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James Poole, 1804 - 1886 Travellers on the Conwy, North Wales with Mount Snowdon Beyond
Artware Fineart
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James Poole, 1804 - 1886 Travellers on the Conwy, North Wales with Mount Snowdon Beyond

19th century
For Sale by Artware Fineart
Description

James Poole, 1804 - 1886

Travellers on the Conwy, North Wales with Mount Snowdon beyond

signed

oil on canvas

58.42 x 91.44 cm. (23 x 36 in.)

The River Conwy (Welsh: Afon Conwy) is a river in north Wales. From its source to its discharge in Conwy Bay it is a little over 27 miles

(43 km) long. "Conwy" is sometimes Anglicized as "Conway." It rises on the Migneint moor where a number of small streams flow into Llyn Conwy, then flows in a generally northern direction, being joined by the tributaries of the rivers Machno and Lledr before reaching Betws-y-Coed, where it is also joined by the River Llugwy. From Betws-y-coed the river continues to flow north through Llanrwst, Trefriw (where it is joined by the Afon Crafnant) and Dolgarrog (where it is joined by Afon Porth-llwyd and Afon Ddu) before reaching Conwy Bay at Conwy. During spring tides the river is tidal as far as Llanrwst.

The Conwy is bounded to the east by the rolling ancient mudstone hills of the Silurian period, the Migneint Moors. These acid rocks are generally covered in thin, often acid soils and for large parts of the upland areas the cover is of moor-grass — Mollinia spp and Erica communities. As a result the water entering the river tends to be acidic and often coloured brown with humic acids To the west, the catchment is underlain by older Cambrian rocks which are harder and the landscape is, as a consequence, more dramatic with high craggy hills and mountains through which the river falls in cascades and waterfalls. Excellent examples of torrential river geomorphology can be seen at Conwy Falls and in the Lledr Gorge. The land to the East is highly forested with planted non-native conifers.

The western side of the valley is rich in lakes and reservoirs some of which provide drinking water supplies. The rocks are also rich in minerals and there are many abandoned mine sites where copper, lead and silver have been mined since Roman times.

The central river valley down-stream of Betws-y-Coed is relatively wide and fertile, and supports dairying and sheep rearing. In winter time these pastures are used to nurture the sheep brought down out of the mountains to avoid the worst of the winter weather.

The English name for the area derives from Snowdon, which is the highest mountain in Wales at 3,560 ft (1,085 m). In Welsh, the area is named Eryri. One assumption is that the name is derived from eryr ("eagle"), but others state that it means quite simply Highlands, as leading Welsh scholar Sir Ifor Williams proved. In the Middle Ages the title Prince of Wales and Lord of Snowdonia (Tywysog Cymru ac Arglwydd Eryri) was used by Llywelyn ap Gruffudd; his grandfather Llywelyn Fawr used the title Prince of north Wales and Lord of Snowdonia.

Prior to the designation of the boundaries of the National Park, the term "Snowdonia" was generally used to refer to a much smaller area, namely the upland area of northern Gwynedd centred on the Snowdon massif, whereas the national park covers an area more than twice that size extending far to the south into Meirionnydd. This is apparent in books published prior to 1951 such as the classic travelogue Wild Wales by George Borrow (1862) and The Mountains of Snowdonia by H.

Carr & G. Lister (1925). F. J. North, as editor of the book Snowdonia (1949), states "When the Committee delineated provisional boundaries, they included areas some distance beyond Snowdonia proper." The traditional Snowdonia thus includes the ranges of Snowdon and its satellites, the Glyderau, the Carneddau and the Moel Siabod group. It does not include the hills to the south of Maentwrog. As Eryri (see above), this area has a unique place in Welsh history, tradition and culture.

Physical Dimensions
Height
59cm (23.23")
Width
91cm (35.83")
Depth
1.5cm (0.59")
Declaration

Artware Fineart has dated this Victorian Welsh Landscape Painting to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA627435
Dealers Internal Reference
3540
Description
James Poole, 1804 - 1886

Travellers on the Conwy, North Wales with Mount Snowdon beyond

signed

oil on canvas

58.42 x 91.44 cm. (23 x 36 in.)

The River Conwy (Welsh: Afon Conwy) is a river in north Wales. From its source to its discharge in Conwy Bay it is a little over 27 miles

fig 1. A 19th-century oil painting depicting travellers resting on a stone bridge over a rushing river in North Wales, with Mount Snowdon towering under a cloudy sky.
fig 1. James Poole, 1804 - 1886 Travellers on the Conwy, North Wales with Mount Snowdon Beyond

(43 km) long. "Conwy" is sometimes Anglicized as "Conway." It rises on the Migneint moor where a number of small streams flow into Llyn Conwy, then flows in a generally northern direction, being joined by the tributaries of the rivers Machno and Lledr before reaching Betws-y-Coed, where it is also joined by the River Llugwy. From Betws-y-coed the river continues to flow north through Llanrwst, Trefriw (where it is joined by the Afon Crafnant) and Dolgarrog (where it is joined by Afon Porth-llwyd and Afon Ddu) before reaching Conwy Bay at Conwy. During spring tides the river is tidal as far as Llanrwst.

The Conwy is bounded to the east by the rolling ancient mudstone hills of the Silurian period, the Migneint Moors.
Artware Fineart

These acid rocks are generally covered in thin, often acid soils and for large parts of the upland areas the cover is of moor-grass — Mollinia spp and Erica communities. As a result the water entering the river tends to be acidic and often coloured brown with humic acids To the west, the catchment is underlain by older Cambrian rocks which are harder and the landscape is, as a consequence, more dramatic with high craggy hills and mountains through which the river falls in cascades and waterfalls. Excellent examples of torrential river geomorphology can be seen at Conwy Falls and in the Lledr Gorge. The land to the East is highly forested with planted non-native conifers.

fig 2. A 19th-century oil painting depicting travellers resting on a stone bridge over a rushing river in North Wales, with Mount Snowdon towering under a cloudy sky.
fig 2. James Poole, 1804 - 1886 Travellers on the Conwy, North Wales with Mount Snowdon Beyond

The western side of the valley is rich in lakes and reservoirs some of which provide drinking water supplies. The rocks are also rich in minerals and there are many abandoned mine sites where copper, lead and silver have been mined since Roman times.

fig 3. A 19th-century oil painting depicting travellers resting on a stone bridge over a rushing river in North Wales, with Mount Snowdon towering under a cloudy sky.
fig 3. James Poole, 1804 - 1886 Travellers on the Conwy, North Wales with Mount Snowdon Beyond

The central river valley down-stream of Betws-y-Coed is relatively wide and fertile, and supports dairying and sheep rearing. In winter time these pastures are used to nurture the sheep brought down out of the mountains to avoid the worst of the winter weather.

fig 4. A 19th-century oil painting depicting travellers resting on a stone bridge over a rushing river in North Wales, with Mount Snowdon towering under a cloudy sky.
fig 4. James Poole, 1804 - 1886 Travellers on the Conwy, North Wales with Mount Snowdon Beyond

The English name for the area derives from Snowdon, which is the highest mountain in Wales at 3,560 ft (1,085 m). In Welsh, the area is named Eryri. One assumption is that the name is derived from eryr ("eagle"), but others state that it means quite simply Highlands, as leading Welsh scholar Sir Ifor Williams proved. In the Middle Ages the title Prince of Wales and Lord of Snowdonia (Tywysog Cymru ac Arglwydd Eryri) was used by Llywelyn ap Gruffudd; his grandfather Llywelyn Fawr used the title Prince of north Wales and Lord of Snowdonia.

Prior to the designation of the boundaries of the National Park, the term "Snowdonia" was generally used to refer to a much smaller area, namely the upland area of northern Gwynedd centred on the Snowdon massif, whereas the national park covers an area more than twice that size extending far to the south into Meirionnydd. This is apparent in books published prior to 1951 such as the classic travelogue Wild Wales by George Borrow (1862) and The Mountains of Snowdonia by H.

Carr & G. Lister (1925). F. J. North, as editor of the book Snowdonia (1949), states "When the Committee delineated provisional boundaries, they included areas some distance beyond Snowdonia proper." The traditional Snowdonia thus includes the ranges of Snowdon and its satellites, the Glyderau, the Carneddau and the Moel Siabod group. It does not include the hills to the south of Maentwrog. As Eryri (see above), this area has a unique place in Welsh history, tradition and culture.

Height
59cm (23.23")
Width
91cm (35.83")
Depth
1.5cm (0.59")
Date of Manufacture

Artware Fineart has dated this Victorian Welsh Landscape Painting to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA627435
Dealers Internal Ref
3540
Artware Fineart
Sellingantiques verified Since Sep 2008
Dealer Profile

You can view the stock and full dealer information on the Artware Fineart Profile Page

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A 19th-century oil painting depicting travellers resting on a stone bridge over a rushing river in North Wales, with Mount Snowdon towering under a cloudy sky.
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Archive I A 19th-century oil painting depicting travellers resting on a stone bridge over a rushing river in North Wales, with Mount Snowdon towering under a cloudy sky.

James Poole, 1804 - 1886 Travellers on the Conwy, North Wales with Mount Snowdon Beyond

Archive II A 19th-century oil painting depicting travellers resting on a stone bridge over a rushing river in North Wales, with Mount Snowdon towering under a cloudy sky. View II
Archive III A 19th-century oil painting depicting travellers resting on a stone bridge over a rushing river in North Wales, with Mount Snowdon towering under a cloudy sky. View III
Archive IV A 19th-century oil painting depicting travellers resting on a stone bridge over a rushing river in North Wales, with Mount Snowdon towering under a cloudy sky. View IV
Archive V A 19th-century oil painting depicting travellers resting on a stone bridge over a rushing river in North Wales, with Mount Snowdon towering under a cloudy sky. View V
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Telephone 07958 699 645
Location
18 La Gare
51 Surrey Row
London
SE1 0BZ
United Kingdom
Verified Since Sep 2008
Items For Sale 243
Items Sold 223
Artware Fineart
Verified Since Sep 2008
View Dealer Info
Location: 18 La Gare , 51 Surrey Row , London , SE1 0BZ , United Kingdom
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For Sale
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A 19th-century oil painting depicting travellers resting on a stone bridge over a rushing river in North Wales, with Mount Snowdon towering under a cloudy sky.
James Poole, 1804 - 1886 Travellers on the Conwy, North Wales with Mount Snowdon beyond
Ref: SA627435
A 19th-century oil painting depicting travellers resting on a stone bridge over a rushing river in North Wales, with Mount Snowdon towering under a cloudy sky.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Nineteenth-century British landscape painting was heavily influenced by Romanticism, focusing on dramatic topography, atmospheric light, and natural phenomena. Artists often depicted rural locations such as Wales, the Lake District, and Scotland, capturing expansive vistas and rustic figures within natural environments.

Victorian oil paintings were typically executed on hand-stretched linen or cotton canvas using oil-based pigments derived from natural minerals and organic materials. Canvas supports were prepared with a gesso primer before paint application and finished with a protective natural resin varnish.

Authentic pieces exhibit natural age-related craquelure across the paint surface, historic canvas darkening, period-correct stretcher bars, and artist-specific brush techniques. Signatures, provenance records, and period framing construction further verify authenticity.

A classic oil landscape can be positioned above a mantelpiece or sideboard to create a focal point, pairing traditional artwork with contemporary clean-lined furniture for a balanced eclectic aesthetic.

Keep the canvas away from direct sunlight, heating vents, and high humidity to prevent cracking or warping. Dust gently using a soft, dry camel-hair brush, avoiding water or chemical cleaners, and consult a professional conservator for varnish restoration.
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