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ID #SA580963
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French Bronze, Venus Au Bain After Falconnet, by Barbedienne, C1860
Vivers Mill Antiques
for sale €2,334     $2,534
£1,995

Vivers Mill Antiques

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French Bronze, Venus Au Bain After Falconnet, by Barbedienne, C1860

19th century
Description

Beautiful, Large French Bronze Sculpture, reduction cast from the marble entitled ‘Venus au Bain’ by Étienne-Maurice Falconnet (1716-1791) by Ferdinand Barbedienne.

Marked ‘F.Barbedienne fondeur’ and with Achille Collas seal. Mid 19th century.

Very good condition overall, modest age related wear to the patina in places, which is to be expected, some small scratches in places, in particular to rear of right shoulder, do not detract from the overall appearance.

57.5cm(H) x 16cm(W) x 22cm(D) 11.22kgs

Physical Dimensions
Height
57.5cm (22.64")
Width
16cm (6.30")
Depth
22cm (8.66")
Declaration

Vivers Mill Antiques has dated this French Bronze Venus Sculpture to the 1860s.

Reference Numbers
Sellingantiques Reference
SA580963
Dealers Internal Reference
36/239
Description
Beautiful, Large French Bronze Sculpture, reduction cast from the marble entitled ‘Venus au Bain’ by Étienne-Maurice Falconnet (1716-1791) by Ferdinand Barbedienne.

Marked ‘F.Barbedienne fondeur’ and with Achille Collas seal. Mid 19th century.

fig 1. A dark patinated bronze sculpture depicting a standing classical female figure with draped cloth on an integral circular base.
fig 1. French Bronze, Venus Au Bain After Falconnet, by Barbedienne, C1860

Very good condition overall, modest age related wear to the patina in places, which is to be expected, some small scratches in places, in particular to rear of right shoulder, do not detract from the overall appearance.

57.5cm(H) x 16cm(W) x 22cm(D) 11.22kgs

Height
57.5cm (22.64")
Width
16cm (6.30")
Depth
22cm (8.66")
Date of Manufacture

Vivers Mill Antiques has dated this French Bronze Venus Sculpture to the 1860s.

Reference Numbers
Sellingantiques Ref
SA580963
Dealers Internal Ref
36/239
Vivers Mill Antiques
Sellingantiques verified Since Oct 2015
Dealer Profile

You can view the stock and full dealer information on the Vivers Mill Antiques Profile Page

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A dark patinated bronze sculpture depicting a standing classical female figure with draped cloth on an integral circular base.
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Archive I A dark patinated bronze sculpture depicting a standing classical female figure with draped cloth on an integral circular base.

French Bronze, Venus au Bain after Falconnet, by Barbedienne, c1860

Archive II A dark patinated bronze sculpture depicting a standing classical female figure with draped cloth on an integral circular base. View II
Archive III A dark patinated bronze sculpture depicting a standing classical female figure with draped cloth on an integral circular base. View III
Archive IV A dark patinated bronze sculpture depicting a standing classical female figure with draped cloth on an integral circular base. View IV
Archive V A dark patinated bronze sculpture depicting a standing classical female figure with draped cloth on an integral circular base. View V
Archive VI A dark patinated bronze sculpture depicting a standing classical female figure with draped cloth on an integral circular base. View VI
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Telephone 07919 670643
Location
The Antiques Centre York
41 Stonegate
York
YO1 8AW
United Kingdom
Dealer Profile Page sellingantiques.co.uk/vivers
Verified Since Oct 2015
Items For Sale 38
Items Sold 1
Vivers Mill Antiques
Verified Since Oct 2015
View Dealer Info
Location: The Antiques Centre York, 41 Stonegate, York, YO1 8AW, United Kingdom
Verified
Oct 2015
For Sale
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A dark patinated bronze sculpture depicting a standing classical female figure with draped cloth on an integral circular base.
French Bronze, Venus au Bain after Falconnet, by Barbedienne, c1860
Ref: SA580963
A dark patinated bronze sculpture depicting a standing classical female figure with draped cloth on an integral circular base.
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Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

The motif originates from the 1757 marble sculpture by French artist Etienne-Maurice Falconet, exhibited at the Paris Salon. During the nineteenth century, prominent French foundries cast reduced bronze editions of this classical figure for private art collectors.

Nineteenth-century French bronzes were typically created using lost-wax casting or sand casting methods from master moulds. The cast metal was hand-chased to refine surface details and treated with chemical solutions to create a dark, durable patina.

Authentic castings from the Ferdinand Barbedienne foundry frequently feature cold-stamped signatures such as F. Barbedienne Fondeur. Many pieces also carry the Achille Collas mechanical reduction stamp, indicating precise mathematical scaling from the original model.

Classical bronze figures serve as focal accent pieces when positioned on dark wood sideboards, marble mantelpieces, or structured book tower shelves. Placing the sculpture against neutral walls highlights its silhouetted form and patinated surface.

Dust the surface regularly with a dry, soft-bristled brush or microfibre cloth. Avoid water and liquid chemical solvents, which strip the protective finish; applying a light coat of microcrystalline wax once a year preserves the rich colour and prevents oxidisation.
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