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ID #SA633076
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Portrait of a Gentleman C.1690; Attributed to Arnold Van Boonen.
Roy Precious - Antiques & Fine Art
for sale €7,002     $7,601
£5,985
Roy Precious - Antiques & Fine Art

Roy Precious - Antiques & Fine Art

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    Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.
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Portrait of a Gentleman C.1690; Attributed to Arnold Van Boonen.

18th century
Description

Oil on canvas in a good quality 19th century frame. Gilt label on the frame: "VAN BOONEN. From the collection of Quarante Ratazzi"

An excellent portrait of a young gentleman, typical of van Boonen's style and capturing much of the character of the sitter.

ANOLD VAN BOONEN (16 December 1669 – 2 October 1729) was a Dutch portrait painter. He was born at Dordrecht, in the Dutch Republic in 1669. He was a pupil first of Arnold Verbuis, and then of Godefried Schalken. He painted genre pictures in the style of the latter, representing subjects by candlelight, but met with such encouragement in portrait painting that he devoted himself almost wholly to that. His style was well adapted to succeed in it. An excellent colourist and highly skilled, capable of capturing a good likeness, he was soon distinguished as one of the most able artists of his day. He painted a great number of portraits of the most distinguished people of his time, among whom were Peter the Great, the Elector of Mentz, the Landgrave of Hesse-Darmstadt, the Prince and Princess of Orange, the great Duke of Marlborough, and several others. He painted some large pictures for the halls of the different companies at Amsterdam and Dordrecht. He died in 1729.

The Dresden Gallery has seven works by him, and the 'Woman Singing' in the Lille Gallery is also attributed to him. His son, Kasper van Boonen, also painted portraits, but in no way proved himself equal to his father.

SIZE: 27.75 x 24.75 inches including the frame.

PROVENANCE: Collection of Quarante Ratazzi.

Cheshire Private Collection.

Verso: Old paper collection number '98' and old Christie's stencil.

Physical Dimensions
Height
71cm (27.95")
Width
63cm (24.80")
Depth
7cm (2.76")
Declaration

Roy Precious - Antiques & Fine Art has dated this 17th Century Oil Portrait to the 1700s.

Reference Numbers
Sellingantiques Reference
SA633076
Dealers Internal Reference
9139
Description
Oil on canvas in a good quality 19th century frame. Gilt label on the frame: "VAN BOONEN. From the collection of Quarante Ratazzi"
An excellent portrait of a young gentleman, typical of van Boonen's style and capturing much of the character of the sitter.
Roy Precious - Antiques & Fine Art
fig 1. An oval seventeenth-century oil painting depicting a gentleman wearing a periwig and crimson cloak, set inside a carved giltwood frame.
fig 1. Portrait of a Gentleman C.1690; Attributed to Arnold Van Boonen.

ANOLD VAN BOONEN (16 December 1669 – 2 October 1729) was a Dutch portrait painter. He was born at Dordrecht, in the Dutch Republic in 1669. He was a pupil first of Arnold Verbuis, and then of Godefried Schalken. He painted genre pictures in the style of the latter, representing subjects by candlelight, but met with such encouragement in portrait painting that he devoted himself almost wholly to that. His style was well adapted to succeed in it. An excellent colourist and highly skilled, capable of capturing a good likeness, he was soon distinguished as one of the most able artists of his day. He painted a great number of portraits of the most distinguished people of his time, among whom were Peter the Great, the Elector of Mentz, the Landgrave of Hesse-Darmstadt, the Prince and Princess of Orange, the great Duke of Marlborough, and several others. He painted some large pictures for the halls of the different companies at Amsterdam and Dordrecht. He died in 1729.

fig 2. An oval seventeenth-century oil painting depicting a gentleman wearing a periwig and crimson cloak, set inside a carved giltwood frame.
fig 2. Portrait of a Gentleman C.1690; Attributed to Arnold Van Boonen.

The Dresden Gallery has seven works by him, and the 'Woman Singing' in the Lille Gallery is also attributed to him. His son, Kasper van Boonen, also painted portraits, but in no way proved himself equal to his father.

SIZE: 27.75 x 24.75 inches including the frame.

PROVENANCE: Collection of Quarante Ratazzi.

Cheshire Private Collection.

Verso: Old paper collection number '98' and old Christie's stencil.

Height
71cm (27.95")
Width
63cm (24.80")
Depth
7cm (2.76")
Date of Manufacture

Roy Precious - Antiques & Fine Art has dated this 17th Century Oil Portrait to the 1700s.

Reference Numbers
Sellingantiques Ref
SA633076
Dealers Internal Ref
9139
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Sellingantiques verified Since Mar 2003

Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.

Dealer Profile

You can view the stock and full dealer information on the Roy Precious - Antiques & Fine Art Profile Page

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An oval seventeenth-century oil painting depicting a gentleman wearing a periwig and crimson cloak, set inside a carved giltwood frame.
1 / 6
Archive I An oval seventeenth-century oil painting depicting a gentleman wearing a periwig and crimson cloak, set inside a carved giltwood frame.

Portrait of a Gentleman c.1690; Attributed to Arnold van Boonen.

Archive II An oval seventeenth-century oil painting depicting a gentleman wearing a periwig and crimson cloak, set inside a carved giltwood frame. View II
Archive III An oval seventeenth-century oil painting depicting a gentleman wearing a periwig and crimson cloak, set inside a carved giltwood frame. View III
Archive IV An oval seventeenth-century oil painting depicting a gentleman wearing a periwig and crimson cloak, set inside a carved giltwood frame. View IV
Archive V An oval seventeenth-century oil painting depicting a gentleman wearing a periwig and crimson cloak, set inside a carved giltwood frame. View V
Archive VI An oval seventeenth-century oil painting depicting a gentleman wearing a periwig and crimson cloak, set inside a carved giltwood frame. View VI
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Roy Precious - Antiques & Fine Art
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Verified Since Mar 2003
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Location: Wiltshire, United Kingdom
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An oval seventeenth-century oil painting depicting a gentleman wearing a periwig and crimson cloak, set inside a carved giltwood frame.
Portrait of a Gentleman c.1690; Attributed to Arnold van Boonen.
Ref: SA633076
An oval seventeenth-century oil painting depicting a gentleman wearing a periwig and crimson cloak, set inside a carved giltwood frame.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Baroque portraiture of the late seventeenth century is defined by dramatic lighting contrasts, rich drapery, dynamic poses, and detailed rendering of fabric and status symbols such as periwigs and lace cravats.

Artisans typically used oil paints composed of natural mineral and organic pigments ground in linseed oil, applied onto linen canvas stretched over wooden frames, and mounted in hand-carved giltwood mouldings.

Authenticity is evaluated through age-appropriate craquelure patterns across the paint surface, historic canvas lining methods, hand-cut stretcher timber, period-accurate costume details, and original gilding layers on the frame.

Classical oil portraits create strong focal points when mounted against dark painted walls in traditional libraries, or displayed above sideboards to create textural contrast within contemporary scheme rooms.

Keep the canvas away from direct sunlight and fluctuating humidity levels to prevent cracking and canvas tension loss. Dust the giltwood frame lightly with a soft, dry bristle brush, avoiding liquid cleaners.
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