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Mezzotint Portrait of the Countess of Rochford - By John Smith After Charles D'agar
The Mezzotint Man
for sale €842     $914
£720
The Mezzotint Man

The Mezzotint Man

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Mezzotint Portrait of the Countess of Rochford - By John Smith After Charles D'agar

18th century
Description

MEZZOTINT PORTRAIT OF THE COUNTESS OF ROCHFORD - BESSEY NASSAU VAN ZUYLESTEIN BY JOHN SMITH AFTER CHARLES D'AGAR

Fine and celebrated 1723 mezzotint portrait created by engraver John Smith, produced after an original oil painting by the portraitist Charles D'Agar.

The Countess is depicted in a three-quarter-length seated pose, radiating an elegant and composed demeanor. She wears her formal, flowing peeress's robes crafted from velvet and heavily trimmed with ermine. Beneath them, her dress features deeply ruffled lace sleeves.

In a traditional nod to her high social status, she holds her aristocratic coronet directly in her lap. In contrast to the elaborate garments, her hair is styled quite simply, falling naturally to frame her face.

The backdrop features a grand architectural interior anchored by a large stone pillar and heavy drapery, which transitions into a scenic view of an open park or distant landscape

Bessey Nassau van Zuylestein (née Savage), Countess of Rochford (1698 or 1699-1746),

English noblewoman, the former wife of the 3rd Earl of Rochford, and later the wife of the Reverend Philip Carter.

Marriage: Married Frederick Nassau van Zuylestein, 3rd Earl of Rochford, in 1714. He died in 1738.

Second Marriage: Remarried to Reverend Philip Carter.

Parentage: She was the illegitimate daughter and heiress of Richard Savage, 4th Earl River

This highly decorative mezzotint of an attractive sitter is in a good state of conservation, and it is ready to hang and enjoy in a later embossed frame with sanded gilt slip.

Plate Size: 34.5cm x 25cm

Framed size: 45cm x 36cm

Physical Dimensions
Height
45cm (17.72")
Width
36cm (14.17")
Depth
4cm (1.57")
Declaration

The Mezzotint Man has dated this Antique Mezzotint Portrait Print to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1231608
Description
MEZZOTINT PORTRAIT OF THE COUNTESS OF ROCHFORD - BESSEY NASSAU VAN ZUYLESTEIN BY JOHN SMITH AFTER CHARLES D'AGAR
Fine and celebrated 1723 mezzotint portrait created by engraver John Smith, produced after an original oil painting by the portraitist Charles D'Agar.
The Mezzotint Man
fig 1. An eighteenth-century monochrome mezzotint portrait depicting the Countess of Rochford set within an ebonised frame with a gilt inner slip.
fig 1. Mezzotint Portrait of the Countess of Rochford - By John Smith After Charles D'agar

The Countess is depicted in a three-quarter-length seated pose, radiating an elegant and composed demeanor. She wears her formal, flowing peeress's robes crafted from velvet and heavily trimmed with ermine. Beneath them, her dress features deeply ruffled lace sleeves.

fig 2. An eighteenth-century monochrome mezzotint portrait depicting the Countess of Rochford set within an ebonised frame with a gilt inner slip.
fig 2. Mezzotint Portrait of the Countess of Rochford - By John Smith After Charles D'agar

In a traditional nod to her high social status, she holds her aristocratic coronet directly in her lap. In contrast to the elaborate garments, her hair is styled quite simply, falling naturally to frame her face.

fig 3. An eighteenth-century monochrome mezzotint portrait depicting the Countess of Rochford set within an ebonised frame with a gilt inner slip.
fig 3. Mezzotint Portrait of the Countess of Rochford - By John Smith After Charles D'agar

The backdrop features a grand architectural interior anchored by a large stone pillar and heavy drapery, which transitions into a scenic view of an open park or distant landscape

Bessey Nassau van Zuylestein (née Savage), Countess of Rochford (1698 or 1699-1746),

English noblewoman, the former wife of the 3rd Earl of Rochford, and later the wife of the Reverend Philip Carter.

Marriage: Married Frederick Nassau van Zuylestein, 3rd Earl of Rochford, in 1714. He died in 1738.

Second Marriage: Remarried to Reverend Philip Carter.

Parentage: She was the illegitimate daughter and heiress of Richard Savage, 4th Earl River

This highly decorative mezzotint of an attractive sitter is in a good state of conservation, and it is ready to hang and enjoy in a later embossed frame with sanded gilt slip.

Plate Size: 34.5cm x 25cm

Framed size: 45cm x 36cm

Height
45cm (17.72")
Width
36cm (14.17")
Depth
4cm (1.57")
Date of Manufacture

The Mezzotint Man has dated this Antique Mezzotint Portrait Print to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1231608
The Mezzotint Man
The Mezzotint Man
Sellingantiques verified Since Mar 2026

Dealers in fine antiquarian portrait prints

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An eighteenth-century monochrome mezzotint portrait depicting the Countess of Rochford set within an ebonised frame with a gilt inner slip.
1 / 4
Archive I An eighteenth-century monochrome mezzotint portrait depicting the Countess of Rochford set within an ebonised frame with a gilt inner slip.

Mezzotint Portrait of the Countess of Rochford - By John Smith After Charles D'agar

Archive II An eighteenth-century monochrome mezzotint portrait depicting the Countess of Rochford set within an ebonised frame with a gilt inner slip. View II
Archive III An eighteenth-century monochrome mezzotint portrait depicting the Countess of Rochford set within an ebonised frame with a gilt inner slip. View III
Archive IV An eighteenth-century monochrome mezzotint portrait depicting the Countess of Rochford set within an ebonised frame with a gilt inner slip. View IV
Enlarged Archival View
Telephone 07889 859729
Location
North Yorkshire
United Kingdom
Verified Since Mar 2026
Items For Sale 33
Items Sold 9
The Mezzotint Man
The Mezzotint Man
Verified Since Mar 2026
View Dealer Info
Location: North Yorkshire, United Kingdom
Verified
Mar 2026
For Sale
33
Sold
9
An eighteenth-century monochrome mezzotint portrait depicting the Countess of Rochford set within an ebonised frame with a gilt inner slip.
MEZZOTINT PORTRAIT OF THE COUNTESS OF ROCHFORD - BY JOHN SMITH AFTER CHARLES D'AGAR
Ref: SA1231608
An eighteenth-century monochrome mezzotint portrait depicting the Countess of Rochford set within an ebonised frame with a gilt inner slip.
Detail View 1
Detail View 2
Detail View 3
Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

A mezzotint is an engraving technique developed in the seventeenth century that allows for tone and soft shading without line work. A copper plate is systematically pitted using a rocker tool and then smoothed down to create varying shades, making it ideal for reproducing oil portraits with depth.

Mezzotints were printed on rag paper using dark oil-based inks applied from a hand-engraved copper plate. Originals were often presented in carved wood frames with ebonised finishes or gilt slips under protective glass.

Authentic period mezzotints display plate marks where the copper plate pressed into the paper during printing, along with visible laid paper lines when held to light. Lower margins typically feature engraved publication details, artist attributions, and subject titles.

Framed portrait prints can be displayed as focal points above sideboards or integrated into gallery walls alongside contemporary drawings. The combination of black and gilt moulding offers balance in both classical and minimalist decor schemes.

Paper prints should be framed using acid-free mounting board and UV-filtering glass to prevent discolouration. Display the artwork away from direct sunlight and areas with fluctuating humidity to avoid paper distortion or foxing.
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