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ID #SA1228260
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Augustus John (1878-1961) - Pencil Study of Edward Nettleship
Period Portraits
for sale €8,424     $9,144
£7,200
Period Portraits

Period Portraits

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Augustus John (1878-1961) - Pencil Study of Edward Nettleship

1900 - 1920
For Sale by Period Portraits
Description

Study of Edward Nettleship, pencil on paper. This drawing was done shortly after I Augustus John left the Slade (1894-1898) as is done with a strong Slade influence, with intimately drawn short strokes.

EDWARD NETTLESHIP Edward was Ida's uncle and known affectionately as Uncle Ned, he was brother to Jack Nettleship (Ida's father)

AUGUSTUS EDWIN JOHN (1878-1961) John was born in Tenby, Pembrokeshire, the third of four children. A brilliant student at the Slade School of Art (1894-98). He had also studied together with his sister Gwen John in Paris. He was associated with the New English Art Club and the Camden Town Group but remained largely independent from artistic trends and movements. Although timid in his early days after injuring his head diving into the sea while on holiday in Pembrokeshire in 1897 he became a dramatically changed figure, described by Wyndham Lewis as ‘a great man of action into whose hands the fairies had placed a paintbrush instead of a sword’. By the 1920s he was the leading portraitist of his day whose sitters included distinguished contemporaries such as George Bernard Shaw and T.E. Lawrence. He was elected to the Royal Academy in 1928. Alongside these achievements his lifestyle epitomised that of the bohemian artist, a reputation bolstered by his fascination with Romany culture.

COLLECTIONS The Artist; Admiral Sir Caspar John, Martin Summers.

Pencil Drawing

9 1/4 in X 12 1/8 in

23.5cm X 30.8cm

Executed ca. 1900

Price: £7200

Higher resolution images on request.

Worldwide shipping available.

Physical Dimensions
Height
23.5cm (9.25")
Width
30.8cm (12.13")
Depth
4cm (1.57")
Declaration

Period Portraits has dated this Augustus John Pencil Study to the Edwardian era.

Reference Numbers
Sellingantiques Reference
SA1228260
Description
Study of Edward Nettleship, pencil on paper.
This drawing was done shortly after I Augustus John left the Slade (1894-1898) as is done with a strong Slade influence, with intimately drawn short strokes.
Period Portraits
fig 1. A monochrome pencil study depicting a seated bearded man wearing a suit jacket positioned against a backdrop of books on a shelf.
fig 1. Augustus John (1878-1961) - Pencil Study of Edward Nettleship

EDWARD NETTLESHIP Edward was Ida's uncle and known affectionately as Uncle Ned, he was brother to Jack Nettleship (Ida's father)

AUGUSTUS EDWIN JOHN (1878-1961) John was born in Tenby, Pembrokeshire, the third of four children. A brilliant student at the Slade School of Art (1894-98). He had also studied together with his sister Gwen John in Paris. He was associated with the New English Art Club and the Camden Town Group but remained largely independent from artistic trends and movements. Although timid in his early days after injuring his head diving into the sea while on holiday in Pembrokeshire in 1897 he became a dramatically changed figure, described by Wyndham Lewis as ‘a great man of action into whose hands the fairies had placed a paintbrush instead of a sword’. By the 1920s he was the leading portraitist of his day whose sitters included distinguished contemporaries such as George Bernard Shaw and T.E. Lawrence. He was elected to the Royal Academy in 1928. Alongside these achievements his lifestyle epitomised that of the bohemian artist, a reputation bolstered by his fascination with Romany culture.

fig 2. A monochrome pencil study depicting a seated bearded man wearing a suit jacket positioned against a backdrop of books on a shelf.
fig 2. Augustus John (1878-1961) - Pencil Study of Edward Nettleship

COLLECTIONS The Artist; Admiral Sir Caspar John, Martin Summers.

Pencil Drawing

9 1/4 in X 12 1/8 in

23.5cm X 30.8cm

Executed ca. 1900

Price: £7200

Higher resolution images on request.

Worldwide shipping available.

Height
23.5cm (9.25")
Width
30.8cm (12.13")
Depth
4cm (1.57")
Date of Manufacture

Period Portraits has dated this Augustus John Pencil Study to the Edwardian era.

Reference Numbers
Sellingantiques Ref
SA1228260
Period Portraits
Period Portraits
Sellingantiques verified Since Jan 2017

Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints

Dealer Profile

You can view the stock and full dealer information on the Period Portraits Profile Page

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A monochrome pencil study depicting a seated bearded man wearing a suit jacket positioned against a backdrop of books on a shelf.
1 / 5
Archive I A monochrome pencil study depicting a seated bearded man wearing a suit jacket positioned against a backdrop of books on a shelf.

AUGUSTUS JOHN (1878-1961) - PENCIL STUDY OF EDWARD NETTLESHIP

Archive II A monochrome pencil study depicting a seated bearded man wearing a suit jacket positioned against a backdrop of books on a shelf. View II
Archive III A monochrome pencil study depicting a seated bearded man wearing a suit jacket positioned against a backdrop of books on a shelf. View III
Archive IV A monochrome pencil study depicting a seated bearded man wearing a suit jacket positioned against a backdrop of books on a shelf. View IV
Archive V A monochrome pencil study depicting a seated bearded man wearing a suit jacket positioned against a backdrop of books on a shelf. View V
Enlarged Archival View
Telephone 07889 859729
Location
North Yorkshire
United Kingdom
Verified Since Jan 2017
Items For Sale 47
Items Sold 61
Period Portraits
Period Portraits
Verified Since Jan 2017
View Dealer Info
Location: North Yorkshire, United Kingdom
Verified
Jan 2017
For Sale
47
Sold
61
A monochrome pencil study depicting a seated bearded man wearing a suit jacket positioned against a backdrop of books on a shelf.
AUGUSTUS JOHN (1878-1961) - PENCIL STUDY OF EDWARD NETTLESHIP
Ref: SA1228260
A monochrome pencil study depicting a seated bearded man wearing a suit jacket positioned against a backdrop of books on a shelf.
Detail View 1
Detail View 2
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Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Early 20th-century British portrait drawings often feature expressively rendered draughtsmanship, captured directly from life with fluid line work and subtle tonal shading.

Artists typically used graphite pencils ranging in hardness, applied to woven or textured paper stock to build depth through cross-hatching and tonal graduation.

Authentic works usually demonstrate confident, unhesitating linework, characteristic signature styles, paper watermarks, and natural age-related toning or foxing.

A framed vintage portrait drawing works well as part of a gallery wall, positioned in a quiet study, or styled above a side table to add historic character.

Frame paper drawings behind UV-protective glass using acid-free mounting materials, and hang them away from direct sunlight and areas of high humidity.
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