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Pair of Landscape Oil Painting Hunting Scenes with Wild Boar by Godfrey Douglas Giles
Benton Fine Art
for sale €5,733     $6,223
£4,900
Benton Fine Art

Benton Fine Art

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Pair of Landscape Oil Painting Hunting Scenes with Wild Boar by Godfrey Douglas Giles

1900 - 1920
For Sale by Benton Fine Art
Description

Godfrey Douglas Giles

British, (1857-1941)

Wild Boar & her Young in a Landscape & Pursuit of a Wild Boar

Oil on panel, pair, both signed & dated 1903

Image size: 10.5 inches x 13.5 inches (each)

Size including frame: 17 inches x 20 inches (each)

A pair of hunting scenes featuring wild boar in a South African landscape by Godfrey Douglas Giles. The first painting depicts a female boar with piglets and other wild boars traversing a landscape. In the distance, a figure can be seen waving a red flag on a platform whilst others are shown on horseback. The second work depicts a boar being pursued by two riders on horseback. Both of the figures wear military uniforms with Wolseley pattern pith helmets. The distinctive sun helmets were worn by the British army from 1899 to 1948. The paintings were most likely produced during the time the artist spent as a war correspondent in South Africa.

Godfrey Douglas Giles was born in Karachi, Pakistan on 9 November, 1857 to Captain Edward Giles of the Royal Navy and Emily Atkins. His father was stationed in Karachi at the time of his birth and when he was old enough sent his son to boarding school in Cheltenham. Giles later attended the Royal Military College in Sandhurst and after graduating was posted to India in 1875. During his military career he spent time in Sudan, Afghanistan, Egypt and South Africa and attained the rank of Major. Whilst on service he painted a number of battle scenes of not only those he was present at but also ones from details supplied by other soldiers. He also produced a number of caricatures for magazines such as Vanity Fair.

After retiring from the army in 1884, he decided to actively pursue an artistic career and began exhibiting at the Royal Academy that same year. He moved to Paris in 1885 where he studied under Carolus-Duran (1837-1917) and exhibited at the Paris Salon. He also visited Venice to continue his studies and whilst there became friends with Robert Browning. After returning to England he continued exhibiting and worked out of Bolton Studios and Trafalgar Studios in Chelsea, London. He married Alice Evelyn Barclay in Edinburgh on 14 January, 1891 and they lived at Brand Road, Woodhouse in Leicestershire.

By the time his only child, Evelyn, was born in 1896, Giles had moved to Cheveley Road and later Douglas Lodge in Newmarket, Cambridge where he began painting horses and horse racing scenes. After the outbreak of the Boar War in 1899, Giles worked as a war correspondent and artist in South Africa for The Graphic and the Daily Graphic. He was awarded the Queen's South Africa Medal on 12 February 1903, coincidently the same year he produced these paintings.

He lived in Newmarket for many years but sometime during the late 1920’s/early 1930’s moved to Edinburgh. He died at 9 Forres Street, Edinburgh on 1 February, 1941 aged 83.

Examples of his paintings are held by the Museum of the King’s Royal Hussars, National Army Museum, Parliamentary Art Collection, Royal Collection Trust, York and the Lancaster Regimental Museum.

Presentation: The paintings are housed in their original oak frames, which are in excellent condition. Both paintings bear a label to the reverse for Lechertier, Barbe & Co, who were a well-established artist’s colour and supply shop. The firm existed as Lechertier Barbe from 1848-1864, Lechertier Barbe & Co from 1859-1897 and Lechertier Barbe Ltd from 1898-1969. They operated out of 60 Regent Street from 1827 until 1898 and 7 Glasshouse Street from 1864-1898.

Condition: As with all of our original antique oil paintings, these works are offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
43cm (16.93")
Width
51cm (20.08")
Depth
7cm (2.76")
Declaration

Benton Fine Art has dated these Antique Boar Hunting Paintings to the 1900s.

Reference Numbers
Sellingantiques Reference
SA823263
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

We use a professional, fully insured and tracked door to door service for our UK and international deliveries. Please contact us for further information and shipping quotes.

Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
Godfrey Douglas Giles

British, (1857-1941)

Wild Boar & her Young in a Landscape & Pursuit of a Wild Boar

Oil on panel, pair, both signed & dated 1903

Image size: 10.5 inches x 13.5 inches (each)

Size including frame: 17 inches x 20 inches (each)

A pair of hunting scenes featuring wild boar in a South African landscape by Godfrey Douglas Giles. The first painting depicts a female boar with piglets and other wild boars traversing a landscape.

In the distance, a figure can be seen waving a red flag on a platform whilst others are shown on horseback.
Benton Fine Art

The second work depicts a boar being pursued by two riders on horseback. Both of the figures wear military uniforms with Wolseley pattern pith helmets. The distinctive sun helmets were worn by the British army from 1899 to 1948. The paintings were most likely produced during the time the artist spent as a war correspondent in South Africa.

fig 1. A pair of antique framed oil paintings depicting wild boar hunting scenes, housed in wide dark oak frames with gold inner slips.
fig 1. Pair of Landscape Oil Painting Hunting Scenes with Wild Boar by Godfrey Douglas Giles

Godfrey Douglas Giles was born in Karachi, Pakistan on 9 November, 1857 to Captain Edward Giles of the Royal Navy and Emily Atkins. His father was stationed in Karachi at the time of his birth and when he was old enough sent his son to boarding school in Cheltenham. Giles later attended the Royal Military College in Sandhurst and after graduating was posted to India in 1875. During his military career he spent time in Sudan, Afghanistan, Egypt and South Africa and attained the rank of Major. Whilst on service he painted a number of battle scenes of not only those he was present at but also ones from details supplied by other soldiers. He also produced a number of caricatures for magazines such as Vanity Fair.

fig 2. A pair of antique framed oil paintings depicting wild boar hunting scenes, housed in wide dark oak frames with gold inner slips.
fig 2. Pair of Landscape Oil Painting Hunting Scenes with Wild Boar by Godfrey Douglas Giles

After retiring from the army in 1884, he decided to actively pursue an artistic career and began exhibiting at the Royal Academy that same year. He moved to Paris in 1885 where he studied under Carolus-Duran (1837-1917) and exhibited at the Paris Salon. He also visited Venice to continue his studies and whilst there became friends with Robert Browning. After returning to England he continued exhibiting and worked out of Bolton Studios and Trafalgar Studios in Chelsea, London. He married Alice Evelyn Barclay in Edinburgh on 14 January, 1891 and they lived at Brand Road, Woodhouse in Leicestershire.

fig 3. A pair of antique framed oil paintings depicting wild boar hunting scenes, housed in wide dark oak frames with gold inner slips.
fig 3. Pair of Landscape Oil Painting Hunting Scenes with Wild Boar by Godfrey Douglas Giles

By the time his only child, Evelyn, was born in 1896, Giles had moved to Cheveley Road and later Douglas Lodge in Newmarket, Cambridge where he began painting horses and horse racing scenes. After the outbreak of the Boar War in 1899, Giles worked as a war correspondent and artist in South Africa for The Graphic and the Daily Graphic. He was awarded the Queen's South Africa Medal on 12 February 1903, coincidently the same year he produced these paintings.

fig 4. A pair of antique framed oil paintings depicting wild boar hunting scenes, housed in wide dark oak frames with gold inner slips.
fig 4. Pair of Landscape Oil Painting Hunting Scenes with Wild Boar by Godfrey Douglas Giles

He lived in Newmarket for many years but sometime during the late 1920’s/early 1930’s moved to Edinburgh. He died at 9 Forres Street, Edinburgh on 1 February, 1941 aged 83.

Examples of his paintings are held by the Museum of the King’s Royal Hussars, National Army Museum, Parliamentary Art Collection, Royal Collection Trust, York and the Lancaster Regimental Museum.

fig 5. A pair of antique framed oil paintings depicting wild boar hunting scenes, housed in wide dark oak frames with gold inner slips.
fig 5. Pair of Landscape Oil Painting Hunting Scenes with Wild Boar by Godfrey Douglas Giles

Presentation: The paintings are housed in their original oak frames, which are in excellent condition. Both paintings bear a label to the reverse for Lechertier, Barbe & Co, who were a well-established artist’s colour and supply shop. The firm existed as Lechertier Barbe from 1848-1864, Lechertier Barbe & Co from 1859-1897 and Lechertier Barbe Ltd from 1898-1969. They operated out of 60 Regent Street from 1827 until 1898 and 7 Glasshouse Street from 1864-1898.

fig 6. A pair of antique framed oil paintings depicting wild boar hunting scenes, housed in wide dark oak frames with gold inner slips.
fig 6. Pair of Landscape Oil Painting Hunting Scenes with Wild Boar by Godfrey Douglas Giles

Condition: As with all of our original antique oil paintings, these works are offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
43cm (16.93")
Width
51cm (20.08")
Depth
7cm (2.76")
Date of Manufacture

Benton Fine Art has dated these Antique Boar Hunting Paintings to the 1900s.

Reference Numbers
Sellingantiques Ref
SA823263
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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A pair of antique framed oil paintings depicting wild boar hunting scenes, housed in wide dark oak frames with gold inner slips.
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Archive I A pair of antique framed oil paintings depicting wild boar hunting scenes, housed in wide dark oak frames with gold inner slips.

Pair of landscape oil painting hunting scenes with wild boar by Godfrey Douglas Giles

Archive II A pair of antique framed oil paintings depicting wild boar hunting scenes, housed in wide dark oak frames with gold inner slips. View II
Archive III A pair of antique framed oil paintings depicting wild boar hunting scenes, housed in wide dark oak frames with gold inner slips. View III
Archive IV A pair of antique framed oil paintings depicting wild boar hunting scenes, housed in wide dark oak frames with gold inner slips. View IV
Archive V A pair of antique framed oil paintings depicting wild boar hunting scenes, housed in wide dark oak frames with gold inner slips. View V
Archive VI A pair of antique framed oil paintings depicting wild boar hunting scenes, housed in wide dark oak frames with gold inner slips. View VI
Archive VII A pair of antique framed oil paintings depicting wild boar hunting scenes, housed in wide dark oak frames with gold inner slips. View VII
Archive VIII A pair of antique framed oil paintings depicting wild boar hunting scenes, housed in wide dark oak frames with gold inner slips. View VIII
Archive IX A pair of antique framed oil paintings depicting wild boar hunting scenes, housed in wide dark oak frames with gold inner slips. View IX
Archive X A pair of antique framed oil paintings depicting wild boar hunting scenes, housed in wide dark oak frames with gold inner slips. View X
Archive XI A pair of antique framed oil paintings depicting wild boar hunting scenes, housed in wide dark oak frames with gold inner slips. View XI
Archive XII A pair of antique framed oil paintings depicting wild boar hunting scenes, housed in wide dark oak frames with gold inner slips. View XII
Archive XIII A pair of antique framed oil paintings depicting wild boar hunting scenes, housed in wide dark oak frames with gold inner slips. View XIII
Archive XIV A pair of antique framed oil paintings depicting wild boar hunting scenes, housed in wide dark oak frames with gold inner slips. View XIV
Archive XV A pair of antique framed oil paintings depicting wild boar hunting scenes, housed in wide dark oak frames with gold inner slips. View XV
Archive XVI A pair of antique framed oil paintings depicting wild boar hunting scenes, housed in wide dark oak frames with gold inner slips. View XVI
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Worcestershire
United Kingdom

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Benton Fine Art
Benton Fine Art
Verified Since Sep 2012
View Dealer Info
Location: Near Broadway, Worcestershire, United Kingdom, , By appointment only.
Verified
Sep 2012
For Sale
209
A pair of antique framed oil paintings depicting wild boar hunting scenes, housed in wide dark oak frames with gold inner slips.
Pair of landscape oil painting hunting scenes with wild boar by Godfrey Douglas Giles
Ref: SA823263
A pair of antique framed oil paintings depicting wild boar hunting scenes, housed in wide dark oak frames with gold inner slips.
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Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Sporting art focuses on representations of field sports, equestrian events, and hunting pursuits, gaining significant popularity during the eighteenth and nineteenth centuries in Britain. Artists concentrated on anatomical accuracy of horses and hounds, set against realistic atmospheric landscapes.

Late nineteenth and early twentieth-century oil paintings were typically housed in solid timber frames, such as bevelled oak, often incorporating a gilded timber inner slip to separate the artwork visually from the dark wood frame.

Authenticity is indicated by naturally occurring craquelure across the paint surface, historic wood or canvas backing, period artist signatures, and signs of age on the timber framing mouldings.

These paintings can be displayed as a vertical pair on narrow wall spaces or positioned above a sideboard to add depth, texture, and traditional character to contemporary or heritage rooms.

Keep oil paintings away from direct sunlight, moisture, and fluctuating heat sources. Dust the surfaces and frames gently using a dry, soft-bristled brush without applying liquid cleaners.
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