Here the sitter has been depicted with a thoughtful and melancholy expression intended to convey the idea that this man is sensitive and serious...a man who perhaps wrote poetry in his leisure hours (as many gentlemen did). This was a desirable and fashionable image at the period.
To be thought of by one's peers as shallow..a mere fop.. was social death.
He is expensively dressed 'a la mode' and his large costly wig also shows his status.
All together, this is a portrait which tells a great deal about the social mores of the time, and in particular of the way this man liked to be perceived.
PIETER BORSSELAER (active 1644-1687).
A Dutch Roman Catholic, a portrait and history painter. He married at Goes in 1644 and was in England 1664-1679 before returning to Holland where he worked at The Hague and Middelburg.
An example of his work is the Tate Gallery, London.
SIZE: 36 x 28 inches
PROVENANCE: a Somerset Private Collection for many years.
Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.
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