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ID #SA1220701
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Clare Leighton (1898–1989) – 'The Strawberry Beds', 1935 Wood Engraving from Four Hedges, Mounted
Earl and Rymer
for sale €49     $53
£42
Earl and Rymer

Earl and Rymer

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Id #SA1220701
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Clare Leighton (1898–1989) – 'The Strawberry Beds', 1935 Wood Engraving from Four Hedges, Mounted

1920 - 1940
For Sale by Earl and Rymer
Description

Clare Leighton (1898–1989) – 'The Strawberry Beds', 1935 Wood Engraving from Four Hedges, Mounted.

1935 wood engraving by the celebrated British printmaker, Clare Leighton. This powerful work is an impression from her highly influential biographical gardening journal, Four Hedges: A Gardener’s Chronicle, printed by the Camelot Press.

This engraving depicts two women harvesting strawberries, capturing one figure reaching down to gather fruit into a basket while her companion lifts back a heavy protective net.

Perfect as a standalone piece or paired with other prints from our Clare Leighton collection.

Condition: Excellent vintage condition. The piece has been put in an appropriate modern mount which makes it ready to frame in a frame of your choosing.

Image Size: 12.5cm x 10.5cm. Mount Size: 23cm x 21cm.

Clare Leighton (1898–1989) was a pioneering figure in the twentieth-century revival of wood engraving. Born in London, she studied at the Slade School of Fine Art and the Central School of Arts and Crafts, where she honed a style defined by its robust energy and poetic realism. Best known for portraying the enduring spirit of the English countryside and the dignity of agrarian work, Leighton’s works are celebrated for their sweeping composition and dramatic use of light. In 1935, Four Hedges solidified her reputation as both a masterful visual artist and an empathetic writer. Today, her work is highly collectible and permanently held in major institutions globally, including the British Museum, the Victoria and Albert Museum, and the Metropolitan Museum of Art in New York.

Physical Dimensions
Height
23cm (9.06")
Width
21cm (8.27")
Declaration

Earl and Rymer has dated this Clare Leighton Wood Engraving to the 1930s.

Reference Numbers
Sellingantiques Reference
SA1220701
Dealers Internal Reference
1372-1389
Description
Clare Leighton (1898–1989) – 'The Strawberry Beds', 1935 Wood Engraving from Four Hedges, Mounted.

1935 wood engraving by the celebrated British printmaker, Clare Leighton.

This powerful work is an impression from her highly influential biographical gardening journal, Four Hedges: A Gardener’s Chronicle, printed by the Camelot Press.
Earl and Rymer
fig 1. Black and white wood engraving depicting two women harvesting in a strawberry patch, presented within a grey card mount.
fig 1. Clare Leighton (1898–1989) – 'The Strawberry Beds', 1935 Wood Engraving from Four Hedges, Mounted

This engraving depicts two women harvesting strawberries, capturing one figure reaching down to gather fruit into a basket while her companion lifts back a heavy protective net.

Perfect as a standalone piece or paired with other prints from our Clare Leighton collection.

fig 2. Black and white wood engraving depicting two women harvesting in a strawberry patch, presented within a grey card mount.
fig 2. Clare Leighton (1898–1989) – 'The Strawberry Beds', 1935 Wood Engraving from Four Hedges, Mounted

Condition: Excellent vintage condition. The piece has been put in an appropriate modern mount which makes it ready to frame in a frame of your choosing.

Image Size: 12.5cm x 10.5cm. Mount Size: 23cm x 21cm.

Clare Leighton (1898–1989) was a pioneering figure in the twentieth-century revival of wood engraving. Born in London, she studied at the Slade School of Fine Art and the Central School of Arts and Crafts, where she honed a style defined by its robust energy and poetic realism. Best known for portraying the enduring spirit of the English countryside and the dignity of agrarian work, Leighton’s works are celebrated for their sweeping composition and dramatic use of light. In 1935, Four Hedges solidified her reputation as both a masterful visual artist and an empathetic writer. Today, her work is highly collectible and permanently held in major institutions globally, including the British Museum, the Victoria and Albert Museum, and the Metropolitan Museum of Art in New York.

Height
23cm (9.06")
Width
21cm (8.27")
Date of Manufacture

Earl and Rymer has dated this Clare Leighton Wood Engraving to the 1930s.

Reference Numbers
Sellingantiques Ref
SA1220701
Dealers Internal Ref
1372-1389
Earl and Rymer
Earl and Rymer
Sellingantiques verified Since Feb 2026

Earl & rymer specialise in beautiful, interesting and unusual decorative antiques and art.

Dealer Profile

You can view the stock and full dealer information on the Earl and Rymer Profile Page

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Black and white wood engraving depicting two women harvesting in a strawberry patch, presented within a grey card mount.
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Archive I Black and white wood engraving depicting two women harvesting in a strawberry patch, presented within a grey card mount.

Clare Leighton (1898–1989) – 'The Strawberry Beds', 1935 Wood Engraving from Four Hedges, Mounted

Archive II Black and white wood engraving depicting two women harvesting in a strawberry patch, presented within a grey card mount. View II
Archive III Black and white wood engraving depicting two women harvesting in a strawberry patch, presented within a grey card mount. View III
Enlarged Archival View
Telephone 07879 460591
Location
York
Yorkshire
United Kingdom

By appointment only.
Verified Since Feb 2026
Items For Sale 126
Items Sold 20
Earl and Rymer
Earl and Rymer
Verified Since Feb 2026
View Dealer Info
Location: York, Yorkshire, United Kingdom, , By appointment only.
Verified
Feb 2026
For Sale
126
Sold
20
Black and white wood engraving depicting two women harvesting in a strawberry patch, presented within a grey card mount.
Clare Leighton (1898–1989) – 'The Strawberry Beds', 1935 Wood Engraving from Four Hedges, Mounted
Ref: SA1220701
Black and white wood engraving depicting two women harvesting in a strawberry patch, presented within a grey card mount.
Detail View 1
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

During the 1920s and 1930s, Britain experienced a major revival in wood engraving, led by artists who embraced relief printmaking for book illustrations and standalone prints. This movement combined detailed craftsmanship with modern design aesthetics, often focusing on rural life, landscape, and botanical themes.

Wood engravings are created using end-grain blocks of dense hardwood, most commonly boxwood, engraved with specialist steel burins or gravers. Oil-based ink is applied to the raised surfaces of the block before being transferred onto paper using a hand press or burnishing tool.

Authentic wood engravings exhibit precise, crisp lines with fine cross-hatching and tonal depth characteristic of end-grain carving. Impression marks into the paper substrate, period-correct paper stock, and publication details or signatures help verify authenticity.

A monochrome wood engraving can be framed in a simple dark wood or black frame with a neutral window mount. Displaying it as part of a gallery wall alongside contemporary line drawings or grouping smaller prints together creates visual interest in traditional and modern settings alike.

Keep prints framed using acid-free, museum-grade mounting board and UV-filtering glass to protect against fading and paper degradation. Avoid hanging paper artworks in direct sunlight, high humidity areas, or places subject to extreme temperature fluctuations.
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