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Allan Gwynne-jones (1892-1982) "H M the Queen When Princess Elizabeth" Study - Oil on Board
Marlborough Antiques & Interiors
for sale €3,510     $3,810
£3,000
Marlborough Antiques & Interiors

Marlborough Antiques & Interiors

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Allan Gwynne-jones (1892-1982) "H M the Queen When Princess Elizabeth" Study - Oil on Board

1920 - 1940
Description

ALLAN GWYNNE-JONES (1892-1982) "H M The Queen when Princess Elizabeth" study for No. 47 depicting the Princess in Windsor Great Park, oil on board, unsigned, inscribed on labels verso handwritten "Study of HRH in Windsor Great Park for painting in possession of HRH made on the spot, the head is approximately the size of the head in the actual painting Nov 1944 which is approx. 25 x 30 inches by Allan Gwynne-Jones on house side of the sketch of ..." and on printed label "40* HM The Queen when Princess Elizabeth, study for No. 47, the head is the same size as in the completed picture, and was painted out of doors in Windsor Great Park, oil on paper, 1944

36 cm x 30 cm image only

Gwynne-Jones was born in Richmond, Surrey. He was educated at Bedales School and then qualified as a solicitor, but never practised. He instead developed a love of art and began painting watercolours. In 1914 he began a course at the Slade School of Fine Art, but three months later was commissioned into the Welsh Guards Cheshire Regiment. He was wounded and awarded the Distinguished Service Order (DSO) at the Battle of the Somme in 1916. After demobilisation in 1919 he taught at the Royal College of Art where he became Professor of Painting between 1923 and 1930, when he resigned to join the staff of the Slade School of Fine Art. He continued teaching at the Slade until 1958, gaining renown for his own painting, most notably portraits and paintings of flowers.

Gwynne-Jones became a Royal Academician in 1956. He was appointed Commander of the Order of the British Empire (CBE) in 1980, two years before his death. Gwynne-Jones was married to the artist Rosemary Allan and lived in Eastleach Turville, Gloucestershire, their daughter, Emily Gwynne-Jones, also became an artist. A joint exhibition of works by the Gwynne-Jones family was held in 1997.

Declaration

Marlborough Antiques & Interiors has dated this Allan Gwynne-jones Oil Painting to the 1940s.

Reference Numbers
Sellingantiques Reference
SA860087
Dealers Notes

We are primarily a web based business showing high quality antiques and decorative items in two warehouses in Lambourn Woodlands, Berkshire and Tetbury , Gloucestershire . Within easy reach of M4 Junctions and with a mainline station nearby and good private car parking facilities at all venues. We display the widest variety of antiques at all price levels, including paintings, furniture, fireside pieces and other decorative interior items. Not all our items are at any particular place so please call or email (enquiries@marlboroughantiques.com) or from our Contact page to avoid disappointment. Please view our Terms and conditions if needed at http://www.marlboroughantiques.com/terms.php.

We are very happy to discuss with clients their needs and to provide a sourcing service. We can advise on the acquisition of pieces in all areas of the fine and decorative arts, assisting clients in their search for individual pieces or for a particular item. If you have queries regarding this or any intended purchase please contact us. All items can be delivered either by postal service or by trusted and fully insured couriers; we use both for the UK market and for overseas delivery. Please inquire by email or phone to obtain a quote for delivery options. Items are described as Excellent - A1 Condition no faults, Very Good - very good condition with only very minor cosmetic issues if atall and consistent with age, Good - in good overall condition with some ageing, marks and wear consistent with age.

Description
ALLAN GWYNNE-JONES (1892-1982) "H M The Queen when Princess Elizabeth" study for No. 47 depicting the Princess in Windsor Great Park, oil on board, unsigned, inscribed on labels verso handwritten "Study of HRH in Windsor Great Park for painting in possession of HRH made on the spot, the head is approximately the size of the head in the actual painting Nov 1944 which is approx. 25 x 30 inches by Allan Gwynne-Jones on house side of the sketch of ..." and on printed label "40* HM The Queen when Princess Elizabeth, study for No.
47, the head is the same size as in the completed picture, and was painted out of doors in Windsor Great Park, oil on paper, 1944.
Marlborough Antiques & Interiors
fig 1. A framed oil painting on board depicting a figure seated in a horse-drawn carriage outdoors within a fabric mount and gold-gilded frame.
fig 1. Allan Gwynne-jones (1892-1982) "H M the Queen When Princess Elizabeth" Study - Oil on Board

36 cm x 30 cm image only

Gwynne-Jones was born in Richmond, Surrey. He was educated at Bedales School and then qualified as a solicitor, but never practised. He instead developed a love of art and began painting watercolours. In 1914 he began a course at the Slade School of Fine Art, but three months later was commissioned into the Welsh Guards Cheshire Regiment. He was wounded and awarded the Distinguished Service Order (DSO) at the Battle of the Somme in 1916. After demobilisation in 1919 he taught at the Royal College of Art where he became Professor of Painting between 1923 and 1930, when he resigned to join the staff of the Slade School of Fine Art. He continued teaching at the Slade until 1958, gaining renown for his own painting, most notably portraits and paintings of flowers.

fig 2. A framed oil painting on board depicting a figure seated in a horse-drawn carriage outdoors within a fabric mount and gold-gilded frame.
fig 2. Allan Gwynne-jones (1892-1982) "H M the Queen When Princess Elizabeth" Study - Oil on Board

Gwynne-Jones became a Royal Academician in 1956. He was appointed Commander of the Order of the British Empire (CBE) in 1980, two years before his death. Gwynne-Jones was married to the artist Rosemary Allan and lived in Eastleach Turville, Gloucestershire, their daughter, Emily Gwynne-Jones, also became an artist. A joint exhibition of works by the Gwynne-Jones family was held in 1997.

Date of Manufacture

Marlborough Antiques & Interiors has dated this Allan Gwynne-jones Oil Painting to the 1940s.

Reference Numbers
Sellingantiques Ref
SA860087
Marlborough Antiques & Interiors
Marlborough Antiques & Interiors
Sellingantiques verified Since Jun 2012

We display a variety of antiques at all price levels, including furniture, paintings and other decorative items

Dealer Profile

You can view the stock and full dealer information on the Marlborough Antiques & Interiors Profile Page

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A framed oil painting on board depicting a figure seated in a horse-drawn carriage outdoors within a fabric mount and gold-gilded frame.
1 / 4
Archive I A framed oil painting on board depicting a figure seated in a horse-drawn carriage outdoors within a fabric mount and gold-gilded frame.

Allan Gwynne-jones (1892-1982) "H M the Queen When Princess Elizabeth" Study - Oil on Board

Archive II A framed oil painting on board depicting a figure seated in a horse-drawn carriage outdoors within a fabric mount and gold-gilded frame. View II
Archive III A framed oil painting on board depicting a figure seated in a horse-drawn carriage outdoors within a fabric mount and gold-gilded frame. View III
Archive IV A framed oil painting on board depicting a figure seated in a horse-drawn carriage outdoors within a fabric mount and gold-gilded frame. View IV
Enlarged Archival View
Location
3 South View Place (office only)
Blowhorn Street
Marlborough
Wiltshire
SN8 1DD
United Kingdom
Verified Since Jun 2012
Items For Sale 246
Items Sold 2,154
Marlborough Antiques & Interiors
Marlborough Antiques & Interiors
Verified Since Jun 2012
View Dealer Info
Location: 3 South View Place (office only), Blowhorn Street, Marlborough, Wiltshire, SN8 1DD, United Kingdom
Verified
Jun 2012
For Sale
246
Sold
2,154
A framed oil painting on board depicting a figure seated in a horse-drawn carriage outdoors within a fabric mount and gold-gilded frame.
Allan Gwynne-Jones (1892-1982) "H M The Queen when Princess Elizabeth" study - Oil on Board
Ref: SA860087
A framed oil painting on board depicting a figure seated in a horse-drawn carriage outdoors within a fabric mount and gold-gilded frame.
Detail View 1
Detail View 2
Detail View 3
Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Mid-20th century British portrait studies focus on capturing tonal relationships, posture, and light with rapid, expressive brushwork rather than detailed finish. Artists often executed these preliminary studies on board to quickly record compositional elements prior to creating larger commissioned works.

Artists during this period frequently used artist hardboard or wood panels prepared with a gesso primer, applying oil pigments directly to the surface. Frames often featured layered fabric mounts and outer gilded timber mouldings to provide visual depth.

Authentic pieces generally exhibit natural age-related oxidation to the paint layer, genuine surface craquelure, and appropriate wear to the reverse of the board. Verification involves examining artist signatures, inscription labels, and period-correct framing techniques.

A framed oil study introduces historical character when positioned above a sideboard, mantelpiece, or integrated into a gallery wall. Pairing traditional gilded frames with muted contemporary paint palettes creates a balanced contrast between historic art and modern decor.

Dust the painting and frame gently using a soft, dry camel-hair brush, avoiding liquid cleaners or abrasive cloths. Display the artwork away from direct sunlight, extreme humidity, and direct heat sources to prevent warping of the board or degradation of the paint surface.
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