You can contact us with the problem you are having and we will investigate.
Stripe Online Payments
Sellingantiques have now partnered with Stripe card processing to give you a seamless purchase experience of antiques on sellingantiques.
Millions of companies of all sizes use Stripe online to accept payments and is the worlds No.1 payment gateway.
So how does it work: Look for the button in the antique details page to instantly purchase antiques from dealers who have activated Stripe online payments.
You can now easily filter and show antiques that only have this option enabled.
Using this button notifies us immediately that you have purchased this item. Once you have made the payment we will instantly mark it as sold to ensure that no one else can buy it.
Discounts can also be made available.
We are always improving the purchase experience for both buyer and seller and more and more dealers are enabling this option each week.
Portrait Of A Young Lady In Russet Dress With Blue Wrap C.1680’s; Circle Or Studio Of Mary Beale (1632-1699) Oil On Canvas Painting
Status:This item has been sold Sold by:Titan Fine Art
This exquisite portrait is a charming example of English portraiture from the 1680’s. It depicts a young woman at the tender age of perhaps fifteen; she would have been deemed ready for marriage. It is remarkable for its sensitivity, its beauty, and for its portrayal of the sitter’s amiable and friendly character. An elaborate sculpted cartouche used in portraits, as seen here, was employed by many artists in England at the time, but most frequently by Sir Peter Lely and Mary Beale, the most important woman artist to work in England in the second half of the seventeenth century.
The portrait genre was valued particularly highly in English society. Neither landscapes nor allegorical pictures were ever priced so highly at exhibitions and in the trade as depictions of people, from the highest aristocracy to scholars, writers, poets and statesmen. Traditionally the portrait has been attributed to Mary Beale; this attribution is certainly possible.
A charming example of English po...rtraiture during the reign of Charles II. Contained in a fine quality gilded antique frame.
Born in Suffolk, Mary Beale, nee Cradock (1633-1699) was employed by many of the most distinguished persons of her time including nobility, landed gentry, and clergymen. Technically accomplished, her paintings are noteworthy for their honest and sympathetic portrayal. In 1651 she married Charles Beale, who shared her interest in art, and thus the Beale studio was a partnership between husband and wife. While Mary painted, Charles provided practical support. He primed canvases, procured art supplies from merchants, manufactured expensive, high-end pigments such as red lake and ultramarine (some for sale to other painters), and kept the books. He also left detailed notebooks about his wife’s daily activities; such as her commissioned portraits as well as the experimental studies. For the latter, he identifies the sitters and, in most cases, their poses and tracks the progress of each work from one sitting to the next, paying particular attention if a novel technique had been used. The Beale''s purpose in carrying out the studies, as well as to develop skills, was to test out, various painting methods. Together they sought to improve the studio''s efficiency, through perfecting procedures that would produce good results at a lower cost. These accounts of the daily activities are an incredibly valuable insight into the working practices of her studio. In fact, we know more of her technique and working practice than that of many of her contemporaries, including Sir Peter Lely.
By the late 1650s, Beale had developed a formidable reputation and befriended Sir Peter Lely, the leading artist of the Restoration and court painter to Charles II, King of England. She observed Lely in his studio—a rare privilege—and copied many of his portraits, modelling her technique after his. Lely would visit the Beale home occasionally to observe Mary paint and praise her work and Lely loaned Beale some of his old master paintings to copy from.
During her childhood in Suffolk Mary''s father was friendly with contemporary British artists such as Sir Nathaniel Bacon, Robert Walker, and Sir Peter Lely, leading to both Robert Walker and Peter Lely being ''the most likely drawing masters to the young Mary'' but it is not known for certain with whom she studied.
She often employed the use of an elaborate stone cartouche that surrounded her sitters and by the 1670s, the couple’s two young sons Charles and Bartholomew, were assisting his mother in her painting studio in Pall Mall, executing feigned stone cartouches in head and shoulder portraits as well as painting drapery.
In 1677 she had 83 commissions, earning £429, a considerable sum. She also took students, many of them women. Mary was earning her living and supporting her family with her art which was a highly unusual position for a woman at the time.
Much more info about this item at: www.titanfineart.com
In a market saturated with available paintings, Titan Fine Art offers a distinct advantage: we sift through thousands of works to provide a specially curated selection. Each piece is meticulously chosen based on technical merit, provenance, and decorative appeal, ensuring our clients view only the finest examples of British and European art.
With over 20 years of expertise and 1,000+ works placed with collectors and institutions, we are one of the most prolific specialists in 17th and 18th-century portraiture. We combine a scholarly approach with museum-level rigor to replace the uncertainty of the open market with absolute confidence.
Why Buy From Titan Fine Art?
• Expertly Curated Selection
We act as your expert eye, selecting only high-quality works that offer genuine historical and artistic value.
• Museum-Level Research
Each portrait is supported by extensive academic research, often exceeding 40 hours, to establish attribution, sitter identity, and historical context.
• Professional Conservation
All paintings are carefully cleaned and stabilised by professional conservators, and are presented ready to hang.
• Transparent Pricing
No buyer’s premium or hidden fees—unlike auction houses, where additional costs can add 25–35%.
• Export Pricing Advantage
Reduced pricing is available for works exported outside the UK.
• Specialist Global Shipping
We manage the entire process, including custom crating, export documentation, and fully tracked delivery worldwide.
• Buy with Confidence
A 7-day return policy and the option to pay in GBP, USD, or EUR for convenience and transparency.
• Original Period Frames
Many works retain their original carved and gilded frames, which are works of art in their own right and enhance both historical authenticity and decorative impact.
• Personal Advisory Service
We work directly with collectors and interior designers, offering guidance on selection, scale, and placement—including bespoke room mock-ups on request.
Subscribe to our monthly 'new item alert' to be the first to hear about new works
Antique ID Number (AIDN): SA815125
Dateline of this antique is 17th Century
Height is 94.5cm (37.2inches)Width is 82cm (32.3inches)Depth is 6cm (2.4inches)
Antique SA815125 shown on this page was made in the 17th Century. For historical context, the timeline below highlights the period when it was created:
←C17th
ANTIQUE SA815125
CONTACT DETAILS OF SELLER:
Titan Fine Art
Specialist in 17th & 18thC portraits. Highly curated selection, museum-level research & pro conservation. Exceptional art, expertly vetted.
London
United Kingdom
Tel: 07875 412 111
STATUS
THIS ITEM HAS BEEN SOLD
Thank you.
Your comment has been sent to Sellingantiques.
Thank you.
Your rating and comment have been sent to Sellingantiques.
Thank you.
Your score has been recieved.
Thanks. But what can we do better?
SEND COMMENT
If you would like to be contacted to discuss your feedback then please leave a phone number or email address in your message.
Thanks for your great feedback!
We love it when our wonderful visitors are happy with us!
SEND COMMENT
Live daily database information for 18 July 2026
Antiques approved in last 24 hours
26
Antiques awaiting approval
54
Antiques rejected in last 24 hours
0
Unique visitors today
9098
Total antique impressions today
1380786
Total antiques for sale
67038
Total value of antiques for sale
£139089831
Antiques uploaded so far in July 2026
2461
Unique visitors to Sellingantiques so far in July 2026
258872
Unique visitors to Sellingantiques so far in 2026
3820412
Item saved
The Portrait of a Young Lady in Russet Dress with Blue Wrap c.1680’s; Circle or Studio of Mary Beale (1632-1699) oil on canvas painting has been added to your saved items.
Sending email ...
... please wait
Sending Email...
... please wait
Problem with this page?
You can contact us with the problem you are having and we will investigate.
Sending an email to: Titan Fine Art
Item: #SA815125 Portrait of a Young Lady in Russet Dres...
Thank you.
Your comment has been sent to Sellingantiques.