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ID #SA1223009
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Early 20th Centur Austrian "Blue Papillon Silvered Vase II" by Loetz Witwey
Hickmet Fine Arts
for sale €3,335     $3,620
£2,850
Hickmet Fine Arts

Hickmet Fine Arts

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    Established in 1936, hickmet fine arts is an international family run antiques business
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Id #SA1223009
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Early 20th Centur Austrian "Blue Papillon Silvered Vase II" by Loetz Witwey

1900 - 1920
Description

A very beautiful early 20th Century Austrian blue papillon glass vase of overlaid with applied silver Art Nouveau floral decoration and everted neck with slivered rim and with serial number

ADDITIONAL INFORMATION

Height: 18 cm

Diameter: 8 cm

Condition: Excellent Condition

Circa: 1905

Materials: Glass and Silver

SKU: 6809

ABOUT

Loetz glass was the premier Bohemian art glass manufacturer during the Art Nouveau period from roughly 1890 to 1920. Founded in 1840 by Johann Loetz in what is now the Czech Republic. The company became known for its innovative techniques, organic forms, and bold use of colour.

By 1889, Loetz was one of the region’s leading glassmakers. That year, the company took first prize at the Paris Exhibition for its classic vase forms, some of which were hand-worked and deformed into swirling, organic-looking shapes like seashells, flowers, and tree trunks. Decorative vases, cups, and pitchers were other popular forms in the Loetz lexicon, and many of the pieces practically glowed thanks to their iridescent sheen from the firing and reduction techniques that were popular at the time. For its contributions to the field, Loetz was awarded the grand prize at the Paris World Exhibition in 1900.

One of the most beautiful and collectible Loetz series from this period is called Phänomen, whose chief characteristic is the rippled or feather like designs on the object’s surface. Loetz glass artisans achieved this unique effect by wrapping hot glass threads around an equally hot molten base. The threads were then pulled on the object’s surface to make waves and other designs while the materials were still malleable.

The company patented the Phänomen technique in 1898 and used it in combination with techniques pioneered by L.C. Tiffany in the United States—in particular, Tiffany’s iridescent Favrile work. Combined, the two techniques provided plenty of inspiration for Loetz designers and artisans, including E. Prochaska, Franz Hofstötter, and Koloman Moser.

The use of patterns is also a hallmark of antique Loetz art glass. Then after 1905, when interest in the florals waned, Loetz pushed its surface treatments further than ever while relying on shapes that had been with the company for decades. For example, the roiling surfaces of the Titania pieces pre-date Abstract Expressionism by three decades, at least. At the other end of the aesthetic spectrum, the Perlglas pieces were translucent, giving more weight to the forms as sculpture rather than distracting the viewer with dazzling surfaces.

The last significant period for Loetz glass occurred between the wars. In the first part of the 1920s, Loetz participated in the popular revival of late 19th-century cameo glass, which had been pioneered by Émile Gallé and others.

Physical Dimensions
Height
18cm (7.09")
Width
8cm (3.15")
Depth
8cm (3.15")
Declaration

Hickmet Fine Arts has dated this Loetz Iridescent Glass Vase to the 1900s.

Reference Numbers
Sellingantiques Reference
SA1223009
Dealers Internal Reference
6809
Dealers Notes

Please contact us for a shipping quotes.

Viewing can be arranged at our gallery and everything sold by Hickmet Fine Arts comes with a full certificate of Authenticity and Valuation.

If you have enjoyed seeing this item and wish to see more quality pieces please visit our website www.hickmet.com

Description
A very beautiful early 20th Century Austrian blue papillon glass vase of overlaid with applied silver Art Nouveau floral decoration and everted neck with slivered rim and with serial number

ADDITIONAL INFORMATION

fig 1. An Art Nouveau iridescent blue glass vase featuring a pinched crimped rim and silver overlay plant motifs.
fig 1. Early 20th Centur Austrian "Blue Papillon Silvered Vase II" by Loetz Witwey

Height: 18 cm

Diameter: 8 cm

Condition: Excellent Condition

Circa: 1905

fig 2. An Art Nouveau iridescent blue glass vase featuring a pinched crimped rim and silver overlay plant motifs.
fig 2. Early 20th Centur Austrian "Blue Papillon Silvered Vase II" by Loetz Witwey

Materials: Glass and Silver

SKU: 6809

ABOUT

Loetz glass was the premier Bohemian art glass manufacturer during the Art Nouveau period from roughly 1890 to 1920.
Hickmet Fine Arts

Founded in 1840 by Johann Loetz in what is now the Czech Republic. The company became known for its innovative techniques, organic forms, and bold use of colour.

fig 3. An Art Nouveau iridescent blue glass vase featuring a pinched crimped rim and silver overlay plant motifs.
fig 3. Early 20th Centur Austrian "Blue Papillon Silvered Vase II" by Loetz Witwey

By 1889, Loetz was one of the region’s leading glassmakers. That year, the company took first prize at the Paris Exhibition for its classic vase forms, some of which were hand-worked and deformed into swirling, organic-looking shapes like seashells, flowers, and tree trunks. Decorative vases, cups, and pitchers were other popular forms in the Loetz lexicon, and many of the pieces practically glowed thanks to their iridescent sheen from the firing and reduction techniques that were popular at the time. For its contributions to the field, Loetz was awarded the grand prize at the Paris World Exhibition in 1900.

fig 4. An Art Nouveau iridescent blue glass vase featuring a pinched crimped rim and silver overlay plant motifs.
fig 4. Early 20th Centur Austrian "Blue Papillon Silvered Vase II" by Loetz Witwey

One of the most beautiful and collectible Loetz series from this period is called Phänomen, whose chief characteristic is the rippled or feather like designs on the object’s surface. Loetz glass artisans achieved this unique effect by wrapping hot glass threads around an equally hot molten base. The threads were then pulled on the object’s surface to make waves and other designs while the materials were still malleable.

fig 5. An Art Nouveau iridescent blue glass vase featuring a pinched crimped rim and silver overlay plant motifs.
fig 5. Early 20th Centur Austrian "Blue Papillon Silvered Vase II" by Loetz Witwey

The company patented the Phänomen technique in 1898 and used it in combination with techniques pioneered by L.C. Tiffany in the United States—in particular, Tiffany’s iridescent Favrile work. Combined, the two techniques provided plenty of inspiration for Loetz designers and artisans, including E. Prochaska, Franz Hofstötter, and Koloman Moser.

fig 6. An Art Nouveau iridescent blue glass vase featuring a pinched crimped rim and silver overlay plant motifs.
fig 6. Early 20th Centur Austrian "Blue Papillon Silvered Vase II" by Loetz Witwey

The use of patterns is also a hallmark of antique Loetz art glass. Then after 1905, when interest in the florals waned, Loetz pushed its surface treatments further than ever while relying on shapes that had been with the company for decades. For example, the roiling surfaces of the Titania pieces pre-date Abstract Expressionism by three decades, at least. At the other end of the aesthetic spectrum, the Perlglas pieces were translucent, giving more weight to the forms as sculpture rather than distracting the viewer with dazzling surfaces.

fig 7. An Art Nouveau iridescent blue glass vase featuring a pinched crimped rim and silver overlay plant motifs.
fig 7. Early 20th Centur Austrian "Blue Papillon Silvered Vase II" by Loetz Witwey

The last significant period for Loetz glass occurred between the wars. In the first part of the 1920s, Loetz participated in the popular revival of late 19th-century cameo glass, which had been pioneered by Émile Gallé and others.

Height
18cm (7.09")
Width
8cm (3.15")
Depth
8cm (3.15")
Date of Manufacture

Hickmet Fine Arts has dated this Loetz Iridescent Glass Vase to the 1900s.

Reference Numbers
Sellingantiques Ref
SA1223009
Dealers Internal Ref
6809
Hickmet Fine Arts
Hickmet Fine Arts
Sellingantiques verified Since Apr 2012

Established in 1936, hickmet fine arts is an international family run antiques business

Dealer Profile

You can view the stock and full dealer information on the Hickmet Fine Arts Profile Page

Trade Associations

Hickmet Fine Arts is a registered member of LAPADA  BADA  CINOA

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An Art Nouveau iridescent blue glass vase featuring a pinched crimped rim and silver overlay plant motifs.
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Archive I An Art Nouveau iridescent blue glass vase featuring a pinched crimped rim and silver overlay plant motifs.

Early 20th Centur Austrian "Blue Papillon Silvered Vase II" by Loetz Witwey

Archive II An Art Nouveau iridescent blue glass vase featuring a pinched crimped rim and silver overlay plant motifs. View II
Archive III An Art Nouveau iridescent blue glass vase featuring a pinched crimped rim and silver overlay plant motifs. View III
Archive IV An Art Nouveau iridescent blue glass vase featuring a pinched crimped rim and silver overlay plant motifs. View IV
Archive V An Art Nouveau iridescent blue glass vase featuring a pinched crimped rim and silver overlay plant motifs. View V
Archive VI An Art Nouveau iridescent blue glass vase featuring a pinched crimped rim and silver overlay plant motifs. View VI
Archive VII An Art Nouveau iridescent blue glass vase featuring a pinched crimped rim and silver overlay plant motifs. View VII
Archive VIII An Art Nouveau iridescent blue glass vase featuring a pinched crimped rim and silver overlay plant motifs. View VIII
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An Art Nouveau iridescent blue glass vase featuring a pinched crimped rim and silver overlay plant motifs.
Early 20th Centur Austrian "Blue Papillon Silvered Vase II" by Loetz Witwey
Ref: SA1223009
An Art Nouveau iridescent blue glass vase featuring a pinched crimped rim and silver overlay plant motifs.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Art Nouveau art glass is characterised by organic forms, fluid contours, and iridescent surface effects developed during the late nineteenth and early twentieth centuries. Manufacturers achieved these distinctive lustrous sheens by exposing hot glass to metallic salts and vapours during the production process.

Silver overlay was typically applied through an electroplating process where sterling silver was electrochemically deposited onto a conductive solution painted onto the glass surface. Craftsmen then carved, chased, or etched detailed organic motifs into the silver layer.

Authentic pieces feature ground and polished pontil scars on the base, specific iridescence techniques embedded directly into the glass batch, and high-purity silver overlay displaying natural oxidisation. Pieces may also feature specific etched ground signatures or pattern numbers.

Position art glass where natural light strikes the surface, such as on a window sill, mantelpiece, or console table, to showcase the tonal colour shifts. Placing the vessel against a neutral background helps highlight the detailed silver filigree.

Wash the piece carefully by hand using lukewarm water and a mild non-abrasive liquid soap, avoiding prolonged soaking. Polish the silver detailing gently using a soft silver-impregnated microfibre cloth, keeping harsh liquid polish away from the glass surface.
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