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Clare Leighton (1898–1989) – 'Digging Potatoes', 1935 Wood Engraving from Four Hedges, Mounted
Earl and Rymer
for sale €44     $48
£38
Earl and Rymer

Earl and Rymer

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Clare Leighton (1898–1989) – 'Digging Potatoes', 1935 Wood Engraving from Four Hedges, Mounted

1920 - 1940
For Sale by Earl and Rymer
Description

Clare Leighton (1898–1989) – 'Digging Potatoes', 1935 Wood Engraving from Four Hedges, Mounted.

1935 wood engraving by the celebrated British printmaker, Clare Leighton. This powerful work is an impression from her highly influential biographical gardening journal, Four Hedges: A Gardener’s Chronicle, printed by the Camelot Press.

This engraving captures a single worker harvesting potatoes from a garden plot against a background of rustic bean supports.

Perfect as a standalone piece or paired with other prints from our Clare Leighton collection.

Condition: Excellent vintage condition. The piece has been put in an appropriate modern mount which makes it ready to frame in a frame of your choosing.

Image Size: 12.5cm x 10.5cm. Mount Size: 23cm x 21cm.

Clare Leighton (1898–1989) was a pioneering figure in the twentieth-century revival of wood engraving. Born in London, she studied at the Slade School of Fine Art and the Central School of Arts and Crafts, where she honed a style defined by its robust energy and poetic realism. Best known for portraying the enduring spirit of the English countryside and the dignity of agrarian work, Leighton’s works are celebrated for their sweeping composition and dramatic use of light. In 1935, Four Hedges solidified her reputation as both a masterful visual artist and an empathetic writer. Today, her work is highly collectible and permanently held in major institutions globally, including the British Museum, the Victoria and Albert Museum, and the Metropolitan Museum of Art in New York.

Physical Dimensions
Height
23cm (9.06")
Width
21cm (8.27")
Declaration

Earl and Rymer has dated this 1930s Wood Engraving Print to the 1930s.

Reference Numbers
Sellingantiques Reference
SA1220706
Dealers Internal Reference
1372-1389
Description
Clare Leighton (1898–1989) – 'Digging Potatoes', 1935 Wood Engraving from Four Hedges, Mounted.

1935 wood engraving by the celebrated British printmaker, Clare Leighton.

This powerful work is an impression from her highly influential biographical gardening journal, Four Hedges: A Gardener’s Chronicle, printed by the Camelot Press.
Earl and Rymer
fig 1. A monochrome 1930s wood engraving depicting a figure digging potatoes in a garden, presented inside a neutral light cream mount.
fig 1. Clare Leighton (1898–1989) – 'Digging Potatoes', 1935 Wood Engraving from Four Hedges, Mounted

This engraving captures a single worker harvesting potatoes from a garden plot against a background of rustic bean supports.

Perfect as a standalone piece or paired with other prints from our Clare Leighton collection.

Condition: Excellent vintage condition. The piece has been put in an appropriate modern mount which makes it ready to frame in a frame of your choosing.

Image Size: 12.5cm x 10.5cm. Mount Size: 23cm x 21cm.

Clare Leighton (1898–1989) was a pioneering figure in the twentieth-century revival of wood engraving. Born in London, she studied at the Slade School of Fine Art and the Central School of Arts and Crafts, where she honed a style defined by its robust energy and poetic realism. Best known for portraying the enduring spirit of the English countryside and the dignity of agrarian work, Leighton’s works are celebrated for their sweeping composition and dramatic use of light. In 1935, Four Hedges solidified her reputation as both a masterful visual artist and an empathetic writer. Today, her work is highly collectible and permanently held in major institutions globally, including the British Museum, the Victoria and Albert Museum, and the Metropolitan Museum of Art in New York.

Height
23cm (9.06")
Width
21cm (8.27")
Date of Manufacture

Earl and Rymer has dated this 1930s Wood Engraving Print to the 1930s.

Reference Numbers
Sellingantiques Ref
SA1220706
Dealers Internal Ref
1372-1389
Earl and Rymer
Earl and Rymer
Sellingantiques verified Since Feb 2026

Earl & rymer specialise in beautiful, interesting and unusual decorative antiques and art.

Dealer Profile

You can view the stock and full dealer information on the Earl and Rymer Profile Page

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A monochrome 1930s wood engraving depicting a figure digging potatoes in a garden, presented inside a neutral light cream mount.
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Archive I A monochrome 1930s wood engraving depicting a figure digging potatoes in a garden, presented inside a neutral light cream mount.

Clare Leighton (1898–1989) – 'Digging Potatoes', 1935 Wood Engraving from Four Hedges, Mounted

Archive II A monochrome 1930s wood engraving depicting a figure digging potatoes in a garden, presented inside a neutral light cream mount. View II
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Yorkshire
United Kingdom

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Verified Since Feb 2026
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Earl and Rymer
Earl and Rymer
Verified Since Feb 2026
View Dealer Info
Location: York, Yorkshire, United Kingdom, , By appointment only.
Verified
Feb 2026
For Sale
125
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A monochrome 1930s wood engraving depicting a figure digging potatoes in a garden, presented inside a neutral light cream mount.
Clare Leighton (1898–1989) – 'Digging Potatoes', 1935 Wood Engraving from Four Hedges, Mounted
Ref: SA1220706
A monochrome 1930s wood engraving depicting a figure digging potatoes in a garden, presented inside a neutral light cream mount.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Wood engraving from the 1930s represents a key period in modern British printmaking, characterized by expressive relief carvings into dense end-grain hardwood blocks. Artists during this interwar era often depicted countryside subjects, manual labor, and botanical scenes for fine art prints and illustrated publications.

A wood engraving is created by using fine engraving tools, known as gravers or burins, to carve detailed designs into the end grain of a hard wood block, such as boxwood. Ink is applied to the raised surfaces, which are then pressed onto paper to form a detailed monochrome impression.

Authentic wood engravings exhibit crisp, highly detailed white lines set against dense black inked areas, along with slight relief impressions on the paper surface. Original period prints display historic paper characteristics, distinct plate marks, and occasionally publisher markings or artist signatures.

Monochrome woodcut prints pair effectively with natural timber framing, simple acid-free mounts, and minimalist or traditional interiors. Grouping several black-and-white prints creates a structured gallery wall, while single prints suit narrow alcoves, desks, or accent wall displays.

Preserve paper prints by mounting them with 100% acid-free, conservation-grade matting board and framing them behind UV-protective glass. Store and display prints away from direct sunlight, excess humidity, and fluctuating temperatures to prevent foxing and discolouration.
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