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ID #SA1229420
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Staffordshire Pottery Figure of the Lion & the Lamb
Gertrude Antiques
for sale €88     $95
£75

Gertrude Antiques

Sellingantiques Verified Since Dec 2016
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Staffordshire Pottery Figure of the Lion & the Lamb

19th century
Description

Staffordshire Pottery figure of The Peaceable Kingdom, The Lion & The Lamb circa C. 1840.

It was the lion tamer Van Ambrugh, who inspired the potters to create this piece. Van Ambrugh trained a lion to lie with the lamb as described in biblical texts.

Princess Victoria was so fascinated with his act that she watched the performance in Drury Lane on two occasions in 1836 before she was crowned.

The biblical reference comes from Isaiah 11:6, and reflect the period’s focus on peace and harmony.

Provenance: This piece comes from the esteemed collection of religious figures belonging to the late Stephen Duckworth (see label at the base).

Thin hairline crack at the back and a little wear at the base.

Physical Dimensions
Height
9.5cm (3.74")
Width
6.5cm (2.56")
Depth
3cm (1.18")
Declaration

Gertrude Antiques has dated this Staffordshire Lion Lamb Figure to the 1860s.

Reference Numbers
Sellingantiques Reference
SA1229420
Description
Staffordshire Pottery figure of The Peaceable Kingdom, The Lion & The Lamb circa C. 1840.

It was the lion tamer Van Ambrugh, who inspired the potters to create this piece. Van Ambrugh trained a lion to lie with the lamb as described in biblical texts.

Princess Victoria was so fascinated with his act that she watched the performance in Drury Lane on two occasions in 1836 before she was crowned.
Gertrude Antiques
fig 1. A Victorian Staffordshire pottery figure depicting a tawny-painted standing lion situated above a small white lamb on an integral moulded base.
fig 1. Staffordshire Pottery Figure of the Lion & the Lamb

The biblical reference comes from Isaiah 11:6, and reflect the period’s focus on peace and harmony.

Provenance: This piece comes from the esteemed collection of religious figures belonging to the late Stephen Duckworth (see label at the base).

Thin hairline crack at the back and a little wear at the base.

Height
9.5cm (3.74")
Width
6.5cm (2.56")
Depth
3cm (1.18")
Date of Manufacture

Gertrude Antiques has dated this Staffordshire Lion Lamb Figure to the 1860s.

Reference Numbers
Sellingantiques Ref
SA1229420
Gertrude Antiques
Sellingantiques verified Since Dec 2016
Dealer Profile

You can view the stock and full dealer information on the Gertrude Antiques Profile Page

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A Victorian Staffordshire pottery figure depicting a tawny-painted standing lion situated above a small white lamb on an integral moulded base.
1 / 3
Archive I A Victorian Staffordshire pottery figure depicting a tawny-painted standing lion situated above a small white lamb on an integral moulded base.

Staffordshire Pottery Figure of the Lion & the Lamb

Archive II A Victorian Staffordshire pottery figure depicting a tawny-painted standing lion situated above a small white lamb on an integral moulded base. View II
Archive III A Victorian Staffordshire pottery figure depicting a tawny-painted standing lion situated above a small white lamb on an integral moulded base. View III
Enlarged Archival View
Telephone 07786 022 538
Location
East Sussex
United Kingdom
Verified Since Dec 2016
Items For Sale 74
Items Sold 126
Gertrude Antiques
Verified Since Dec 2016
View Dealer Info
Location: East Sussex, United Kingdom
Verified
Dec 2016
For Sale
74
Sold
126
A Victorian Staffordshire pottery figure depicting a tawny-painted standing lion situated above a small white lamb on an integral moulded base.
Staffordshire Pottery Figure of The Lion & The Lamb
Ref: SA1229420
A Victorian Staffordshire pottery figure depicting a tawny-painted standing lion situated above a small white lamb on an integral moulded base.
Detail View 1
Detail View 2
Archival Detail
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Staffordshire figures depicting the lion and the lamb originated in nineteenth-century England, drawing inspiration from biblical imagery symbolising peace. Produced by various potteries across Staffordshire, these pieces were designed as affordable decorative ornaments for Victorian domestic interiors.

These figures were press-moulded or slip-cast using local earthenware clay, fired, and finished with hand-painted enamel decoration under a translucent lead glaze. The reverse was frequently lightly decorated or flat, intended specifically for placement against a wall or chimney breast.

Authentic nineteenth-century pieces typically display fine surface crazing within the glaze, evidence of hand painting with slight variations, and a small vent hole on the underside or back to release steam during firing. Reproduction pieces often possess smoother glaze finishes, heavier weight, and modern synthetic colours.

Designers incorporate Staffordshire animal figures on curated bookshelves, mantelpieces, or sideboards to introduce texture and historical character. Pairing traditional earthenware ceramics with contemporary joinery or minimalist backdrops provides a balanced decorative focal point.

Dust the ceramic figure regularly using a soft, dry artist brush or microfibre cloth to prevent dirt accumulation in moulded details. Avoid submerging earthenware in water or applying abrasive chemicals, as moisture can enter glaze crazing and compromise overglaze enamel paint.
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