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Charles-antoine Coypel (1694 -1752) - Pair of Classical Oil Paintings 'Apollo and Daphne' and 'Venus and Apollo"
Period Portraits
for sale €25,740     $27,940
£22,000
Period Portraits

Period Portraits

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Charles-antoine Coypel (1694 -1752) - Pair of Classical Oil Paintings 'Apollo and Daphne' and 'Venus and Apollo"

18th century
For Sale by Period Portraits
Description

A fine pair of large and fine early/mid eighteenth century allegorical oils attributed to Charles Antoine Coypel (1694-1752)

Painted in the round one depicts Apollo, the Greek and Roman god of the sun and the arts, who fell in love with the nymph Daphne. Chased to a riverbank, Daphne is praying to her father, the river god, Peneus, for help. At the moment Apollo reaches out to touch her, she transforms into a laurel tree, with branches and roots sprouting from her body.

The other depicts Venus likely partnered by Apollo and is an allegory of love or abundance: The shell which is often associated with Venus symbolises femininity, sensuality, and birth and the golden contents within it wealth and blessings, or indeed the richness of love being shared between the two figures.

Charles Antoine Coypel (1649-1752)

Coypel was a was a French painter and engraver and member of the celebrated artistic Coypel family. His first teacher was his father, Antoine Coypel who he worked with until his father’s death in 1722. Charles then inherited the elder Coypel’s painting and design responsibilities at court, becoming the chief painter of Philippe II. Due d”Orleans and received lodging at the Louvre, which he retained until his death. In 1747 he became the director of the Royal Academy and chief painter of the king.

Coypel’s masterpiece was a large work portraying scenes from Don Quixote (1716). He also received several commissions for the chateau of Versailles and for the chapel of Trianon; and he worked for the king’s mistress,MAdame die pompadour. In 1747 Coypel received a commission for tapestries for the queen of Poland, a series of scenes from various plays. Coypel also painted portraits of the duc d’Orléans, Louis XV and other political and religious figures; he also painted actors. Coypel is also noteworthy for his writings, which include prose, verse, two tragedies, and several comedies.

This fine pair of museum quality oils are are housed in matching antique empire style frames. They are in an excellent state of conservation, having benefitted from a surface clean and re varnish, and their pigments remain particularly fresh and vibrant.

Higher resolution images on request.

Worldwide shipping available.

Canvas : 34" x 34" / 87cm x 87cm.

Frame: 44" x 44” / 112cm x 112cm.

Physical Dimensions
Height
112cm (44.09")
Width
112cm (44.09")
Depth
6cm (2.36")
Declaration

Period Portraits has dated these French Classical Oil Paintings to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1227285
Description
A fine pair of large and fine early/mid eighteenth century allegorical oils attributed to Charles Antoine Coypel (1694-1752)
Painted in the round one depicts Apollo, the Greek and Roman god of the sun and the arts, who fell in love with the nymph Daphne.
Period Portraits

Chased to a riverbank, Daphne is praying to her father, the river god, Peneus, for help. At the moment Apollo reaches out to touch her, she transforms into a laurel tree, with branches and roots sprouting from her body.

fig 1. A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings.
fig 1. Charles-antoine Coypel (1694 -1752) - Pair of Classical Oil Paintings 'Apollo and Daphne' and 'Venus and Apollo"

The other depicts Venus likely partnered by Apollo and is an allegory of love or abundance: The shell which is often associated with Venus symbolises femininity, sensuality, and birth and the golden contents within it wealth and blessings, or indeed the richness of love being shared between the two figures.

fig 2. A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings.
fig 2. Charles-antoine Coypel (1694 -1752) - Pair of Classical Oil Paintings 'Apollo and Daphne' and 'Venus and Apollo"

Charles Antoine Coypel (1649-1752)

Coypel was a was a French painter and engraver and member of the celebrated artistic Coypel family. His first teacher was his father, Antoine Coypel who he worked with until his father’s death in 1722. Charles then inherited the elder Coypel’s painting and design responsibilities at court, becoming the chief painter of Philippe II. Due d”Orleans and received lodging at the Louvre, which he retained until his death. In 1747 he became the director of the Royal Academy and chief painter of the king.

fig 3. A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings.
fig 3. Charles-antoine Coypel (1694 -1752) - Pair of Classical Oil Paintings 'Apollo and Daphne' and 'Venus and Apollo"

Coypel’s masterpiece was a large work portraying scenes from Don Quixote (1716). He also received several commissions for the chateau of Versailles and for the chapel of Trianon; and he worked for the king’s mistress,MAdame die pompadour. In 1747 Coypel received a commission for tapestries for the queen of Poland, a series of scenes from various plays. Coypel also painted portraits of the duc d’Orléans, Louis XV and other political and religious figures; he also painted actors. Coypel is also noteworthy for his writings, which include prose, verse, two tragedies, and several comedies.

fig 4. A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings.
fig 4. Charles-antoine Coypel (1694 -1752) - Pair of Classical Oil Paintings 'Apollo and Daphne' and 'Venus and Apollo"

This fine pair of museum quality oils are are housed in matching antique empire style frames. They are in an excellent state of conservation, having benefitted from a surface clean and re varnish, and their pigments remain particularly fresh and vibrant.

fig 5. A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings.
fig 5. Charles-antoine Coypel (1694 -1752) - Pair of Classical Oil Paintings 'Apollo and Daphne' and 'Venus and Apollo"

Higher resolution images on request.

Worldwide shipping available.

Canvas : 34" x 34" / 87cm x 87cm.

Frame: 44" x 44” / 112cm x 112cm.

Height
112cm (44.09")
Width
112cm (44.09")
Depth
6cm (2.36")
Date of Manufacture

Period Portraits has dated these French Classical Oil Paintings to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1227285
Period Portraits
Period Portraits
Sellingantiques verified Since Jan 2017

Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints

Dealer Profile

You can view the stock and full dealer information on the Period Portraits Profile Page

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A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings.
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Archive I A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings.

Charles-antoine Coypel (1694 -1752) - Pair of Classical Oil Paintings 'Apollo and Daphne' and 'Venus and Apollo"

Archive II A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings. View II
Archive III A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings. View III
Archive IV A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings. View IV
Archive V A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings. View V
Archive VI A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings. View VI
Archive VII A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings. View VII
Archive VIII A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings. View VIII
Archive IX A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings. View IX
Archive X A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings. View X
Archive XI A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings. View XI
Archive XII A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings. View XII
Archive XIII A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings. View XIII
Archive XIV A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings. View XIV
Archive XV A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings. View XV
Archive XVI A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings. View XVI
Archive XVII A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings. View XVII
Archive XVIII A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings. View XVIII
Archive XIX A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings. View XIX
Archive XX A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings. View XX
Archive XXI A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings. View XXI
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Telephone 07889 859729
Location
North Yorkshire
United Kingdom
Verified Since Jan 2017
Items For Sale 47
Items Sold 61
Period Portraits
Period Portraits
Verified Since Jan 2017
View Dealer Info
Location: North Yorkshire, United Kingdom
Verified
Jan 2017
For Sale
47
Sold
61
A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings.
CHARLES-ANTOINE COYPEL (1694 -1752) - PAIR OF CLASSICAL OIL PAINTINGS 'APOLLO AND DAPHNE' and 'VENUS AND APOLLO"
Ref: SA1227285
A pair of square gilded frames housing circular 18th-century classical oil paintings depicting mythological figures in landscape settings.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Eighteenth-century French classical painting, particularly within the Rococo and early Neoclassical movements, is characterised by theatrical lighting, mythological themes, harmonious compositions, and soft, fluid brushwork depicting allegorical or classical figures.

Paintings from this period were typically executed using oil pigments ground with linseed or walnut oil on woven flax canvas, mounted on wooden stretchers, and framed in hand-carved gessoed and gilded timber frames.

Authentic period paintings display natural age-related craquelure throughout the paint layer, evidence of hand-woven canvas construction, historical oxidation on the wooden stretchers, and traditional gilding techniques such as water gilding on red bole.

Classical oil paintings can be hung symmetrically above a sideboard or console table, integrated into a gallery wall, or placed against contemporary neutral backdrops to create visual contrast between period art and modern architecture.

Oil paintings should be displayed away from direct sunlight and heat sources in a climate-controlled environment, dusted gently with a soft dry brush, and periodically inspected by a professional art conservator.
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