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Portrait of Admiral of the Fleet , Sir George Cockburn, 10th Bt, 1772-1853 by Ambrosini Jerome
Artware Fineart
for sale €5,850     $6,350
£5,000

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Portrait of Admiral of the Fleet , Sir George Cockburn, 10th Bt, 1772-1853 by Ambrosini Jerome

19th century
For Sale by Artware Fineart
Description

Oil on canvas, size: 36.00 x 28.00 ins (92 x 71 cm.)

The reverse re-lining inscribed "Ambrosini Jerome 1835"

Admiral of the Fleet Sir George Cockburn, 10th Baronet (22 April 1772 – 19 August 1853) (surname pronounced /'ko?b?rn/, Scottish English: was a British naval commander of the late 18th through the mid-19th centuries. He held important commands during the Napoleonic Wars and the War of 1812 and eventually rose to become Admiral of the Fleet and First Sea Lord.Born in 1772 in London, George was the second son of Sir James Cockburn, 8th Baronet (1729-1804) and his second wife Augusta Anne Ayscough. His maternal grandfather was Francis Ayscough, Dean of Bristol. Cockburn went to sea at the age of 14. He rose rapidly in the Royal Navy, perhaps because his father was a baronet, but most certainly because he was a brave and resourceful officer. He saw much action during the Napoleonic Wars and successfully commanded a succession of sloops, frigates and ships of the line. After serving on the home station, and in the East Indies and the Mediterranean, he assisted, as captain of the Minerve ( at the blockade of Leghorn in 1796, and fought a gallant action with the Spanish frigate Sabina which he took. He was present at the battle of Cape St Vincent. In 1809, in command of the naval force on shore, he contributed greatly to the reduction of Martinique, and signed the capitulation by which that island was handed over to the British; for his services on this occasion he received the thanks of the House of Commons. After service in the Scheldt and at the defence of Cadiz he was sent in 1811 on an unsuccessful mission for the reconciliation of Spain and her American colonies.

By 1812, he was a rear admiral in charge of the squadron of the Royal Navy in Spanish waters, but in that year he was ordered to America. Cockburn played a major role in the War of 1812 as second in command to Admiral Sir John Borlase Warren to the end of March 1814 and then to Warren's successor, Admiral Sir Alexander Cochrane for the rest of the war. He cruised relentlessly up and down the Chesapeake Bay and other parts of the Atlantic coast in 1813 and 1814, seizing American shipping, disrupting commerce, and raiding the ports. In the Chesapeake, Cockburn was responsible for carrying out government instructions to encourage the emigration of the enslaved Black population. In addition he implemented Cochrane's own plan of recruiting a Corps of Colonial Marines from among the Black refugees. The most important of Cockburn's actions was the capture and burning of Washington on 24 August 1814 as an advisor to Major General Robert Ross. He later served as the commander during the British occupation of Cumberland Island and St. Marys, Georgia. The Battle of Fort Peter was the only result of the campaign. Cockburn received the order of the Bath at the beginning of 1815, and after the war, on his return to Europe, he was immediately given the job of conveying Napoleon in the Northumberland to Saint Helena, where he remained for some months as governor of the island and the Emperor's jailor. In later life, Cockburn was Commander-in-Chief on the North American station, and eventually Admiral of the Fleet. From 1827 he was a Privy Counsellor. He was also elected several times to Parliament as a Tory (for Portsmouth 1818-1820, Weobly 1820-1828, Plymouth 1828-1832 and Ripon 1841-1847)and served several times as First Sea Lord (1828–1830; 1834–1835; 1841–1846). In 1839 he became the first President of the Shipwrecked Fishermen and Mariners' Royal Benevolent Society. In 1852, he inherited the family baronetcy from his elder brother, being himself succeeded by his brother William, dean of York, who died in 1858. Admiral Cockburn died in 1853 at Leamington Spa, leaving a daughter.

Physical Dimensions
Height
92cm (36.22")
Width
72cm (28.35")
Depth
1cm (0.39")
Declaration

Artware Fineart has dated this Antique Naval Officer Portrait to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA59411
Dealers Internal Reference
3269
Description
Oil on canvas, size: 36.00 x 28.00 ins (92 x 71 cm.)

The reverse re-lining inscribed "Ambrosini Jerome 1835"

Admiral of the Fleet Sir George Cockburn, 10th Baronet (22 April 1772 – 19 August 1853) (surname pronounced /'ko?b?rn/, Scottish English: was a British naval commander of the late 18th through the mid-19th centuries.

He held important commands during the Napoleonic Wars and the War of 1812 and eventually rose to become Admiral of the Fleet and First Sea Lord.
Artware Fineart

Born in 1772 in London, George was the second son of Sir James Cockburn, 8th Baronet (1729-1804) and his second wife Augusta Anne Ayscough. His maternal grandfather was Francis Ayscough, Dean of Bristol. Cockburn went to sea at the age of 14. He rose rapidly in the Royal Navy, perhaps because his father was a baronet, but most certainly because he was a brave and resourceful officer. He saw much action during the Napoleonic Wars and successfully commanded a succession of sloops, frigates and ships of the line. After serving on the home station, and in the East Indies and the Mediterranean, he assisted, as captain of the Minerve ( at the blockade of Leghorn in 1796, and fought a gallant action with the Spanish frigate Sabina which he took. He was present at the battle of Cape St Vincent. In 1809, in command of the naval force on shore, he contributed greatly to the reduction of Martinique, and signed the capitulation by which that island was handed over to the British; for his services on this occasion he received the thanks of the House of Commons. After service in the Scheldt and at the defence of Cadiz he was sent in 1811 on an unsuccessful mission for the reconciliation of Spain and her American colonies.

fig 1. An antique oil painting depicting a British naval officer in a dark military coat with gold epaulettes, brass buttons, and a star medal against a dark backdrop.
fig 1. Portrait of Admiral of the Fleet , Sir George Cockburn, 10th Bt, 1772-1853 by Ambrosini Jerome

By 1812, he was a rear admiral in charge of the squadron of the Royal Navy in Spanish waters, but in that year he was ordered to America. Cockburn played a major role in the War of 1812 as second in command to Admiral Sir John Borlase Warren to the end of March 1814 and then to Warren's successor, Admiral Sir Alexander Cochrane for the rest of the war. He cruised relentlessly up and down the Chesapeake Bay and other parts of the Atlantic coast in 1813 and 1814, seizing American shipping, disrupting commerce, and raiding the ports. In the Chesapeake, Cockburn was responsible for carrying out government instructions to encourage the emigration of the enslaved Black population. In addition he implemented Cochrane's own plan of recruiting a Corps of Colonial Marines from among the Black refugees. The most important of Cockburn's actions was the capture and burning of Washington on 24 August 1814 as an advisor to Major General Robert Ross. He later served as the commander during the British occupation of Cumberland Island and St. Marys, Georgia. The Battle of Fort Peter was the only result of the campaign. Cockburn received the order of the Bath at the beginning of 1815, and after the war, on his return to Europe, he was immediately given the job of conveying Napoleon in the Northumberland to Saint Helena, where he remained for some months as governor of the island and the Emperor's jailor. In later life, Cockburn was Commander-in-Chief on the North American station, and eventually Admiral of the Fleet. From 1827 he was a Privy Counsellor. He was also elected several times to Parliament as a Tory (for Portsmouth 1818-1820, Weobly 1820-1828, Plymouth 1828-1832 and Ripon 1841-1847)and served several times as First Sea Lord (1828–1830; 1834–1835; 1841–1846). In 1839 he became the first President of the Shipwrecked Fishermen and Mariners' Royal Benevolent Society. In 1852, he inherited the family baronetcy from his elder brother, being himself succeeded by his brother William, dean of York, who died in 1858. Admiral Cockburn died in 1853 at Leamington Spa, leaving a daughter.

Height
92cm (36.22")
Width
72cm (28.35")
Depth
1cm (0.39")
Date of Manufacture

Artware Fineart has dated this Antique Naval Officer Portrait to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA59411
Dealers Internal Ref
3269
Artware Fineart
Sellingantiques verified Since Sep 2008
Dealer Profile

You can view the stock and full dealer information on the Artware Fineart Profile Page

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An antique oil painting depicting a British naval officer in a dark military coat with gold epaulettes, brass buttons, and a star medal against a dark backdrop.
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Archive I An antique oil painting depicting a British naval officer in a dark military coat with gold epaulettes, brass buttons, and a star medal against a dark backdrop.

Portrait of Admiral of the fleet , Sir George Cockburn, 10th Bt, 1772-1853 by Ambrosini Jerome

Archive II An antique oil painting depicting a British naval officer in a dark military coat with gold epaulettes, brass buttons, and a star medal against a dark backdrop. View II
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Location: 18 La Gare , 51 Surrey Row , London , SE1 0BZ , United Kingdom
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An antique oil painting depicting a British naval officer in a dark military coat with gold epaulettes, brass buttons, and a star medal against a dark backdrop.
Portrait of Admiral of the fleet , Sir George Cockburn, 10th Bt, 1772-1853 by Ambrosini Jerome
Ref: SA59411
An antique oil painting depicting a British naval officer in a dark military coat with gold epaulettes, brass buttons, and a star medal against a dark backdrop.
Detail View 1
Archival Detail
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Regency military portraiture typically depicts high-ranking officers in detailed uniforms, capturing the formal attire, rank insignia, and military stature of early nineteenth-century commanders.

Artists primarily executed these works using oil paint on stretched linen canvas, applying glazes over grounded layers to achieve depth in dark fabrics and metallic details.

Authentic works from this period display age-appropriate craquelure, natural oxidisation of varnish layers, hand-woven canvas backing, and period-correct uniform specifications.

A formal portrait functions effectively positioned above a mantelpiece or sideboard, or integrated into a gallery wall to create contrast against contemporary backdrop colours.

Position the canvas away from direct sunlight, extreme humidity, and direct heat sources, cleaning the surface exclusively with soft conservation brushes rather than liquid solvents.
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