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Dutch Ships in a Sea Battle C.1690, Follower of Abraham Storck.
Roy Precious - Antiques & Fine Art
for sale €10,355     $11,240
£8,850
Roy Precious - Antiques & Fine Art

Roy Precious - Antiques & Fine Art

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Dutch Ships in a Sea Battle C.1690, Follower of Abraham Storck.

17th century
Description

Oil on canvas in a beautiful painted tortoiseshell frame, bearing a brass nameplate. The canvas has been reduced in size at some time.

Of the Dutch Golden Age, this is a fine marine painting, full of action and extremely accurate in its depiction of the vessels involved. The unknown artist, a Follower of Storck, has captured his style very well. The details are almost of a miniaturist's skill.

ABRAHAM STORCK (or Sturckenburch) (bapt. 17 April 1644 in Amsterdam – buried 8 April 1708), was a Dutch painter, who enjoyed a reputation for his marine paintings, topographical views and Italianate harbour scenes. Storck was an outstanding draughtsman too.

His father was the painter Jan Jansz Sturck (or Johannes Storck) (1603-1673), from Wesel; his mother was Teuntje (Apolonia) Jacobs. The couple married in 1628. Storck had two brothers, who were also painters using the name Sturckenburch until c. 1688 after which they started calling themselves Storck or Sturck. It is likely they were all trained with their father in the family workshop and joined the local Guild of Saint Luke, otherwise it was impossible to sell any painting.

Around 1666 Storck set up his own workshop producing naval, harbuor scenes as well as landscape paintings and cityscapes. In 1670 he travelled with his brother Jacob and worked in Germany. In 1694, being 49 years old, he married the widow Neeltje Pieters van Meyservelt. At the end of his life he lived on Kattenburg near the harbour.

Storck's marine and river scenes were influenced by the two Willem van de Veldes (the elder and the younger), Ludolf Bakhuizen and by Jan Abrahamsz Beerstraaten.

He depicted ships' rigging and technical details with considerable accuracy, which likely shows the influence of the van de Veldes.

SIZE: 28 x 31.5 x 2.5 inches including the frame.

PROVENANCE: Sotheby's, London, April 29, 2010. Sold for £9,000.

Deceased estate in Buckinghamshire.

Physical Dimensions
Height
71cm (27.95")
Width
80cm (31.50")
Depth
6.5cm (2.56")
Declaration

Roy Precious - Antiques & Fine Art has dated this 17th Century Marine Painting to the 17th Century.

Reference Numbers
Sellingantiques Reference
SA673453
Dealers Internal Reference
9169
Description
Oil on canvas in a beautiful painted tortoiseshell frame, bearing a brass nameplate. The canvas has been reduced in size at some time.
Of the Dutch Golden Age, this is a fine marine painting, full of action and extremely accurate in its depiction of the vessels involved.
Roy Precious - Antiques & Fine Art

The unknown artist, a Follower of Storck, has captured his style very well. The details are almost of a miniaturist's skill.

fig 1. An antique seventeenth-century oil painting depicting Dutch warships engaged in a sea battle, housed within a wide marbled frame.
fig 1. Dutch Ships in a Sea Battle C.1690, Follower of Abraham Storck.

ABRAHAM STORCK (or Sturckenburch) (bapt. 17 April 1644 in Amsterdam – buried 8 April 1708), was a Dutch painter, who enjoyed a reputation for his marine paintings, topographical views and Italianate harbour scenes. Storck was an outstanding draughtsman too.

fig 2. An antique seventeenth-century oil painting depicting Dutch warships engaged in a sea battle, housed within a wide marbled frame.
fig 2. Dutch Ships in a Sea Battle C.1690, Follower of Abraham Storck.

His father was the painter Jan Jansz Sturck (or Johannes Storck) (1603-1673), from Wesel; his mother was Teuntje (Apolonia) Jacobs. The couple married in 1628. Storck had two brothers, who were also painters using the name Sturckenburch until c. 1688 after which they started calling themselves Storck or Sturck. It is likely they were all trained with their father in the family workshop and joined the local Guild of Saint Luke, otherwise it was impossible to sell any painting.

fig 3. An antique seventeenth-century oil painting depicting Dutch warships engaged in a sea battle, housed within a wide marbled frame.
fig 3. Dutch Ships in a Sea Battle C.1690, Follower of Abraham Storck.

Around 1666 Storck set up his own workshop producing naval, harbuor scenes as well as landscape paintings and cityscapes. In 1670 he travelled with his brother Jacob and worked in Germany. In 1694, being 49 years old, he married the widow Neeltje Pieters van Meyservelt. At the end of his life he lived on Kattenburg near the harbour.

fig 4. An antique seventeenth-century oil painting depicting Dutch warships engaged in a sea battle, housed within a wide marbled frame.
fig 4. Dutch Ships in a Sea Battle C.1690, Follower of Abraham Storck.

Storck's marine and river scenes were influenced by the two Willem van de Veldes (the elder and the younger), Ludolf Bakhuizen and by Jan Abrahamsz Beerstraaten.

He depicted ships' rigging and technical details with considerable accuracy, which likely shows the influence of the van de Veldes.

SIZE: 28 x 31.5 x 2.5 inches including the frame.

PROVENANCE: Sotheby's, London, April 29, 2010. Sold for £9,000.

Deceased estate in Buckinghamshire.

Height
71cm (27.95")
Width
80cm (31.50")
Depth
6.5cm (2.56")
Date of Manufacture

Roy Precious - Antiques & Fine Art has dated this 17th Century Marine Painting to the 17th Century.

Reference Numbers
Sellingantiques Ref
SA673453
Dealers Internal Ref
9169
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Sellingantiques verified Since Mar 2003

Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.

Dealer Profile

You can view the stock and full dealer information on the Roy Precious - Antiques & Fine Art Profile Page

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An antique seventeenth-century oil painting depicting Dutch warships engaged in a sea battle, housed within a wide marbled frame.
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Archive I An antique seventeenth-century oil painting depicting Dutch warships engaged in a sea battle, housed within a wide marbled frame.

Dutch Ships in a Sea Battle C.1690, Follower of Abraham Storck.

Archive II An antique seventeenth-century oil painting depicting Dutch warships engaged in a sea battle, housed within a wide marbled frame. View II
Archive III An antique seventeenth-century oil painting depicting Dutch warships engaged in a sea battle, housed within a wide marbled frame. View III
Archive IV An antique seventeenth-century oil painting depicting Dutch warships engaged in a sea battle, housed within a wide marbled frame. View IV
Archive V An antique seventeenth-century oil painting depicting Dutch warships engaged in a sea battle, housed within a wide marbled frame. View V
Archive VI An antique seventeenth-century oil painting depicting Dutch warships engaged in a sea battle, housed within a wide marbled frame. View VI
Archive VII An antique seventeenth-century oil painting depicting Dutch warships engaged in a sea battle, housed within a wide marbled frame. View VII
Archive VIII An antique seventeenth-century oil painting depicting Dutch warships engaged in a sea battle, housed within a wide marbled frame. View VIII
Enlarged Archival View
Location
Wiltshire
United Kingdom
Dealer Profile Page sellingantiques.co.uk/rp
Verified Since Mar 2003
Items For Sale 95
Items Sold 679
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Verified Since Mar 2003
View Dealer Info
Location: Wiltshire, United Kingdom
Verified
Mar 2003
For Sale
95
Sold
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An antique seventeenth-century oil painting depicting Dutch warships engaged in a sea battle, housed within a wide marbled frame.
Dutch Ships in a Sea Battle c.1690, Follower of Abraham Storck.
Ref: SA673453
An antique seventeenth-century oil painting depicting Dutch warships engaged in a sea battle, housed within a wide marbled frame.
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Dutch Golden Age marine painting emerged in the seventeenth century as the Dutch Republic became a dominant maritime power. These compositions typically portray detailed warships, merchant vessels, complex naval engagements, and expressive sky conditions using oil paint.

Artists during this era painted primarily with hand-ground mineral pigments suspended in linseed or walnut oil onto linen canvas or oak panels. Framing often featured ebonised timber, stained wood mouldings, or tortoise-shell veneers.

Authenticity is evaluated through physical indicators such as natural age craquelure, period-appropriate canvas weave, historical stretcher bars, and pigment composition under ultraviolet light. Signature placement and naval rig accuracy further support period attribution.

A dark, dramatic seascape creates visual contrast when positioned above a mantlepiece or sideboard in a room with deep wall tones or natural wood panelling. Pairing classic oil art with minimalist lighting or structured upholstery balances historical depth with modern aesthetic.

Keep the canvas away from direct sunlight, heating sources, and environments with fluctuating relative humidity to prevent canvas warping or paint flaking. Dust the surface occasionally using a dry, soft goat-hair brush, and consult a qualified art conservator for deeper cleaning.
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