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ID #SA1227181
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Mezzotint Portrait of Catherine Bunbury (Nee Horneck) by James Watson After Sir Joshua Reynolds.
The Mezzotint Man
for sale €562     $610
£480
The Mezzotint Man

The Mezzotint Man

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Mezzotint Portrait of Catherine Bunbury (Nee Horneck) by James Watson After Sir Joshua Reynolds.

18th century
Description

MEZZOTINT PORTRAIT OF CATHERINE BUNBURY (NEE HORNECK) BY JAMES WATSON AFTER SIR JOSHUA REYNOLDS.

Catherine Bunbury (née Horneck) by James Watson, after Sir Joshua Reynolds.

The sitter is depicted three-quarter length, leaning her head thoughtfully against her right hand with her elbow resting on a stone ledge or table. Her expression is serene and reflective. She wears a voluminous, high-waisted gown with layered sleeves, characteristic of late 18th-century fashion. Her hair is styled in a tall, elaborate "pompadour" arrangement adorned with a veil or ribbon.

The setting is a blend of interior and exterior. To the left, a draped curtain opens to reveal a classical landscape with trees and rolling hills under a cloudy sky.

Date: 1778

Sheet Dimensions: 47cm x 33cm.

Framed Dimensions: 70cm x 42cm.

 

Price: £480

 

All prices include UK mainland delivery. For other territories please ask.

Physical Dimensions
Height
70cm (27.56")
Width
42cm (16.54")
Depth
4cm (1.57")
Declaration

The Mezzotint Man has dated this Antique Mezzotint Portrait Print to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1227181
Description
MEZZOTINT PORTRAIT OF CATHERINE BUNBURY (NEE HORNECK) BY JAMES WATSON AFTER SIR JOSHUA REYNOLDS.

Catherine Bunbury (née Horneck) by James Watson, after Sir Joshua Reynolds.

The sitter is depicted three-quarter length, leaning her head thoughtfully against her right hand with her elbow resting on a stone ledge or table.
The Mezzotint Man

Her expression is serene and reflective. She wears a voluminous, high-waisted gown with layered sleeves, characteristic of late 18th-century fashion. Her hair is styled in a tall, elaborate "pompadour" arrangement adorned with a veil or ribbon.

fig 1. A monochrome 18th-century mezzotint portrait depicting a seated woman inside a carved giltwood frame with cream matting.
fig 1. Mezzotint Portrait of Catherine Bunbury (Nee Horneck) by James Watson After Sir Joshua Reynolds.

The setting is a blend of interior and exterior. To the left, a draped curtain opens to reveal a classical landscape with trees and rolling hills under a cloudy sky.

Date: 1778

Sheet Dimensions: 47cm x 33cm.

Framed Dimensions: 70cm x 42cm.

 

Price: £480

 

All prices include UK mainland delivery. For other territories please ask.

Height
70cm (27.56")
Width
42cm (16.54")
Depth
4cm (1.57")
Date of Manufacture

The Mezzotint Man has dated this Antique Mezzotint Portrait Print to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1227181
The Mezzotint Man
The Mezzotint Man
Sellingantiques verified Since Mar 2026

Dealers in fine antiquarian portrait prints

Dealer Profile

You can view the stock and full dealer information on the The Mezzotint Man Profile Page

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A monochrome 18th-century mezzotint portrait depicting a seated woman inside a carved giltwood frame with cream matting.
1 / 3
Archive I A monochrome 18th-century mezzotint portrait depicting a seated woman inside a carved giltwood frame with cream matting.

Mezzotint Portrait of Catherine Bunbury (Nee Horneck) by James Watson After Sir Joshua Reynolds.

Archive II A monochrome 18th-century mezzotint portrait depicting a seated woman inside a carved giltwood frame with cream matting. View II
Archive III A monochrome 18th-century mezzotint portrait depicting a seated woman inside a carved giltwood frame with cream matting. View III
Enlarged Archival View
Telephone 07889 859729
Location
North Yorkshire
United Kingdom
Verified Since Mar 2026
Items For Sale 33
Items Sold 9
The Mezzotint Man
The Mezzotint Man
Verified Since Mar 2026
View Dealer Info
Location: North Yorkshire, United Kingdom
Verified
Mar 2026
For Sale
33
Sold
9
A monochrome 18th-century mezzotint portrait depicting a seated woman inside a carved giltwood frame with cream matting.
MEZZOTINT PORTRAIT OF CATHERINE BUNBURY (NEE HORNECK) BY JAMES WATSON AFTER SIR JOSHUA REYNOLDS.
Ref: SA1227181
A monochrome 18th-century mezzotint portrait depicting a seated woman inside a carved giltwood frame with cream matting.
Detail View 1
Detail View 2
Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

A mezzotint is a tonal printmaking process from the intaglio family, widely used in the 18th century for reproducing oil paintings. It enables smooth tonal gradations and deep shadow effects without using line hatching techniques.

Mezzotints were crafted by systematically texturing a copper plate with a rocker tool and scraping smooth areas to create highlights, which was then printed with oil-based ink onto rag paper. Period mountings typically feature carved wood frames with gold leaf gilding.

Authentic period mezzotints display soft tonal transitions rather than mechanical half-tone dots, accompanied by clear plate marks along the paper margins. Inscribed artist details and publication lines beneath the image area also indicate historic origins.

Positioning a monochrome print above a sideboard or fireplace mantel introduces historical contrast to contemporary or transitional rooms. Combining portrait prints with dark wood furniture, brass metalwork, or neutral matting creates visual balance.

Store prints away from direct sunlight and areas subject to high humidity to prevent foxing and paper degradation. Using UV-protective glass and archival acid-free backing materials helps maintain the condition of early paper substrates.
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