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ID #SA573351
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Landscape Oil Painting of Sheep on a Cliff Top by Charles Jones
Benton Fine Art
for sale €3,393     $3,683
£2,900
Benton Fine Art

Benton Fine Art

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Landscape Oil Painting of Sheep on a Cliff Top by Charles Jones

19th century
For Sale by Benton Fine Art
Description

Charles Jones

British, (1836-1892)

Sheep Grazing on a Cliff Top

Oil on canvas, signed with monogram

Image size: 7.5 inches x 11.5 inches

Size including frame: 13.5 inches x 17.5 inches

A lovely landscape painting of sheep on a coastal cliff by Charles ‘Sheep’ Jones. The sheep and her two lambs are depicted against the backdrop of the sea with shipping and chalk cliffs in the distance. The location is likely to be the Devon coast, an area Jones visited often.

Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours.

By 1867, he had become a successful artist and had moved to 7 Paragon Place, Brixton Hill. From 1874, he lived at Heathercroft, Balham Hill where he spent the rest of his life. As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas Richardson & Co.

He was well known for specialising in paintings of sheep, cattle and deer in landscape settings. However, it is for his skilful painting of sheep that he is perhaps best known, and for which earned him the nickname of ‘Sheep’ Jones. Around 1890 he was awarded a gold medal at the Chrystal Palace Exhibition. He died on 17 July, 1892 and was buried at Nunhead Cemetery, Southwark, London.

Examples of his paintings can be found at the Atkinson Art Gallery, Doncaster Museum, King’s Lyn Museum, National Museum of Wales, New Art Gallery Walsall, Royal Cornwall Museum, Russell-Cotes Museum and the Wolverhampton Art Gallery.

Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
34cm (13.39")
Width
44.5cm (17.52")
Depth
5cm (1.97")
Declaration

Benton Fine Art has dated this Victorian Sheep Landscape Painting to the 1880s.

Reference Numbers
Sellingantiques Reference
SA573351
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

We use a professional, fully insured and tracked door to door service for our UK and international deliveries. Please contact us for further information and shipping quotes.

Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
Charles Jones

British, (1836-1892)

Sheep Grazing on a Cliff Top

Oil on canvas, signed with monogram

Image size: 7.5 inches x 11.5 inches

Size including frame: 13.5 inches x 17.5 inches

A lovely landscape painting of sheep on a coastal cliff by Charles ‘Sheep’ Jones.

The sheep and her two lambs are depicted against the backdrop of the sea with shipping and chalk cliffs in the distance.
Benton Fine Art

The location is likely to be the Devon coast, an area Jones visited often.

fig 1. A Victorian oil painting depicting a ewe and two lambs standing on a grassy coastal cliff edge, presented in an ornate carved giltwood frame.
fig 1. Landscape Oil Painting of Sheep on a Cliff Top by Charles Jones

Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours.

fig 2. A Victorian oil painting depicting a ewe and two lambs standing on a grassy coastal cliff edge, presented in an ornate carved giltwood frame.
fig 2. Landscape Oil Painting of Sheep on a Cliff Top by Charles Jones

By 1867, he had become a successful artist and had moved to 7 Paragon Place, Brixton Hill. From 1874, he lived at Heathercroft, Balham Hill where he spent the rest of his life. As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas Richardson & Co.

fig 3. A Victorian oil painting depicting a ewe and two lambs standing on a grassy coastal cliff edge, presented in an ornate carved giltwood frame.
fig 3. Landscape Oil Painting of Sheep on a Cliff Top by Charles Jones

He was well known for specialising in paintings of sheep, cattle and deer in landscape settings. However, it is for his skilful painting of sheep that he is perhaps best known, and for which earned him the nickname of ‘Sheep’ Jones. Around 1890 he was awarded a gold medal at the Chrystal Palace Exhibition. He died on 17 July, 1892 and was buried at Nunhead Cemetery, Southwark, London.

fig 4. A Victorian oil painting depicting a ewe and two lambs standing on a grassy coastal cliff edge, presented in an ornate carved giltwood frame.
fig 4. Landscape Oil Painting of Sheep on a Cliff Top by Charles Jones

Examples of his paintings can be found at the Atkinson Art Gallery, Doncaster Museum, King’s Lyn Museum, National Museum of Wales, New Art Gallery Walsall, Royal Cornwall Museum, Russell-Cotes Museum and the Wolverhampton Art Gallery.

fig 5. A Victorian oil painting depicting a ewe and two lambs standing on a grassy coastal cliff edge, presented in an ornate carved giltwood frame.
fig 5. Landscape Oil Painting of Sheep on a Cliff Top by Charles Jones

Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
34cm (13.39")
Width
44.5cm (17.52")
Depth
5cm (1.97")
Date of Manufacture

Benton Fine Art has dated this Victorian Sheep Landscape Painting to the 1880s.

Reference Numbers
Sellingantiques Ref
SA573351
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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A Victorian oil painting depicting a ewe and two lambs standing on a grassy coastal cliff edge, presented in an ornate carved giltwood frame.
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Archive I A Victorian oil painting depicting a ewe and two lambs standing on a grassy coastal cliff edge, presented in an ornate carved giltwood frame.

Landscape oil painting of Sheep on a cliff top by Charles Jones

Archive II A Victorian oil painting depicting a ewe and two lambs standing on a grassy coastal cliff edge, presented in an ornate carved giltwood frame. View II
Archive III A Victorian oil painting depicting a ewe and two lambs standing on a grassy coastal cliff edge, presented in an ornate carved giltwood frame. View III
Archive IV A Victorian oil painting depicting a ewe and two lambs standing on a grassy coastal cliff edge, presented in an ornate carved giltwood frame. View IV
Archive V A Victorian oil painting depicting a ewe and two lambs standing on a grassy coastal cliff edge, presented in an ornate carved giltwood frame. View V
Archive VI A Victorian oil painting depicting a ewe and two lambs standing on a grassy coastal cliff edge, presented in an ornate carved giltwood frame. View VI
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Worcestershire
United Kingdom

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Benton Fine Art
Benton Fine Art
Verified Since Sep 2012
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Location: Near Broadway, Worcestershire, United Kingdom, , By appointment only.
Verified
Sep 2012
For Sale
210
A Victorian oil painting depicting a ewe and two lambs standing on a grassy coastal cliff edge, presented in an ornate carved giltwood frame.
Landscape oil painting of Sheep on a cliff top by Charles Jones
Ref: SA573351
A Victorian oil painting depicting a ewe and two lambs standing on a grassy coastal cliff edge, presented in an ornate carved giltwood frame.
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Victorian pastoral landscape art often depicted rural agricultural scenes, livestock, and scenic countryside or coastal vistas, reflecting contemporary interest in naturalism and rural life.

Paintings from this era were predominantly executed in oil paints on woven linen canvas or timber panels, housed within heavy timber frames ornamented with moulded gesso and genuine gold leaf gilding.

Authentic period artworks generally feature fine age craquelure across the paint surface, natural oxidisation on the timber stretcher, period-appropriate canvas weave, and hand-gilded frames showing historic wear.

Position a rich gilt-framed oil painting above a mantelpiece or contemporary console table to create a focal point that bridges traditional heritage aesthetic with modern minimalism.

Dust the gilt frame gently with a soft dry brush and keep the artwork away from direct sunlight, extreme humidity, and direct heat sources. Professional art conservators should handle any paint surface cleaning.
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