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ID #SA1220721
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Clare Leighton (1898–1989) – 'Planting a Tree', 1935 Wood Engraving from Four Hedges, Mounted
Earl and Rymer
for sale €33     $36
£28
Earl and Rymer

Earl and Rymer

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Clare Leighton (1898–1989) – 'Planting a Tree', 1935 Wood Engraving from Four Hedges, Mounted

1920 - 1940
For Sale by Earl and Rymer
Description

Clare Leighton (1898–1989) – 'Planting a Tree', 1935 Wood Engraving from Four Hedges, Mounted.

1935 wood engraving by the celebrated British printmaker, Clare Leighton. This powerful work is an impression from her highly influential biographical gardening journal, Four Hedges: A Gardener’s Chronicle, printed by the Camelot Press.

This engraving captures two labourers working together to transport a young tree in a rustic wheelbarrow.

Perfect as a standalone piece or paired with other prints from our Clare Leighton collection.

Condition: Excellent vintage condition. The piece has been put in an appropriate modern mount which makes it ready to frame in a frame of your choosing.

Image Size: 7.5cm x 12.5cm. Mount Size: 17.8cm x 22.5cm.

Clare Leighton (1898–1989) was a pioneering figure in the twentieth-century revival of wood engraving. Born in London, she studied at the Slade School of Fine Art and the Central School of Arts and Crafts, where she honed a style defined by its robust energy and poetic realism. Best known for portraying the enduring spirit of the English countryside and the dignity of agrarian work, Leighton’s works are celebrated for their sweeping composition and dramatic use of light. In 1935, Four Hedges solidified her reputation as both a masterful visual artist and an empathetic writer. Today, her work is highly collectible and permanently held in major institutions globally, including the British Museum, the Victoria and Albert Museum, and the Metropolitan Museum of Art in New York.

Physical Dimensions
Height
17.8cm (7.01")
Width
22.5cm (8.86")
Declaration

Earl and Rymer has dated this Clare Leighton Wood Engraving to the 1930s.

Reference Numbers
Sellingantiques Reference
SA1220721
Dealers Internal Reference
1372-1389
Description
Clare Leighton (1898–1989) – 'Planting a Tree', 1935 Wood Engraving from Four Hedges, Mounted.

1935 wood engraving by the celebrated British printmaker, Clare Leighton.

This powerful work is an impression from her highly influential biographical gardening journal, Four Hedges: A Gardener’s Chronicle, printed by the Camelot Press.
Earl and Rymer
fig 1. A mounted monochrome 1935 wood engraving by Clare Leighton depicting two men pushing a wheelbarrow and planting a young tree.
fig 1. Clare Leighton (1898–1989) – 'Planting a Tree', 1935 Wood Engraving from Four Hedges, Mounted

This engraving captures two labourers working together to transport a young tree in a rustic wheelbarrow.

Perfect as a standalone piece or paired with other prints from our Clare Leighton collection.

Condition: Excellent vintage condition. The piece has been put in an appropriate modern mount which makes it ready to frame in a frame of your choosing.

fig 2. A mounted monochrome 1935 wood engraving by Clare Leighton depicting two men pushing a wheelbarrow and planting a young tree.
fig 2. Clare Leighton (1898–1989) – 'Planting a Tree', 1935 Wood Engraving from Four Hedges, Mounted

Image Size: 7.5cm x 12.5cm. Mount Size: 17.8cm x 22.5cm.

Clare Leighton (1898–1989) was a pioneering figure in the twentieth-century revival of wood engraving. Born in London, she studied at the Slade School of Fine Art and the Central School of Arts and Crafts, where she honed a style defined by its robust energy and poetic realism. Best known for portraying the enduring spirit of the English countryside and the dignity of agrarian work, Leighton’s works are celebrated for their sweeping composition and dramatic use of light. In 1935, Four Hedges solidified her reputation as both a masterful visual artist and an empathetic writer. Today, her work is highly collectible and permanently held in major institutions globally, including the British Museum, the Victoria and Albert Museum, and the Metropolitan Museum of Art in New York.

Height
17.8cm (7.01")
Width
22.5cm (8.86")
Date of Manufacture

Earl and Rymer has dated this Clare Leighton Wood Engraving to the 1930s.

Reference Numbers
Sellingantiques Ref
SA1220721
Dealers Internal Ref
1372-1389
Earl and Rymer
Earl and Rymer
Sellingantiques verified Since Feb 2026

Earl & rymer specialise in beautiful, interesting and unusual decorative antiques and art.

Dealer Profile

You can view the stock and full dealer information on the Earl and Rymer Profile Page

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A mounted monochrome 1935 wood engraving by Clare Leighton depicting two men pushing a wheelbarrow and planting a young tree.
1 / 3
Archive I A mounted monochrome 1935 wood engraving by Clare Leighton depicting two men pushing a wheelbarrow and planting a young tree.

Clare Leighton (1898–1989) – 'Planting a Tree', 1935 Wood Engraving from Four Hedges, Mounted

Archive II A mounted monochrome 1935 wood engraving by Clare Leighton depicting two men pushing a wheelbarrow and planting a young tree. View II
Archive III A mounted monochrome 1935 wood engraving by Clare Leighton depicting two men pushing a wheelbarrow and planting a young tree. View III
Enlarged Archival View
Telephone 07879 460591
Location
York
Yorkshire
United Kingdom

By appointment only.
Verified Since Feb 2026
Items For Sale 125
Items Sold 19
Earl and Rymer
Earl and Rymer
Verified Since Feb 2026
View Dealer Info
Location: York, Yorkshire, United Kingdom, , By appointment only.
Verified
Feb 2026
For Sale
125
Sold
19
A mounted monochrome 1935 wood engraving by Clare Leighton depicting two men pushing a wheelbarrow and planting a young tree.
Clare Leighton (1898–1989) – 'Planting a Tree', 1935 Wood Engraving from Four Hedges, Mounted
Ref: SA1220721
A mounted monochrome 1935 wood engraving by Clare Leighton depicting two men pushing a wheelbarrow and planting a young tree.
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Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

During the interwar period in Britain, wood engraving experienced a major revival led by artists such as Clare Leighton, Eric Ravilious, and Agnes Miller Parker. The medium was widely adopted for private press books, trade publications, and standalone fine art prints, characteristically depicting rural labour, natural landscapes, and domestic life.

Wood engraving utilizes the dense end-grain of hardwoods, most commonly boxwood, which allows for extremely fine detail carved with specialized tools called gravers or burins. The carved block is inked with oil-based relief ink and pressed onto paper stock, often mounted with acid-free board for display.

Authentic wood engravings exhibit crisp, precise white lines carved out of dark inked areas, resulting from relief printing on end-grain wood blocks. Examination under magnification reveals sharp impression edges, subtle ink texture on paper, and characteristic fine hatching techniques unique to hand-engraved blocks.

Monochrome wood engravings function well when framed with clean-lined timber or dark frames and wide neutral mounts. They can be displayed singly in compact wall spaces or grouped as part of a gallery wall alongside other black-and-white graphical artworks.

Works on paper should be housed using acid-free mounting materials and sealed behind UV-filtering glass to prevent yellowing or fading. Avoid displaying paper art in direct sunlight or in environments with high humidity and fluctuating temperatures.
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