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ID #SA619845
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Seascape Oil Painting of Penzance Harbour by William Edward Webb
Benton Fine Art
for sale €9,594     $10,414
£8,200
Benton Fine Art

Benton Fine Art

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Seascape Oil Painting of Penzance Harbour by William Edward Webb

1900 - 1920
For Sale by Benton Fine Art
Description

William Edward Webb

British, (1862-1903)

Penzance Harbour

Oil on canvas, signed

Image size: 29 inches x 45.5 inches

Size including frame: 38 inches x 54.5 inches

A pleasing coastal painting of Penzance Harbour at low tide by William Edward Webb. In the foreground, a fisherman sells his catch to a woman and her daughter, whilst figures in horses and carts wait for others to unload their boats.

William Edward Webb was born in Cheltenham, Gloucestershire in 1862 to William Benjamin Webb and Ellen Butler. His father was a printer and an artist and it is highly likely he received tuition from him. Following the death of his mother, his father remarried and moved the family to Manchester sometime after 1871.

By the 1880’s, Webb had started working as an artist and later set up a studio at 30 Exchange Buildings in Manchester. He began exhibiting at the Manchester City Art Gallery from 1890, where he showed more than 60 paintings during his lifetime. He also exhibited at the Royal Academy and Walker Art Gallery Liverpool from 1892. He married Clara Foster in 1899 and the couple lived at 1 Sylvan Grove, Chorlton Upon Medlock in South Manchester with their daughter Florrie. He became friends with the artist Walter Emsley (1860-1938) who also lived in Manchester.

Although he spent the rest of his life in Manchester, Webb travelled throughout the UK painting coastal and marine scenes around the main ports and harbours. He spent a great deal of time in the Isle of Mann painting numerous scenes along the coast including views of Peel and Douglas Harbour, subjects he frequently returned to. Webb painted in a highly distinctive style; loose and informal but which manages to retain the sense of perspective. He struggled with ill health and depression throughout his life which sadly led to his suicide 9 November, 1903. In 1974, a retrospective exhibition was held at The Old Customs House and Old Solent House in Lymington, which brought a new found interest in his work.

His paintings are now highly sought after and are represented in many collections and Museums including the Astley Hall Museum, Harris Museum, Manchester Art Gallery, Manx Museum, Middlesborough Institute of Modern Art, Shipley Art Gallery and Tullie House Museum.

Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
96.5cm (37.99")
Width
138.5cm (54.53")
Depth
6.5cm (2.56")
Declaration

Benton Fine Art has dated this Antique Maritime Oil Painting to the 1900s.

Reference Numbers
Sellingantiques Reference
SA619845
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

We use a professional, fully insured and tracked door to door service for our UK and international deliveries. Please contact us for further information and shipping quotes.

Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
William Edward Webb

British, (1862-1903)

Penzance Harbour

Oil on canvas, signed

Image size: 29 inches x 45.5 inches

Size including frame: 38 inches x 54.5 inches

A pleasing coastal painting of Penzance Harbour at low tide by William Edward Webb.

In the foreground, a fisherman sells his catch to a woman and her daughter, whilst figures in horses and carts wait for others to unload their boats.
Benton Fine Art
fig 1. A nineteenth-century maritime oil painting depicting fishing boats docked at low tide in Penzance harbour, set within a fluted gilt frame.
fig 1. Seascape Oil Painting of Penzance Harbour by William Edward Webb

William Edward Webb was born in Cheltenham, Gloucestershire in 1862 to William Benjamin Webb and Ellen Butler. His father was a printer and an artist and it is highly likely he received tuition from him. Following the death of his mother, his father remarried and moved the family to Manchester sometime after 1871.

fig 2. A nineteenth-century maritime oil painting depicting fishing boats docked at low tide in Penzance harbour, set within a fluted gilt frame.
fig 2. Seascape Oil Painting of Penzance Harbour by William Edward Webb

By the 1880’s, Webb had started working as an artist and later set up a studio at 30 Exchange Buildings in Manchester. He began exhibiting at the Manchester City Art Gallery from 1890, where he showed more than 60 paintings during his lifetime. He also exhibited at the Royal Academy and Walker Art Gallery Liverpool from 1892. He married Clara Foster in 1899 and the couple lived at 1 Sylvan Grove, Chorlton Upon Medlock in South Manchester with their daughter Florrie. He became friends with the artist Walter Emsley (1860-1938) who also lived in Manchester.

fig 3. A nineteenth-century maritime oil painting depicting fishing boats docked at low tide in Penzance harbour, set within a fluted gilt frame.
fig 3. Seascape Oil Painting of Penzance Harbour by William Edward Webb

Although he spent the rest of his life in Manchester, Webb travelled throughout the UK painting coastal and marine scenes around the main ports and harbours. He spent a great deal of time in the Isle of Mann painting numerous scenes along the coast including views of Peel and Douglas Harbour, subjects he frequently returned to. Webb painted in a highly distinctive style; loose and informal but which manages to retain the sense of perspective. He struggled with ill health and depression throughout his life which sadly led to his suicide 9 November, 1903. In 1974, a retrospective exhibition was held at The Old Customs House and Old Solent House in Lymington, which brought a new found interest in his work.

fig 4. A nineteenth-century maritime oil painting depicting fishing boats docked at low tide in Penzance harbour, set within a fluted gilt frame.
fig 4. Seascape Oil Painting of Penzance Harbour by William Edward Webb

His paintings are now highly sought after and are represented in many collections and Museums including the Astley Hall Museum, Harris Museum, Manchester Art Gallery, Manx Museum, Middlesborough Institute of Modern Art, Shipley Art Gallery and Tullie House Museum.

fig 5. A nineteenth-century maritime oil painting depicting fishing boats docked at low tide in Penzance harbour, set within a fluted gilt frame.
fig 5. Seascape Oil Painting of Penzance Harbour by William Edward Webb

Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
96.5cm (37.99")
Width
138.5cm (54.53")
Depth
6.5cm (2.56")
Date of Manufacture

Benton Fine Art has dated this Antique Maritime Oil Painting to the 1900s.

Reference Numbers
Sellingantiques Ref
SA619845
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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A nineteenth-century maritime oil painting depicting fishing boats docked at low tide in Penzance harbour, set within a fluted gilt frame.
1 / 10
Archive I A nineteenth-century maritime oil painting depicting fishing boats docked at low tide in Penzance harbour, set within a fluted gilt frame.

Seascape oil painting of Penzance harbour by William Edward Webb

Archive II A nineteenth-century maritime oil painting depicting fishing boats docked at low tide in Penzance harbour, set within a fluted gilt frame. View II
Archive III A nineteenth-century maritime oil painting depicting fishing boats docked at low tide in Penzance harbour, set within a fluted gilt frame. View III
Archive IV A nineteenth-century maritime oil painting depicting fishing boats docked at low tide in Penzance harbour, set within a fluted gilt frame. View IV
Archive V A nineteenth-century maritime oil painting depicting fishing boats docked at low tide in Penzance harbour, set within a fluted gilt frame. View V
Archive VI A nineteenth-century maritime oil painting depicting fishing boats docked at low tide in Penzance harbour, set within a fluted gilt frame. View VI
Archive VII A nineteenth-century maritime oil painting depicting fishing boats docked at low tide in Penzance harbour, set within a fluted gilt frame. View VII
Archive VIII A nineteenth-century maritime oil painting depicting fishing boats docked at low tide in Penzance harbour, set within a fluted gilt frame. View VIII
Archive IX A nineteenth-century maritime oil painting depicting fishing boats docked at low tide in Penzance harbour, set within a fluted gilt frame. View IX
Archive X A nineteenth-century maritime oil painting depicting fishing boats docked at low tide in Penzance harbour, set within a fluted gilt frame. View X
Enlarged Archival View
Telephone 07710 540 549
Location
Near Broadway
Worcestershire
United Kingdom

By appointment only.
Verified Since Sep 2012
Items For Sale 210
Benton Fine Art
Benton Fine Art
Verified Since Sep 2012
View Dealer Info
Location: Near Broadway, Worcestershire, United Kingdom, , By appointment only.
Verified
Sep 2012
For Sale
210
A nineteenth-century maritime oil painting depicting fishing boats docked at low tide in Penzance harbour, set within a fluted gilt frame.
Seascape oil painting of Penzance harbour by William Edward Webb
Ref: SA619845
A nineteenth-century maritime oil painting depicting fishing boats docked at low tide in Penzance harbour, set within a fluted gilt frame.
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Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Victorian maritime paintings typically portray coastal life, harbours, shipping vessels, and seafaring activity, reflecting nineteenth-century Britains naval and trading prominence with detailed realism.

Artists primarily used oil paint on stretched linen or cotton canvas, framed within heavy gilded wood or moulded plaster frames featuring reed or acanthus patterns.

Identification involves inspecting natural craquelure patterns, artist signatures, period-appropriate canvas stretching methods, and oxidisation on original timber stretchers and gilt frames.

A large framed marine painting serves as a focal point above a mantelpiece or console table, adding texture and historical character to neutral walls or dark feature rooms.

Keep canvas paintings away from direct sunlight, radiators, and high humidity, dusting the frame lightly with a soft brush and consulting a professional restorer for cleaning.
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