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Richard Buckner, 1812 -1883 Portrait of an Elegant Lady with Her Child Attended by Her Dog
Artware Fineart
for sale €1,053     $1,143
£900

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Richard Buckner, 1812 -1883 Portrait of an Elegant Lady with Her Child Attended by Her Dog

19th century
For Sale by Artware Fineart
Description

Richard Buckner, 1812 -1883

Portrait of an Elegant Lady with her Child attended by Her Dog

oil on canvas

36 x 28 in. (92 x 72 cm.)

Richard Buckner (born Woolwich, London, 25 October 1812; died 12 August 1883), was an English portrait painter. He did not marry.

Hon. Margaret Warren (1847–1921). Daughter of George Warren, 2nd Baron de Tabley. Wife to Sir Arthur Cowell-Stepney, 2nd Baronet.

Buckner was the son of an army officer and grandson of Admiral Charles Buckner. Buckner first worked in a studio in his family home, Whyke House, Rumboldswhyke, Chichester. After serving in the army in 1832 and 1833 as a Second Lieutenant in The King's Royal Rifle Corps he studied painting under Giovanni Battista Cassevari in Rome.While in Rome Buckner gave advice to Frederick (Lord) Leighton, later PRA, when he was starting his career. Buckner lived in and had his studio in Cleveland Row, opposite St James's Palace, in London.

He first painted miniatures but then changed to painting larger portraits. He painted Italian genre subjects and later elegant and fashionable Victorian ladies. He first sent work to galleries for sale in 1840. He exhibited at the Royal Academy of Arts in 1842 and then every year from 1846 to 1877; 77 paintings in all of which only 7 were of Italian subjects and was nominated as a candidate for the academy. He also exhibited 22 paintings at The British Institution, 44 at The Royal Society of British Artists, 3 at The Grosvenor Gallery and 3 at The Royal Scottish Gallery.

Buckner's commission book has entries from 1840-1 to 1877. It lists 989 commissions, a few of which were not executed. It also includes a financial summary from 1842-3 to 1874-5 with fees totalling £67249. The financial summary indicates that he was in Rome full-time in 1842-3 and 1843-4 and then partly in Rome and partly in London each year from 1844-5 until 1847-8 and again partly in Rome and London 1849-50, 1850-1, 1853-4, 1854-5 and 1856-7 and then partly in Dieppe 1861-2 and Boulogne 1862-3. In 1875, he was commissioned to execute a painting at a price of 500 guineas.

Many engravings based on his works are in the National Portrait Gallery, London. His oil paintings Portrait of a boy and Portrait of a Boy Chorister of the Chapel Royal are in the Victoria and Albert Museum. Eight National Trust properties have Buckner paintings; images for most of them can be seen on the NT website. There are also works by Buckner at the British Museum, the National Army Museum, Windsor Castle, Osborne House, Woburn Abbey, the Birmingham Art Gallery, Harewood House, the Foundling Hospital, County Hall, Maidstone and Castle Leslie in Ireland. Queen Adelaide, Queen Victoria and Prince Albert commissioned some of his paintings.

Physical Dimensions
Height
92cm (36.22")
Width
72cm (28.35")
Depth
1.5cm (0.59")
Declaration

Artware Fineart has dated this Victorian Oil Portrait Painting to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA837556
Dealers Internal Reference
4008
Description
Richard Buckner, 1812 -1883

Portrait of an Elegant Lady with her Child attended by Her Dog

oil on canvas

36 x 28 in. (92 x 72 cm.)

Richard Buckner (born Woolwich, London, 25 October 1812; died 12 August 1883), was an English portrait painter.
Artware Fineart

He did not marry.

fig 1. An oil painting on canvas depicting a 19th-century woman holding a young child in a light dress and bonnet, with a dog visible in the lower foreground.
fig 1. Richard Buckner, 1812 -1883 Portrait of an Elegant Lady with Her Child Attended by Her Dog

Hon. Margaret Warren (1847–1921). Daughter of George Warren, 2nd Baron de Tabley. Wife to Sir Arthur Cowell-Stepney, 2nd Baronet.

Buckner was the son of an army officer and grandson of Admiral Charles Buckner. Buckner first worked in a studio in his family home, Whyke House, Rumboldswhyke, Chichester. After serving in the army in 1832 and 1833 as a Second Lieutenant in The King's Royal Rifle Corps he studied painting under Giovanni Battista Cassevari in Rome.While in Rome Buckner gave advice to Frederick (Lord) Leighton, later PRA, when he was starting his career. Buckner lived in and had his studio in Cleveland Row, opposite St James's Palace, in London.

fig 2. An oil painting on canvas depicting a 19th-century woman holding a young child in a light dress and bonnet, with a dog visible in the lower foreground.
fig 2. Richard Buckner, 1812 -1883 Portrait of an Elegant Lady with Her Child Attended by Her Dog

He first painted miniatures but then changed to painting larger portraits. He painted Italian genre subjects and later elegant and fashionable Victorian ladies. He first sent work to galleries for sale in 1840. He exhibited at the Royal Academy of Arts in 1842 and then every year from 1846 to 1877; 77 paintings in all of which only 7 were of Italian subjects and was nominated as a candidate for the academy. He also exhibited 22 paintings at The British Institution, 44 at The Royal Society of British Artists, 3 at The Grosvenor Gallery and 3 at The Royal Scottish Gallery.

Buckner's commission book has entries from 1840-1 to 1877. It lists 989 commissions, a few of which were not executed. It also includes a financial summary from 1842-3 to 1874-5 with fees totalling £67249. The financial summary indicates that he was in Rome full-time in 1842-3 and 1843-4 and then partly in Rome and partly in London each year from 1844-5 until 1847-8 and again partly in Rome and London 1849-50, 1850-1, 1853-4, 1854-5 and 1856-7 and then partly in Dieppe 1861-2 and Boulogne 1862-3. In 1875, he was commissioned to execute a painting at a price of 500 guineas.

Many engravings based on his works are in the National Portrait Gallery, London. His oil paintings Portrait of a boy and Portrait of a Boy Chorister of the Chapel Royal are in the Victoria and Albert Museum. Eight National Trust properties have Buckner paintings; images for most of them can be seen on the NT website. There are also works by Buckner at the British Museum, the National Army Museum, Windsor Castle, Osborne House, Woburn Abbey, the Birmingham Art Gallery, Harewood House, the Foundling Hospital, County Hall, Maidstone and Castle Leslie in Ireland. Queen Adelaide, Queen Victoria and Prince Albert commissioned some of his paintings.

Height
92cm (36.22")
Width
72cm (28.35")
Depth
1.5cm (0.59")
Date of Manufacture

Artware Fineart has dated this Victorian Oil Portrait Painting to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA837556
Dealers Internal Ref
4008
Artware Fineart
Sellingantiques verified Since Sep 2008
Dealer Profile

You can view the stock and full dealer information on the Artware Fineart Profile Page

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An oil painting on canvas depicting a 19th-century woman holding a young child in a light dress and bonnet, with a dog visible in the lower foreground.
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Archive I An oil painting on canvas depicting a 19th-century woman holding a young child in a light dress and bonnet, with a dog visible in the lower foreground.

Richard Buckner, 1812 -1883 Portrait of an Elegant Lady with Her Child Attended by Her Dog

Archive II An oil painting on canvas depicting a 19th-century woman holding a young child in a light dress and bonnet, with a dog visible in the lower foreground. View II
Archive III An oil painting on canvas depicting a 19th-century woman holding a young child in a light dress and bonnet, with a dog visible in the lower foreground. View III
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An oil painting on canvas depicting a 19th-century woman holding a young child in a light dress and bonnet, with a dog visible in the lower foreground.
Richard Buckner, 1812 -1883 Portrait of an Elegant Lady with her Child attended by Her Dog
Ref: SA837556
An oil painting on canvas depicting a 19th-century woman holding a young child in a light dress and bonnet, with a dog visible in the lower foreground.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Victorian portraiture typically features formal compositions, rich warm tones, and detailed depictions of clothing and social status. Artists during this era frequently painted romanticised yet realistic portraits of families, mothers with children, and prominent figures.

Paintings from this era were primarily executed using oil pigments applied in thin, translucent glazes over hand-stretched linen or cotton canvas. The canvas was mounted onto wooden stretcher bars and frequently secured in carved giltwood frames.

Authentic period paintings display natural signs of age, such as fine surface craquelure, subtle oxidisation of the varnish layer, and historical wear along the canvas edges. Inspection under ultraviolet light often reveals period-correct materials and any past restoration.

A historical oil portrait works effectively as a focal point above a mantelpiece, console, or sideboard in classic or eclectic interiors. Pairing a traditional portrait with contemporary furniture creates a balanced contrast that highlights the artworks historical character.

Oil paintings should be hung away from direct sunlight, dampness, and sudden changes in humidity or temperature. Cleaning should be limited to gentle dusting with a soft, dry brush, avoiding liquid cleaners or water on the paint surface.
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