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Sold.....portrait of a Gentleman 1743 Attributed to Moses Vanderbank
Roy Precious - Antiques & Fine Art
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Roy Precious - Antiques & Fine Art

Roy Precious - Antiques & Fine Art

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    Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.
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Sold.....portrait of a Gentleman 1743 Attributed to Moses Vanderbank

Description

Oil on canvas in reproduction frame.

A portrait of a gentleman, the canvas inscribed 'M V Pinxt 1743' (M V painted this in 1743).

The subject has his right hand tucked into his coat; this was the accepted symbol of the sitter being a gentleman, who did not work for a living, rather than, for example, a prosperous merchant or lawyer.

His left arm rests upon a plinth...this also is symbolic, signifying the architecture of a large house and estate.

The man stands in a straight backed pose wearing a serious expression, this being considered the correct way for a gentleman of wealth and breeding to present himself to the world.

This is a 'textbook example' of mid 18th c. British portraiture.

Almost certainly this gentleman is the husband of the sitter in portrait 8410, 'Portrait of a Lady 1743; attributed to Moses Vanderbank'.

The portrait is very much in the style of JOHN VANDERBANK (1694-1739), especially the rubbed highlights and the treatment of the flesh tones - where a hot pink and cool grey-green are juxtaposed to suggest glowing skin.

These are Vanderbank's 'trademarks' and instantly recognisable.

However, John died four years before this painting was created.

I believe the answer is that the portrait is by his younger brother MOSES VANDERBANK (1695-after1745). He was a pupil of John's and has followed his brother's manner well. John nearly always signed and dated his portraits, it seems that Moses was influenced even by this.

No other works by Moses have survived, apart from three altarpieces in the 12th c. church at Adel, near Leeds.

Moses Vanderbank was even more improvident than his elder brother who was notorious for drunkenness and debt...it was said that only intemperance prevented John from being the best portraitist of his generation.

Moses did not have a talent as great as his brother's, but, as can be seen here, he could produce a portrait of charm and competence.

SIZE: 36 x 28 inches unframed

PROVENANCE: an East Anglian Collection for many years.

Reference Numbers
Sellingantiques Reference
SA17977
Dealers Internal Reference
8412
Description
Oil on canvas in reproduction frame.

A portrait of a gentleman, the canvas inscribed 'M V Pinxt 1743' (M V painted this in 1743).

The subject has his right hand tucked into his coat; this was the accepted symbol of the sitter being a gentleman, who did not work for a living, rather than, for example, a prosperous merchant or lawyer.

fig 1. SOLD.....Portrait of a Gentleman 1743 attributed to Moses Vanderbank
fig 1. Sold.....portrait of a Gentleman 1743 Attributed to Moses Vanderbank

His left arm rests upon a plinth...this also is symbolic, signifying the architecture of a large house and estate.

The man stands in a straight backed pose wearing a serious expression, this being considered the correct way for a gentleman of wealth and breeding to present himself to the world.
Roy Precious - Antiques & Fine Art
fig 2. SOLD.....Portrait of a Gentleman 1743 attributed to Moses Vanderbank
fig 2. Sold.....portrait of a Gentleman 1743 Attributed to Moses Vanderbank

This is a 'textbook example' of mid 18th c. British portraiture.

Almost certainly this gentleman is the husband of the sitter in portrait 8410, 'Portrait of a Lady 1743; attributed to Moses Vanderbank'.

fig 3. SOLD.....Portrait of a Gentleman 1743 attributed to Moses Vanderbank
fig 3. Sold.....portrait of a Gentleman 1743 Attributed to Moses Vanderbank

The portrait is very much in the style of JOHN VANDERBANK (1694-1739), especially the rubbed highlights and the treatment of the flesh tones - where a hot pink and cool grey-green are juxtaposed to suggest glowing skin.

These are Vanderbank's 'trademarks' and instantly recognisable.

However, John died four years before this painting was created.

I believe the answer is that the portrait is by his younger brother MOSES VANDERBANK (1695-after1745). He was a pupil of John's and has followed his brother's manner well. John nearly always signed and dated his portraits, it seems that Moses was influenced even by this.

No other works by Moses have survived, apart from three altarpieces in the 12th c. church at Adel, near Leeds.

Moses Vanderbank was even more improvident than his elder brother who was notorious for drunkenness and debt...it was said that only intemperance prevented John from being the best portraitist of his generation.

Moses did not have a talent as great as his brother's, but, as can be seen here, he could produce a portrait of charm and competence.

SIZE: 36 x 28 inches unframed

PROVENANCE: an East Anglian Collection for many years.

Reference Numbers
Sellingantiques Ref
SA17977
Dealers Internal Ref
8412
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Sellingantiques verified Since Mar 2003

Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.

Dealer Profile

You can view the stock and full dealer information on the Roy Precious - Antiques & Fine Art Profile Page

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United Kingdom
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Verified Since Mar 2003
Items For Sale 95
Items Sold 679
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Verified Since Mar 2003
View Dealer Info
Location: Wiltshire, United Kingdom
Verified
Mar 2003
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679
SOLD.....Portrait of a Gentleman 1743 attributed to Moses Vanderbank
SOLD.....Portrait of a Gentleman 1743 attributed to Moses Vanderbank
Ref: SA17977
SOLD.....Portrait of a Gentleman 1743 attributed to Moses Vanderbank
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