Marlborough Antiques & Interiors has dated this piece to the 1950s.
Date: 1954
Untitled but date on the image
Dimensions
Paper size: 35.5 x 26.5 cm
Image size: 32.0 x 24.0 cm
Frame size: 46.0 x 38.0 cm

Printed on wove paper
Publisher Atelier, Mourlot, Paris
A long-time admirer of the work of Honore´ de Balzac, the great 19th century French realist playwright and novelist, Pablo Picasso referred to the author’s works on numerous occasions throughout his career. (At one point he even rented the apartment in Paris that was the setting of Balzac’s 1845 novel The Unknown Masterpiece. )
In 1954, on coming to know of Picasso’s interest in Balzac, the publisher Te´riade commissioned him to create a series of illustrations depicting scenes from the writer’s greatest work, La Come´die Humaine.
It is a monumental collection of 137 interlinked short stories, novels and essays which depicts life in the Bourbon Restoration period after the French Revolution and addresses themes such as money, power, social success, maternity, paternity and women, society and sex. The stories take place in a variety of locations, but some characters are interlinked and feature in more than one story.
Te´riade dedicated an entire issue of his revue magazine, Verve to Picasso’s response to this work, Verve 29 & 30
Picasso created a suite of 180 drawings and a set of twelve colour lithographs after works in coloured crayon to interpret the stories of La Come´die Humaine. For the printing, Picasso employed the expertise of the renowned lithography studio Atelier Mourlot in Paris, where the prints were made under the artist’s direction in a limited edition of 1,500.
It was a laborious process with new blocks prepared by hand for each colour of the vibrant drawings, yet the lithographs have a wonderfully spontaneous quality despite the technical labour that went into their making.
Marlborough Antiques & Interiors has dated this piece to the 1950s.
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