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John Russell R.A. (1745-1806) Portrait of Miss Mary Linwood.
Period Portraits
for sale €14,040     $15,240
£12,000
Period Portraits

Period Portraits

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John Russell R.A. (1745-1806) Portrait of Miss Mary Linwood.

18th century
For Sale by Period Portraits
Description

Fine pastel of Miss Mary Linwood (1755–1845), needlework artist and school mistress aged 19, with a book, entitled 'Da Vinci on Painting’ signed signed J. Russell/1785 and housed in a carved gilt wood Carlo Maratta style frame.

Mary Linwood (1755-1845) Both a needlework artist and school mistress, Mary Linwood was also an expert in needlepainting, the art of portrait creation through embroidery. She faithfully reproduced oils and other paintings by exchanging brushstrokes for stitches, and she worked these in crewel wool with silk threads for highlights! She went on to produce a collection of 64 pictures and her fame grew as a result of her exhibitions. The first was in London in 1787 and of her creations (her copy of a painting by the Italian artist Salvator Rosa actually sold for more than the original. Mary exhibited globally including in Russia and met most of the crowned heads of Europe! Catherine The Great offered her £40,000 for her entire collection and the while the Tsar suggested £3,000 for just one example. Ultimately Miss Linwod preferred for her work to remain in England completing her last work at the age of seventy-eight, she lived to be to be ninety and worked as a school mistress until a year before her death

John Russell R.A (1745-1806) Royal Academician John Russell was not only Britain’s foremost pastellist, he was also one of the most prolific. He exhibited more pastels at the Royal Academy than any other artist, and left a body of work far larger than that of any other pastellist working before 1800. He also wrote about his art, as well as leaving a series of diaries principally devoted to his spiritual development as a strict Methodist.

Provenance: (London, Christie’s, 22.VI.1901, Lot 64, as of Miss Linwood, 155 gns; C. Wertheimer. [?T. M. McLean, 71 Haymarket, London; sale p.m., London, Christie’s, 30.I.1909, Lot 30, as Miss Linwood, by Cotes, with pendant, Russell, Goldfish, 31/2 gns; Smith)] . Duveen Brothers 1911, unidentified. Mme Dumas; Galerie Charles Brunner, Paris. William H. Schab Gallery, New York, 1969.. Paris, Drouot, Ader Picard Tajan, 7.VI.1989. Paris art market 2008; Paris, Drouot Estimations, 6.VI.2008. Paris, Sotheby’s, 22.VI.2010, all as inconnue. PC 2012). Exh.: Russell 1911, no. 8, unidentified sitter; New York 1969, no. 21. Lit.: Dorange 2010, no. 5 repr., inconnue [new ident.] f?s. Private collection Switzerland.

Higher Resolution images on request.

Worldwide shipping available.

Sheet: 23" x 17" / 59cm x 43m.

Frame: 31.5" x 25.5" / 79.5cm x 64cm.

£12000

Physical Dimensions
Height
79.5cm (31.30")
Width
64cm (25.20")
Depth
4cm (1.57")
Declaration

Period Portraits has dated this Georgian Pastel Portrait Painting to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1227887
Description
Fine pastel of Miss Mary Linwood (1755–1845), needlework artist and school mistress aged 19, with a book, entitled 'Da Vinci on Painting’ signed signed J. Russell/1785 and housed in a carved gilt wood Carlo Maratta style frame.

Mary Linwood (1755-1845) Both a needlework artist and school mistress, Mary Linwood was also an expert in needlepainting, the art of portrait creation through embroidery. She faithfully reproduced oils and other paintings by exchanging brushstrokes for stitches, and she worked these in crewel wool with silk threads for highlights! She went on to produce a collection of 64 pictures and her fame grew as a result of her exhibitions.

The first was in London in 1787 and of her creations (her copy of a painting by the Italian artist Salvator Rosa actually sold for more than the original.
Period Portraits

Mary exhibited globally including in Russia and met most of the crowned heads of Europe! Catherine The Great offered her £40,000 for her entire collection and the while the Tsar suggested £3,000 for just one example. Ultimately Miss Linwod preferred for her work to remain in England completing her last work at the age of seventy-eight, she lived to be to be ninety and worked as a school mistress until a year before her death

fig 1. An 18th-century oval pastel portrait of a woman with curly hair wearing a white lace dress in a gold gilt frame.
fig 1. John Russell R.A. (1745-1806) Portrait of Miss Mary Linwood.

John Russell R.A (1745-1806) Royal Academician John Russell was not only Britain’s foremost pastellist, he was also one of the most prolific. He exhibited more pastels at the Royal Academy than any other artist, and left a body of work far larger than that of any other pastellist working before 1800. He also wrote about his art, as well as leaving a series of diaries principally devoted to his spiritual development as a strict Methodist.

fig 2. An 18th-century oval pastel portrait of a woman with curly hair wearing a white lace dress in a gold gilt frame.
fig 2. John Russell R.A. (1745-1806) Portrait of Miss Mary Linwood.

Provenance: (London, Christie’s, 22.VI.1901, Lot 64, as of Miss Linwood, 155 gns; C. Wertheimer. [?T. M. McLean, 71 Haymarket, London; sale p.m., London, Christie’s, 30.I.1909, Lot 30, as Miss Linwood, by Cotes, with pendant, Russell, Goldfish, 31/2 gns; Smith)] . Duveen Brothers 1911, unidentified. Mme Dumas; Galerie Charles Brunner, Paris. William H. Schab Gallery, New York, 1969.. Paris, Drouot, Ader Picard Tajan, 7.VI.1989. Paris art market 2008; Paris, Drouot Estimations, 6.VI.2008. Paris, Sotheby’s, 22.VI.2010, all as inconnue. PC 2012). Exh.: Russell 1911, no. 8, unidentified sitter; New York 1969, no. 21. Lit.: Dorange 2010, no. 5 repr., inconnue [new ident.] f?s. Private collection Switzerland.

fig 3. An 18th-century oval pastel portrait of a woman with curly hair wearing a white lace dress in a gold gilt frame.
fig 3. John Russell R.A. (1745-1806) Portrait of Miss Mary Linwood.

Higher Resolution images on request.

Worldwide shipping available.

Sheet: 23" x 17" / 59cm x 43m.

Frame: 31.5" x 25.5" / 79.5cm x 64cm.

£12000

Height
79.5cm (31.30")
Width
64cm (25.20")
Depth
4cm (1.57")
Date of Manufacture

Period Portraits has dated this Georgian Pastel Portrait Painting to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1227887
Period Portraits
Period Portraits
Sellingantiques verified Since Jan 2017

Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints

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An 18th-century oval pastel portrait of a woman with curly hair wearing a white lace dress in a gold gilt frame.
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Archive I An 18th-century oval pastel portrait of a woman with curly hair wearing a white lace dress in a gold gilt frame.

JOHN RUSSELL R.A. (1745-1806) PORTRAIT OF MISS MARY LINWOOD.

Archive II An 18th-century oval pastel portrait of a woman with curly hair wearing a white lace dress in a gold gilt frame. View II
Archive III An 18th-century oval pastel portrait of a woman with curly hair wearing a white lace dress in a gold gilt frame. View III
Archive IV An 18th-century oval pastel portrait of a woman with curly hair wearing a white lace dress in a gold gilt frame. View IV
Archive V An 18th-century oval pastel portrait of a woman with curly hair wearing a white lace dress in a gold gilt frame. View V
Archive VI An 18th-century oval pastel portrait of a woman with curly hair wearing a white lace dress in a gold gilt frame. View VI
Enlarged Archival View
Telephone 07889 859729
Location
North Yorkshire
United Kingdom
Verified Since Jan 2017
Items For Sale 47
Items Sold 62
Period Portraits
Period Portraits
Verified Since Jan 2017
View Dealer Info
Location: North Yorkshire, United Kingdom
Verified
Jan 2017
For Sale
47
Sold
62
An 18th-century oval pastel portrait of a woman with curly hair wearing a white lace dress in a gold gilt frame.
JOHN RUSSELL R.A. (1745-1806) PORTRAIT OF MISS MARY LINWOOD.
Ref: SA1227887
An 18th-century oval pastel portrait of a woman with curly hair wearing a white lace dress in a gold gilt frame.
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Georgian portraiture of the 18th century frequently emphasised naturalistic poses, soft drapery, and informal elegance, departing from the rigid formality of earlier baroque portrait traditions.

Pastel portraits from this period were created using powdered mineral pigments bound into sticks, applied directly onto paper or vellum stretched over wooden strainers.

Authentic period pastels typically display laid paper textures, original wooden strainers, soft tonal blending, hand-carved or gilded frames, and appropriate historical wear on the backing materials.

A Georgian portrait works effectively placed above a mantlepiece, positioned over a console table, or integrated into an eclectic gallery wall to create contrast with contemporary furnishings.

Pastels require glazing to prevent dust contact, spacer mounts so the medium does not touch the glass, stable humidity levels, and display away from direct sunlight to avoid pigment fading.
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