALD CHARTRAN, 1849-1907

Portrait Lady Florence Caroline Dixie née Douglas, 1855 – 1905 , Scottish writer, war correspondent, and feminist

signed dated: "1883" and further signed with a monogram top left

pencil crayon and watercolour

Private Collection Swansea

Literature

Illustration of Dixie by Théobald Chartran, published in Vanity Fair, 5 January 1884. A more significant lithograph, by Théobald Chartran, printed in colour, appeared in Vanity Fair in 1884 and is one of the long series of caricatures published in the magazine between 1868 and 1914. These were all coloured illustrations featuring notable people of the day, and each was accompanied by a short (usually adulatory) biography. Of more than two thousand people so honoured, only eighteen were women. Featured in the magazine on 5 January 1884, Dixie joined this small band, which included Queen Isabella II of Spain (1869), Sarah Bernhardt (1879), the Princess of Wales (1882) and Angela Burdett-Coutts, 1st Baroness Burdett-Coutts (1883). Victoria, Princess Royal, and Elizabeth, Empress of Austria, followed later in 1884.

Notes

Lady Florence Caroline Dixie [née Douglas], (1855–1905), author and traveller, was born in Kinmount, Cummertrees, Dumfriesshire, on 24 May 1855, one of a pair of twins, the youngest of the six children of Archibald William Douglas, eighth marquess of Queensberry (1818–1858), and his wife, Caroline Margaret (d. 1904), younger daughter of General Sir William Robert Clayton, bt.

.

The Douglases were an ancient Scottish family, vigorous and combative, and in Florence's generation they were haunted by disaster, dissension, and scandal: in 1858 Florence's father died from an accidental shot while cleaning a gun, dent, but was widely believed to have been suicide ; her brother Francis was killed in 1865 on the first ascent of the Matterhorn; James, Florence's twin, was to commit suicide in middle age in 1891; and their eldest brother, the ninth marquess of Queensberry (John Sholto Douglas), provoked the notorious Oscar Wilde case. Dissension affected the twins when they were seven years old and their mother alarmed their guardians by becoming a Roman Catholic and converting the children; she was threatened with the loss of her children, a real danger in an age which allowed a woman no rights over her own progeny, and an injustice against which Florence was to campaign in later life and which was the subject of her autobiographical The Story of Ijain (1903).

Their mother took the children abroad for two years and on their return, Florence was sent to a convent school where she hated the repressive regime and the dogmatism of the religious teaching. She found relief in poetry, writing Songs of a Child under the pseudonym Darling—verses which were not, however, published until 1902. Early in life she developed a passion for sport and travel. She was a firstrate horsewoman and a keen hunter of big game, one of the first women to take up this activity. She learned to swim and was a rapid walker. On 3 April 1875 she married Sir Alexander Beaumont Churchill Dixie, eleventh baronet (1851–1924), a strikingly handsome man, nicknamed Beau. They shared a taste for adventure and outdoor life, and the one flaw in an otherwise equal partnership seems to have been Beau's love of gambling, which was to prove a constant threat to the family property at Bosworth Park in Leicestershire, eventually sold to pay his debts. They had two sons, George Douglas (1876–1948) and Albert Edward Wolston (1878–1940), godson of the prince of Wales.

Several members of the Queensberry family were affected by mental illness. As mentioned above, Lady Florence's father is believed to have committed suicide. Her twin brother, Lord James Douglas (known to his family as Jim), was deeply attached to her and was heartbroken when she married. In 1885, he tried to

Physical Dimensions
Height
21cm (8.27")
Width
30cm (11.81")
Depth
2cm (0.79")
Declaration

Artware Fineart has dated this Victorian Lady Portrait Drawing to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA868399
Dealers Internal Reference
4456
Description
THEOBALD CHARTRAN, 1849-1907
Portrait Lady Florence Caroline Dixie née Douglas, 1855 – 1905 , Scottish writer, war correspondent, and feminist.
Artware Fineart

signed dated: "1883" and further signed with a monogram top left

fig 1. A nineteenth-century monochrome portrait drawing depicting a woman in a high-collared dress reclining on a striped sofa.
fig 1. Theobald Chartran, 1849-1907 Portrait Lady Florence Caroline Dixie Née Douglas, 1855 – 1905 , Scottish Writer, War Correspondent, and Feminist signed Dated: "1883" and Further Signed with a Monogram Top Left

pencil crayon and watercolour

Private Collection Swansea

Literature

Illustration of Dixie by Théobald Chartran, published in Vanity Fair, 5 January 1884. A more significant lithograph, by Théobald Chartran, printed in colour, appeared in Vanity Fair in 1884 and is one of the long series of caricatures published in the magazine between 1868 and 1914. These were all coloured illustrations featuring notable people of the day, and each was accompanied by a short (usually adulatory) biography. Of more than two thousand people so honoured, only eighteen were women. Featured in the magazine on 5 January 1884, Dixie joined this small band, which included Queen Isabella II of Spain (1869), Sarah Bernhardt (1879), the Princess of Wales (1882) and Angela Burdett-Coutts, 1st Baroness Burdett-Coutts (1883). Victoria, Princess Royal, and Elizabeth, Empress of Austria, followed later in 1884.

fig 2. A nineteenth-century monochrome portrait drawing depicting a woman in a high-collared dress reclining on a striped sofa.
fig 2. Theobald Chartran, 1849-1907 Portrait Lady Florence Caroline Dixie Née Douglas, 1855 – 1905 , Scottish Writer, War Correspondent, and Feminist signed Dated: "1883" and Further Signed with a Monogram Top Left

Notes

Lady Florence Caroline Dixie [née Douglas], (1855–1905), author and traveller, was born in Kinmount, Cummertrees, Dumfriesshire, on 24 May 1855, one of a pair of twins, the youngest of the six children of Archibald William Douglas, eighth marquess of Queensberry (1818–1858), and his wife, Caroline Margaret (d. 1904), younger daughter of General Sir William Robert Clayton, bt.

fig 3. A nineteenth-century monochrome portrait drawing depicting a woman in a high-collared dress reclining on a striped sofa.
fig 3. Theobald Chartran, 1849-1907 Portrait Lady Florence Caroline Dixie Née Douglas, 1855 – 1905 , Scottish Writer, War Correspondent, and Feminist signed Dated: "1883" and Further Signed with a Monogram Top Left

The Douglases were an ancient Scottish family, vigorous and combative, and in Florence's generation they were haunted by disaster, dissension, and scandal: in 1858 Florence's father died from an accidental shot while cleaning a gun, dent, but was widely believed to have been suicide ; her brother Francis was killed in 1865 on the first ascent of the Matterhorn; James, Florence's twin, was to commit suicide in middle age in 1891; and their eldest brother, the ninth marquess of Queensberry (John Sholto Douglas), provoked the notorious Oscar Wilde case. Dissension affected the twins when they were seven years old and their mother alarmed their guardians by becoming a Roman Catholic and converting the children; she was threatened with the loss of her children, a real danger in an age which allowed a woman no rights over her own progeny, and an injustice against which Florence was to campaign in later life and which was the subject of her autobiographical The Story of Ijain (1903).

fig 4. A nineteenth-century monochrome portrait drawing depicting a woman in a high-collared dress reclining on a striped sofa.
fig 4. Theobald Chartran, 1849-1907 Portrait Lady Florence Caroline Dixie Née Douglas, 1855 – 1905 , Scottish Writer, War Correspondent, and Feminist signed Dated: "1883" and Further Signed with a Monogram Top Left

Their mother took the children abroad for two years and on their return, Florence was sent to a convent school where she hated the repressive regime and the dogmatism of the religious teaching. She found relief in poetry, writing Songs of a Child under the pseudonym Darling—verses which were not, however, published until 1902. Early in life she developed a passion for sport and travel. She was a firstrate horsewoman and a keen hunter of big game, one of the first women to take up this activity. She learned to swim and was a rapid walker. On 3 April 1875 she married Sir Alexander Beaumont Churchill Dixie, eleventh baronet (1851–1924), a strikingly handsome man, nicknamed Beau. They shared a taste for adventure and outdoor life, and the one flaw in an otherwise equal partnership seems to have been Beau's love of gambling, which was to prove a constant threat to the family property at Bosworth Park in Leicestershire, eventually sold to pay his debts. They had two sons, George Douglas (1876–1948) and Albert Edward Wolston (1878–1940), godson of the prince of Wales.

fig 5. A nineteenth-century monochrome portrait drawing depicting a woman in a high-collared dress reclining on a striped sofa.
fig 5. Theobald Chartran, 1849-1907 Portrait Lady Florence Caroline Dixie Née Douglas, 1855 – 1905 , Scottish Writer, War Correspondent, and Feminist signed Dated: "1883" and Further Signed with a Monogram Top Left

Several members of the Queensberry family were affected by mental illness. As mentioned above, Lady Florence's father is believed to have committed suicide. Her twin brother, Lord James Douglas (known to his family as Jim), was deeply attached to her and was heartbroken when she married. In 1885, he tried to

Height
21cm (8.27")
Width
30cm (11.81")
Depth
2cm (0.79")
Date of Manufacture

Artware Fineart has dated this Victorian Lady Portrait Drawing to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA868399
Dealers Internal Ref
4456
Artware Fineart
Sellingantiques verified Since Sep 2008
Dealer Profile

You can view the stock and full dealer information on the Artware Fineart Profile Page

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A nineteenth-century monochrome portrait drawing depicting a woman in a high-collared dress reclining on a striped sofa.
1 / 6
Archive I A nineteenth-century monochrome portrait drawing depicting a woman in a high-collared dress reclining on a striped sofa.

Theobald Chartran, 1849-1907 Portrait Lady Florence Caroline Dixie Née Douglas, 1855 – 1905 , Scottish Writer, War Correspondent, and Feminist signed Dated: "1883" and Further Signed with a Monogram Top Left

Archive II A nineteenth-century monochrome portrait drawing depicting a woman in a high-collared dress reclining on a striped sofa. View II
Archive III A nineteenth-century monochrome portrait drawing depicting a woman in a high-collared dress reclining on a striped sofa. View III
Archive IV A nineteenth-century monochrome portrait drawing depicting a woman in a high-collared dress reclining on a striped sofa. View IV
Archive V A nineteenth-century monochrome portrait drawing depicting a woman in a high-collared dress reclining on a striped sofa. View V
Archive VI A nineteenth-century monochrome portrait drawing depicting a woman in a high-collared dress reclining on a striped sofa. View VI
Enlarged Archival View
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Location
18 La Gare
51 Surrey Row
London
SE1 0BZ
United Kingdom
Verified Since Sep 2008
Items For Sale 243
Items Sold 223
Artware Fineart
Verified Since Sep 2008
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Location: 18 La Gare , 51 Surrey Row , London , SE1 0BZ , United Kingdom
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For Sale
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A nineteenth-century monochrome portrait drawing depicting a woman in a high-collared dress reclining on a striped sofa.
THEOBALD CHARTRAN, 1849-1907 Portrait Lady Florence Caroline Dixie née Douglas, 1855 – 1905 , Scottish writer, war correspondent, and feminist signed dated: "1883" and further signed with a monogram top left
Ref: SA868399
A nineteenth-century monochrome portrait drawing depicting a woman in a high-collared dress reclining on a striped sofa.
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Late 19th-century academic portraiture emphasizes refined draughtsmanship, accurate anatomical proportions, and subtle shading techniques. Artists frequently utilized graphite, charcoal, chalk, and delicate watercolour washes on paper to capture the likeness, costume, and social status of prominent figures.

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