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Attributed to Alexander Melville, 1846-1885 Portrait of Queen Victoria 1819 – 1901 Wearing a Blue Sash of the Order of the Garter
Artware Fineart
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Attributed to Alexander Melville, 1846-1885 Portrait of Queen Victoria 1819 – 1901 Wearing a Blue Sash of the Order of the Garter

19th century
For Sale by Artware Fineart
Description

Attributed to Alexander Melville, 1846-1885

Portrait of Queen Victoria 1819 – 1901 wearing a Blue Sash of the Order of the Garter

pencil and watercolour

26 x 19 cm (10 x 7.1/2 in.)

Victoria was born at Kensington Palace, London, on 24 May 1819. She was the only daughter of Edward, Duke of Kent, fourth son of George III. Her father died shortly after her birth and she became heir to the throne because the three uncles who were ahead of her in succession - George IV, Frederick Duke of York, and William IV - had no legitimate children who survived.

Warmhearted and lively, Victoria had a gift for drawing and painting; educated by a governess at home, she was a natural diarist and kept a regular journal throughout her life. On William IV's death in 1837, she became Queen at the age of 18.Queen Victoria is associated with Britain's great age of industrial expansion, economic progress and, especially, empire. At her death, it was said, Britain had a worldwide empire on which the sun never set.

In the early part of her reign, she was influenced by two men: her first Prime Minister, Lord Melbourne, and her husband, Prince Albert, whom she married in 1840. Both men taught her much about how to be a ruler in a 'constitutional monarchy' where the monarch had very few powers but could use much influence.Albert took an active interest in the arts, science, trade and industry; the project for which he is best remembered was the Great Exhibition of 1851, the profits from which helped to establish the South Kensington museums complex in London.

Her marriage to Prince Albert brought nine children between 1840 and 1857. Most of her children married into other Royal families of Europe.

Edward VII (born 1841), married Alexandra, daughter of Christian IX of Denmark. Alfred, Duke of Edinburgh and of Saxe-Coburg and Gotha (born 1844) married Marie of Russia. Arthur, Duke of Connaught (born 1850) married Louise Margaret of Prussia. Leopold, Duke of Albany (born 1853) married Helen of Waldeck-Pyrmont.Victoria, Princess Royal (born 1840) married Friedrich III, German Emperor. Alice (born 1843) married Ludwig IV, Grand Duke of Hesse and by Rhine. Helena (born 1846) married Christian of Schleswig-Holstein. Louise (born 1848) married John Campbell, 9th Duke of Argyll. Beatrice (born 1857) married Henry of Battenberg.Victoria bought Osborne House (later presented to the nation by Edward VII) on the Isle of Wight as a family home in 1845, and Albert bought Balmoral in 1852.

Victoria was deeply attached to her husband and she sank into depression after he died, aged 42, in 1861. She had lost a devoted husband and her principal trusted adviser in affairs of state. For the rest of her reign she wore black.Until the late 1860s she rarely appeared in public; although she never neglected her official Correspondence, and continued to give audiences to her ministers and official visitors, she was reluctant to resume a full public life.She was persuaded to open Parliament in person in 1866 and 1867, but she was widely criticised for living in seclusion and quite a strong republican movement developed.

Seven attempts were made on Victoria's life, between 1840 and 1882 - her courageous attitude towards these attacks greatly strengthened her popularity.With time, the private urgings of her family and the flattering attention of Benjamin Disraeli, Prime Minister in 1868 and from 1874 to 1880, the Queen gradually resumed her public duties.In foreign policy, the Queen's influence during the middle years of her reign was generally used to support peace and reconciliation. In 1864, Victoria pressed her ministers not to intervene in the Prussia-Austria-Denmark war, and her letter to the German Emperor (whose son had married her daughter) in 1875 helped to avert a second Franco-German war.

On the Eastern Question in the 1870s - the issue of Brita

Declaration

Artware Fineart has dated this Queen Victoria Watercolour Portrait to the 1800s.

Reference Numbers
Sellingantiques Reference
SA398413
Dealers Internal Reference
3772
Description
Attributed to Alexander Melville, 1846-1885

Portrait of Queen Victoria 1819 – 1901 wearing a Blue Sash of the Order of the Garter

pencil and watercolour

26 x 19 cm (10 x 7.1/2 in.)

Victoria was born at Kensington Palace, London, on 24 May 1819. She was the only daughter of Edward, Duke of Kent, fourth son of George III. Her father died shortly after her birth and she became heir to the throne because the three uncles who were ahead of her in succession - George IV, Frederick Duke of York, and William IV - had no legitimate children who survived.

Warmhearted and lively, Victoria had a gift for drawing and painting; educated by a governess at home, she was a natural diarist and kept a regular journal throughout her life.
Artware Fineart

On William IV's death in 1837, she became Queen at the age of 18.Queen Victoria is associated with Britain's great age of industrial expansion, economic progress and, especially, empire. At her death, it was said, Britain had a worldwide empire on which the sun never set.

In the early part of her reign, she was influenced by two men: her first Prime Minister, Lord Melbourne, and her husband, Prince Albert, whom she married in 1840. Both men taught her much about how to be a ruler in a 'constitutional monarchy' where the monarch had very few powers but could use much influence.Albert took an active interest in the arts, science, trade and industry; the project for which he is best remembered was the Great Exhibition of 1851, the profits from which helped to establish the South Kensington museums complex in London.

Her marriage to Prince Albert brought nine children between 1840 and 1857. Most of her children married into other Royal families of Europe.

Edward VII (born 1841), married Alexandra, daughter of Christian IX of Denmark. Alfred, Duke of Edinburgh and of Saxe-Coburg and Gotha (born 1844) married Marie of Russia. Arthur, Duke of Connaught (born 1850) married Louise Margaret of Prussia. Leopold, Duke of Albany (born 1853) married Helen of Waldeck-Pyrmont.Victoria, Princess Royal (born 1840) married Friedrich III, German Emperor. Alice (born 1843) married Ludwig IV, Grand Duke of Hesse and by Rhine. Helena (born 1846) married Christian of Schleswig-Holstein. Louise (born 1848) married John Campbell, 9th Duke of Argyll. Beatrice (born 1857) married Henry of Battenberg.Victoria bought Osborne House (later presented to the nation by Edward VII) on the Isle of Wight as a family home in 1845, and Albert bought Balmoral in 1852.

Victoria was deeply attached to her husband and she sank into depression after he died, aged 42, in 1861. She had lost a devoted husband and her principal trusted adviser in affairs of state. For the rest of her reign she wore black.Until the late 1860s she rarely appeared in public; although she never neglected her official Correspondence, and continued to give audiences to her ministers and official visitors, she was reluctant to resume a full public life.She was persuaded to open Parliament in person in 1866 and 1867, but she was widely criticised for living in seclusion and quite a strong republican movement developed.

Seven attempts were made on Victoria's life, between 1840 and 1882 - her courageous attitude towards these attacks greatly strengthened her popularity.With time, the private urgings of her family and the flattering attention of Benjamin Disraeli, Prime Minister in 1868 and from 1874 to 1880, the Queen gradually resumed her public duties.In foreign policy, the Queen's influence during the middle years of her reign was generally used to support peace and reconciliation. In 1864, Victoria pressed her ministers not to intervene in the Prussia-Austria-Denmark war, and her letter to the German Emperor (whose son had married her daughter) in 1875 helped to avert a second Franco-German war.

On the Eastern Question in the 1870s - the issue of Brita

Date of Manufacture

Artware Fineart has dated this Queen Victoria Watercolour Portrait to the 1800s.

Reference Numbers
Sellingantiques Ref
SA398413
Dealers Internal Ref
3772
Artware Fineart
Sellingantiques verified Since Sep 2008
Dealer Profile

You can view the stock and full dealer information on the Artware Fineart Profile Page

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A 19th-century watercolour portrait depicting young Queen Victoria wearing a cream off-shoulder dress, a blue Order of the Garter sash, and floral hair ornaments set against a warm ochre background.
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Archive I A 19th-century watercolour portrait depicting young Queen Victoria wearing a cream off-shoulder dress, a blue Order of the Garter sash, and floral hair ornaments set against a warm ochre background.

Attributed to Alexander Melville, 1846-1885 Portrait of Queen Victoria 1819 – 1901 Wearing a Blue Sash of the Order of the Garter

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Telephone 07958 699 645
Location
18 La Gare
51 Surrey Row
London
SE1 0BZ
United Kingdom
Verified Since Sep 2008
Items For Sale 243
Items Sold 223
Artware Fineart
Verified Since Sep 2008
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Location: 18 La Gare , 51 Surrey Row , London , SE1 0BZ , United Kingdom
Verified
Sep 2008
For Sale
243
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A 19th-century watercolour portrait depicting young Queen Victoria wearing a cream off-shoulder dress, a blue Order of the Garter sash, and floral hair ornaments set against a warm ochre background.
Attributed to Alexander Melville, 1846-1885 Portrait of Queen Victoria 1819 – 1901 wearing a Blue Sash of the Order of the Garter
Ref: SA398413
A 19th-century watercolour portrait depicting young Queen Victoria wearing a cream off-shoulder dress, a blue Order of the Garter sash, and floral hair ornaments set against a warm ochre background.
Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Victorian watercolour portraits are 19th-century paintings created using water-soluble pigments on paper or board, popularised for capturing personal likenesses and royal subjects before widespread photography. These works often feature intricate details in attire, jewellery, and regalia reflecting the sitters social standing.

Artists typically used natural ground pigments bound with gum arabic applied to woven rag paper or board. Accents of opaque gouache or graphite were frequently combined with transparent watercolour washes to achieve realistic fabric textures and skin tones.

Authentic period watercolours show characteristic aging, such as mild paper toning or foxing, along with brushwork consistent with contemporary techniques. Examination under magnification often reveals pencil underdrawing, hand-mixed pigments, and period artist signatures or attributions.

Traditional portraiture adds historical depth when hung above a sideboard or styled within a gallery wall alongside contemporary artwork. Pairing classic gilded or dark timber frames with minimalist furnishings creates a sophisticated contrast in traditional and eclectic spaces.

Watercolour works should be framed behind UV-protective glass with acid-free mounting boards to prevent fading and discolouration. Keep the artwork away from direct sunlight and store in an environment with stable temperature and humidity levels.
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