An interesting portrait of a lady, the canvas inscribed 'M V Pinxt 1743' (M V painted this in 1743).
The sitter holds a book and wears an ermine trimmed robe...the book signifies her literacy and intelligence, the ermine shows her status as a peeress and is a symbol of female virtue, and, curiously, is also the attribute of Touch personified, one of the Five Senses.
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The portrait is very much in the style of JOHN VANDERBANK (1694-1739), especially the rubbed highlights and the treatment of the flesh tones - where a hot pink and cool grey-green are juxtaposed to suggest glowing skin.
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These are Vanderbank's 'trademarks' and instantly recognisable.
However, John died four years before this painting was created.
He was a pupil of John's and has followed his brother's manner well. John nearly always signed and dated his portraits, it seems that Moses was influenced even by this.
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No other works by Moses have survived, apart from three altarpieces in the 12th c. church at Adel, near Leeds.
Moses Vanderbank was even more improvident than his elder brother who was notorious for drunkenness and debt...it was said that only intemperance prevented John from being the best portraitist of his generation.
Moses did not have a talent as great as his brother's, but, as can be seen here, he could produce a portrait of charm and competence.
SIZE: 36 x 28 inches unframed
PROVENANCE: an East Anglian Collection for many years.
Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.
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