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Portrait of James Barry, Born Margaret Ann Bulkley 1792 - 1865 . Attributed to George Richmond, Ra 1809-1896
Artware Fineart
for sale €3,744     $4,064
£3,200

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Portrait of James Barry, Born Margaret Ann Bulkley 1792 - 1865 . Attributed to George Richmond, Ra 1809-1896

19th century
For Sale by Artware Fineart
Description

Portrait of James Barry, born Margaret Ann Bulkley 1792 - 1865 . Attributed to George Richmond, RA 1809-1896

circa 1830

UK

Pastel

17. 1/2 x 13.1/2 in. (44.4 x 34.3 cm.)

James Miranda Stuart Barry (c. 1789-1799 – 25 July 1865, born Margaret Ann Bulkley), was a military surgeon in the British Army. After graduation from the University of Edinburgh Medical School, Barry served in India and Cape Town, South Africa. By the end of his career, he had risen to the rank of Inspector General in charge of military hospitals. In his travels he not only improved conditions for wounded soldiers, but also the conditions of the native inhabitants. Among his accomplishments was the first caesarean section in Africa by a British surgeon in which both the mother and child survived the operation. Although Barry lived his adult life as a man, it is believed that at birth he was identified or assigned as female and named Margaret Ann Bulkley, raised as a girl, and that he chose to live as a man so that he might be accepted as a university student and able to pursue a career as a surgeon. Thus Barry would be the first British woman to become a qualified medical doctor. Information about Barry's early life has been rife with myth and speculation; with no contemporary records known. The exact date of Barry's birth is uncertain; with sources putting the date at 1789, 1792,1795, or 1799.Evidence collected by Hercules Michael du Preez indicates that Barry was born Margaret Ann Bulkley in Ireland in 1789, the second child of Jeremiah and Mary-Ann Bulkley. The child's mother was the sister of James Barry, a celebrated Irish artist and professor of painting at London's Royal Academy. However, family financial mismanagement left Mary-Ann and Margaret Bulkley without the support of either Jeremiah Bulkley (in prison) or their son John (married). Letters during this time of financial hardship refer to a conspiracy between Mrs. Bulkley and some of her brother's influential, liberal-minded friends (as Francisco de Miranda, the famous Venezuelan revolutionary) to get the teenage Margaret into medical school. A financial record from the family solicitor indicates that Mary-Ann and Margaret Bulkley travelled to Edinburgh by sea at the end of November 1809. A letter to the same solicitor, sent on 14 December, in which 'James Barry' asks for any letters for him to be forwarded to Mrs. Bulkley, mentions that '...it was very usefull [sic] for Mrs. Bulkley (my aunt) to have a Gentleman to take care of her on Board Ship and to have one in a strange country...', apparently indicating that the younger traveller had assumed this male identity upon embarking on the voyage. Although the letter was signed by Barry, the solicitor wrote on the back of the envelope 'Miss Bulkley, 14 December'.Following his 1809 arrival in Edinburgh, Barry began studies at the University of Edinburgh Medical School as a 'literary and medical student'. He qualified with an MD in 1812, then moved back to London. There he signed up for the Autumn Course 1812/1813 as a pupil of the United Hospitals of Guy’s and St Thomas'. On 2 July 1813, Barry successfully took the examination for the Royal College of Surgeons of England, subsequently qualifying as a Regimental Assistant. Barry was commissioned as a Hospital Assistant with the British Army on 6 July 1813, taking up posts in Chelsea and then the Royal Military Hospital in Plymouth, where he was promoted to Assistant Staff Surgeon. He might have served in the Battle of Waterloo (18 June 1815). After that he served in India and then in South Africa. He arrived in Cape Town between 1815 and 1817.In a couple of weeks he became the Medical Inspector for the colony. During his stay, he arranged for a better water system for Cape Town and performed one of the first known successful Caesarean sections - the boy was christened James Barry Mu

Physical Dimensions
Height
48cm (18.90")
Width
38cm (14.96")
Depth
3cm (1.18")
Declaration

Artware Fineart has dated this Regency Pastel Portrait Drawing to the 1800s.

Reference Numbers
Sellingantiques Reference
SA260071
Dealers Internal Reference
3640
Description
Portrait of James Barry, born Margaret Ann Bulkley 1792 - 1865 . Attributed to George Richmond, RA 1809-1896

circa 1830

UK

Pastel

17. 1/2 x 13.1/2 in. (44.4 x 34.3 cm.)

James Miranda Stuart Barry (c. 1789-1799 – 25 July 1865, born Margaret Ann Bulkley), was a military surgeon in the British Army.

After graduation from the University of Edinburgh Medical School, Barry served in India and Cape Town, South Africa.
Artware Fineart

By the end of his career, he had risen to the rank of Inspector General in charge of military hospitals. In his travels he not only improved conditions for wounded soldiers, but also the conditions of the native inhabitants. Among his accomplishments was the first caesarean section in Africa by a British surgeon in which both the mother and child survived the operation. Although Barry lived his adult life as a man, it is believed that at birth he was identified or assigned as female and named Margaret Ann Bulkley, raised as a girl, and that he chose to live as a man so that he might be accepted as a university student and able to pursue a career as a surgeon. Thus Barry would be the first British woman to become a qualified medical doctor. Information about Barry's early life has been rife with myth and speculation; with no contemporary records known. The exact date of Barry's birth is uncertain; with sources putting the date at 1789, 1792,1795, or 1799.Evidence collected by Hercules Michael du Preez indicates that Barry was born Margaret Ann Bulkley in Ireland in 1789, the second child of Jeremiah and Mary-Ann Bulkley. The child's mother was the sister of James Barry, a celebrated Irish artist and professor of painting at London's Royal Academy. However, family financial mismanagement left Mary-Ann and Margaret Bulkley without the support of either Jeremiah Bulkley (in prison) or their son John (married). Letters during this time of financial hardship refer to a conspiracy between Mrs. Bulkley and some of her brother's influential, liberal-minded friends (as Francisco de Miranda, the famous Venezuelan revolutionary) to get the teenage Margaret into medical school. A financial record from the family solicitor indicates that Mary-Ann and Margaret Bulkley travelled to Edinburgh by sea at the end of November 1809. A letter to the same solicitor, sent on 14 December, in which 'James Barry' asks for any letters for him to be forwarded to Mrs. Bulkley, mentions that '...it was very usefull [sic] for Mrs. Bulkley (my aunt) to have a Gentleman to take care of her on Board Ship and to have one in a strange country...', apparently indicating that the younger traveller had assumed this male identity upon embarking on the voyage. Although the letter was signed by Barry, the solicitor wrote on the back of the envelope 'Miss Bulkley, 14 December'.Following his 1809 arrival in Edinburgh, Barry began studies at the University of Edinburgh Medical School as a 'literary and medical student'. He qualified with an MD in 1812, then moved back to London. There he signed up for the Autumn Course 1812/1813 as a pupil of the United Hospitals of Guy’s and St Thomas'. On 2 July 1813, Barry successfully took the examination for the Royal College of Surgeons of England, subsequently qualifying as a Regimental Assistant. Barry was commissioned as a Hospital Assistant with the British Army on 6 July 1813, taking up posts in Chelsea and then the Royal Military Hospital in Plymouth, where he was promoted to Assistant Staff Surgeon. He might have served in the Battle of Waterloo (18 June 1815). After that he served in India and then in South Africa. He arrived in Cape Town between 1815 and 1817.In a couple of weeks he became the Medical Inspector for the colony. During his stay, he arranged for a better water system for Cape Town and performed one of the first known successful Caesarean sections - the boy was christened James Barry Mu

Height
48cm (18.90")
Width
38cm (14.96")
Depth
3cm (1.18")
Date of Manufacture

Artware Fineart has dated this Regency Pastel Portrait Drawing to the 1800s.

Reference Numbers
Sellingantiques Ref
SA260071
Dealers Internal Ref
3640
Artware Fineart
Sellingantiques verified Since Sep 2008
Dealer Profile

You can view the stock and full dealer information on the Artware Fineart Profile Page

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A 19th-century pastel and chalk portrait of a person with reddish hair, wearing a dark coat and high white collar against a grey background.
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Archive I A 19th-century pastel and chalk portrait of a person with reddish hair, wearing a dark coat and high white collar against a grey background.

Portrait of James Barry, Born Margaret Ann Bulkley 1792 - 1865 . Attributed to George Richmond, Ra 1809-1896

Enlarged Archival View
Telephone 07958 699 645
Location
18 La Gare
51 Surrey Row
London
SE1 0BZ
United Kingdom
Verified Since Sep 2008
Items For Sale 243
Items Sold 223
Artware Fineart
Verified Since Sep 2008
View Dealer Info
Location: 18 La Gare , 51 Surrey Row , London , SE1 0BZ , United Kingdom
Verified
Sep 2008
For Sale
243
Sold
223
A 19th-century pastel and chalk portrait of a person with reddish hair, wearing a dark coat and high white collar against a grey background.
Portrait of James Barry, born Margaret Ann Bulkley 1792 - 1865 . Attributed to George Richmond, RA 1809-1896
Ref: SA260071
A 19th-century pastel and chalk portrait of a person with reddish hair, wearing a dark coat and high white collar against a grey background.
Archival Detail
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British portrait drawing during the Regency era was characterized by soft draughtsmanship, the use of chalk or pastel on paper, and an emphasis on capturing psychological depth and naturalistic likenesses.

Artists during this era predominantly used colored chalks, pastels, charcoal, and graphite applied to toned paper or handmade rag paper to achieve subtle tonal gradients.

Authentic period drawings display subtle signs of age on the paper, such as natural foxing or oxidisation, period-correct framing materials, and hand-drawn strokes without mechanical printing dots.

These works can be framed in simple contemporary mouldings or period gilded frames to create contrast within modern gallery walls, studies, or reading nooks.

Pastel drawings must be framed behind UV-filtering glass with an acid-free mount to prevent the pigment from touching the glass, and kept away from direct sunlight and high humidity.
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