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Portrait of the Hon. Henry Arthur Cole C.1825, by William Robinson.
Roy Precious - Antiques & Fine Art
for sale €3,960     $4,299
£3,385
Roy Precious - Antiques & Fine Art

Roy Precious - Antiques & Fine Art

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Portrait of the Hon. Henry Arthur Cole C.1825, by William Robinson.

19th century
Description

Oil on panel in the original frame.

A small scale portrait of the Hon. HENRY ARTHUR COLE (1809-1890), half-length, standing beside a classical column with his arm resting on a plinth draped in red cloth, his gloves clasped in one hand and a fur collared cloak draped over one shoulder. A sensitive and insightful portrait of a sensitive looking young man, barely out of boyhood.

The sitter was the son of John Willoughby Cole, 2nd Earl of Enniskillen and Lady Charlotte Paget. He held the office of Member of Parliament for Enniskillen between 1844 and 1851 and Fermanagh between 1855 and 1880. He gained the rank of Lieutenant-Colonel in the 7th Hussars and in the 12th Foot.

WILLIAM ROBINSON (1799-1839) was born in Leeds, he studied under the landscape painter Rhodes there. He moved to London where Sir Thomas Lawrence took him as a pupil, and he continued his studies at the Royal Academy schools under Fuseli.

He returned to Leeds about 1823-4 where he enjoyed a successful portrait practice.

Robinson exhibited mostly portraits in the Lawrence manner .. 19 at the Royal Academy, 3 at the Society of British Artists from 1822-29. His work attracted the patronage of the Earl de Grey. Among his exhibited works were 'The Rt Hon Lord Grantham', 'The Earl of Enniskillen' and 'The Duke of Wellington'. He died in Leeds in August 1839, aged 39.

SIZE: 19 x 17 inches including the frame.

PROVENANCE:

By descent to the sitter's niece, Lady Jane Evelyn Cole (1855-1941),

By whom given in 1919 to her nephew Lowry Arthur Casamaijor Cole (1878-1955)

Thence by descent to his son Reverend Arthur Lowry Frederick Cole (b.1911)

By whom bequeathed to the previous owner.

Footnote:

By family tradition this portrait believed to have been copied by the artist from the prime original still at Florence Court, Enniskillen, County Fermanagh.

Physical Dimensions
Height
48cm (18.90")
Width
43cm (16.93")
Depth
7cm (2.76")
Declaration

Roy Precious - Antiques & Fine Art has dated this Regency Oil Portrait Painting to the Regency era.

Reference Numbers
Sellingantiques Reference
SA853386
Dealers Internal Reference
9248
Description
Oil on panel in the original frame.

A small scale portrait of the Hon. HENRY ARTHUR COLE (1809-1890), half-length, standing beside a classical column with his arm resting on a plinth draped in red cloth, his gloves clasped in one hand and a fur collared cloak draped over one shoulder. A sensitive and insightful portrait of a sensitive looking young man, barely out of boyhood.

The sitter was the son of John Willoughby Cole, 2nd Earl of Enniskillen and Lady Charlotte Paget.

He held the office of Member of Parliament for Enniskillen between 1844 and 1851 and Fermanagh between 1855 and 1880.
Roy Precious - Antiques & Fine Art

He gained the rank of Lieutenant-Colonel in the 7th Hussars and in the 12th Foot.

fig 1. An early 19th-century portrait painting of a gentleman wearing a dark coat and white cravat, encased in an ornate giltwood frame with a brass nameplate.
fig 1. Portrait of the Hon. Henry Arthur Cole C.1825, by William Robinson.

WILLIAM ROBINSON (1799-1839) was born in Leeds, he studied under the landscape painter Rhodes there. He moved to London where Sir Thomas Lawrence took him as a pupil, and he continued his studies at the Royal Academy schools under Fuseli.

fig 2. An early 19th-century portrait painting of a gentleman wearing a dark coat and white cravat, encased in an ornate giltwood frame with a brass nameplate.
fig 2. Portrait of the Hon. Henry Arthur Cole C.1825, by William Robinson.

He returned to Leeds about 1823-4 where he enjoyed a successful portrait practice.

Robinson exhibited mostly portraits in the Lawrence manner .. 19 at the Royal Academy, 3 at the Society of British Artists from 1822-29. His work attracted the patronage of the Earl de Grey. Among his exhibited works were 'The Rt Hon Lord Grantham', 'The Earl of Enniskillen' and 'The Duke of Wellington'. He died in Leeds in August 1839, aged 39.

fig 3. An early 19th-century portrait painting of a gentleman wearing a dark coat and white cravat, encased in an ornate giltwood frame with a brass nameplate.
fig 3. Portrait of the Hon. Henry Arthur Cole C.1825, by William Robinson.

SIZE: 19 x 17 inches including the frame.

PROVENANCE:

By descent to the sitter's niece, Lady Jane Evelyn Cole (1855-1941),

By whom given in 1919 to her nephew Lowry Arthur Casamaijor Cole (1878-1955)

Thence by descent to his son Reverend Arthur Lowry Frederick Cole (b.1911)

fig 4. An early 19th-century portrait painting of a gentleman wearing a dark coat and white cravat, encased in an ornate giltwood frame with a brass nameplate.
fig 4. Portrait of the Hon. Henry Arthur Cole C.1825, by William Robinson.

By whom bequeathed to the previous owner.

Footnote:

By family tradition this portrait believed to have been copied by the artist from the prime original still at Florence Court, Enniskillen, County Fermanagh.

Height
48cm (18.90")
Width
43cm (16.93")
Depth
7cm (2.76")
Date of Manufacture

Roy Precious - Antiques & Fine Art has dated this Regency Oil Portrait Painting to the Regency era.

Reference Numbers
Sellingantiques Ref
SA853386
Dealers Internal Ref
9248
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Sellingantiques verified Since Mar 2003

Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.

Dealer Profile

You can view the stock and full dealer information on the Roy Precious - Antiques & Fine Art Profile Page

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An early 19th-century portrait painting of a gentleman wearing a dark coat and white cravat, encased in an ornate giltwood frame with a brass nameplate.
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Archive I An early 19th-century portrait painting of a gentleman wearing a dark coat and white cravat, encased in an ornate giltwood frame with a brass nameplate.

Portrait of the Hon. Henry Arthur Cole c.1825, By William Robinson.

Archive II An early 19th-century portrait painting of a gentleman wearing a dark coat and white cravat, encased in an ornate giltwood frame with a brass nameplate. View II
Archive III An early 19th-century portrait painting of a gentleman wearing a dark coat and white cravat, encased in an ornate giltwood frame with a brass nameplate. View III
Archive IV An early 19th-century portrait painting of a gentleman wearing a dark coat and white cravat, encased in an ornate giltwood frame with a brass nameplate. View IV
Archive V An early 19th-century portrait painting of a gentleman wearing a dark coat and white cravat, encased in an ornate giltwood frame with a brass nameplate. View V
Archive VI An early 19th-century portrait painting of a gentleman wearing a dark coat and white cravat, encased in an ornate giltwood frame with a brass nameplate. View VI
Archive VII An early 19th-century portrait painting of a gentleman wearing a dark coat and white cravat, encased in an ornate giltwood frame with a brass nameplate. View VII
Archive VIII An early 19th-century portrait painting of a gentleman wearing a dark coat and white cravat, encased in an ornate giltwood frame with a brass nameplate. View VIII
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An early 19th-century portrait painting of a gentleman wearing a dark coat and white cravat, encased in an ornate giltwood frame with a brass nameplate.
Portrait of the Hon. Henry Arthur Cole c.1825, By William Robinson.
Ref: SA853386
An early 19th-century portrait painting of a gentleman wearing a dark coat and white cravat, encased in an ornate giltwood frame with a brass nameplate.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Regency era portraiture, prominent in early 19th-century Britain, typically depicts aristocrats and public figures using naturalistic lighting, draped fabrics, and high-collared attire reflective of period fashions.

Paintings from this era were created using oil pigments on hand-stretched linen canvas, housed in wooden frames embellished with composition mouldings and finished with genuine gold leaf water gilding.

Authentic works exhibit age-consistent canvas craquelure, period-appropriate stretcher bars, hand-gilded frames showing natural oxidisation, and precise historical dress details.

Place the artwork above a dark wood console table, mantelpiece, or within a curated gallery wall to contrast contemporary room architecture with classical fine art.

Position the painting away from direct sunlight and fluctuating humidity, dusting the surface gently with a soft camel-hair brush while avoiding liquid cleaning agents.
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