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Clare Leighton (1898–1989) – 'The Scyther', 1935 Wood Engraving from Four Hedges, Mounted
Earl and Rymer
for sale €53     $57
£45
Earl and Rymer

Earl and Rymer

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Clare Leighton (1898–1989) – 'The Scyther', 1935 Wood Engraving from Four Hedges, Mounted

1920 - 1940
For Sale by Earl and Rymer
Description

Clare Leighton (1898–1989) – 'The Scyther', 1935 Wood Engraving from Four Hedges, Mounted.

1935 wood engraving by the celebrated British printmaker, Clare Leighton. This powerful work is an impression from her highly influential biographical gardening journal, Four Hedges: A Gardener’s Chronicle, printed by the Camelot Press.

This engraving depicts a solitary figure working the land, dynamic in posture as he uses a traditional scythe to clear long grasses.

Perfect as a standalone piece or paired with other prints from our Clare Leighton collection.

Condition: Excellent vintage condition. The piece has been put in an appropriate modern mount which makes it ready to frame in a frame of your choosing.

Image Size: 18cm x 12cm. Mount Size: 28.3cm x 22.8cm.

Clare Leighton (1898–1989) was a pioneering figure in the twentieth-century revival of wood engraving. Born in London, she studied at the Slade School of Fine Art and the Central School of Arts and Crafts, where she honed a style defined by its robust energy and poetic realism. Best known for portraying the enduring spirit of the English countryside and the dignity of agrarian work, Leighton’s works are celebrated for their sweeping composition and dramatic use of light. In 1935, Four Hedges solidified her reputation as both a masterful visual artist and an empathetic writer. Today, her work is highly collectible and permanently held in major institutions globally, including the British Museum, the Victoria and Albert Museum, and the Metropolitan Museum of Art in New York.

Physical Dimensions
Height
28.3cm (11.14")
Width
22.8cm (8.98")
Declaration

Earl and Rymer has dated this Clare Leighton Wood Engraving to the 1930s.

Reference Numbers
Sellingantiques Reference
SA1220686
Dealers Internal Reference
1372-1389
Description
Clare Leighton (1898–1989) – 'The Scyther', 1935 Wood Engraving from Four Hedges, Mounted.

1935 wood engraving by the celebrated British printmaker, Clare Leighton.

This powerful work is an impression from her highly influential biographical gardening journal, Four Hedges: A Gardener’s Chronicle, printed by the Camelot Press.
Earl and Rymer
fig 1. A black and white wood engraving of a male figure using a scythe in a field, presented within a neutral window mount.
fig 1. Clare Leighton (1898–1989) – 'The Scyther', 1935 Wood Engraving from Four Hedges, Mounted

This engraving depicts a solitary figure working the land, dynamic in posture as he uses a traditional scythe to clear long grasses.

Perfect as a standalone piece or paired with other prints from our Clare Leighton collection.

fig 2. A black and white wood engraving of a male figure using a scythe in a field, presented within a neutral window mount.
fig 2. Clare Leighton (1898–1989) – 'The Scyther', 1935 Wood Engraving from Four Hedges, Mounted

Condition: Excellent vintage condition. The piece has been put in an appropriate modern mount which makes it ready to frame in a frame of your choosing.

Image Size: 18cm x 12cm. Mount Size: 28.3cm x 22.8cm.

Clare Leighton (1898–1989) was a pioneering figure in the twentieth-century revival of wood engraving. Born in London, she studied at the Slade School of Fine Art and the Central School of Arts and Crafts, where she honed a style defined by its robust energy and poetic realism. Best known for portraying the enduring spirit of the English countryside and the dignity of agrarian work, Leighton’s works are celebrated for their sweeping composition and dramatic use of light. In 1935, Four Hedges solidified her reputation as both a masterful visual artist and an empathetic writer. Today, her work is highly collectible and permanently held in major institutions globally, including the British Museum, the Victoria and Albert Museum, and the Metropolitan Museum of Art in New York.

Height
28.3cm (11.14")
Width
22.8cm (8.98")
Date of Manufacture

Earl and Rymer has dated this Clare Leighton Wood Engraving to the 1930s.

Reference Numbers
Sellingantiques Ref
SA1220686
Dealers Internal Ref
1372-1389
Earl and Rymer
Earl and Rymer
Sellingantiques verified Since Feb 2026

Earl & rymer specialise in beautiful, interesting and unusual decorative antiques and art.

Dealer Profile

You can view the stock and full dealer information on the Earl and Rymer Profile Page

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A black and white wood engraving of a male figure using a scythe in a field, presented within a neutral window mount.
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Archive I A black and white wood engraving of a male figure using a scythe in a field, presented within a neutral window mount.

Clare Leighton (1898–1989) – 'The Scyther', 1935 Wood Engraving from Four Hedges, Mounted

Archive II A black and white wood engraving of a male figure using a scythe in a field, presented within a neutral window mount. View II
Archive III A black and white wood engraving of a male figure using a scythe in a field, presented within a neutral window mount. View III
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Earl and Rymer
Earl and Rymer
Verified Since Feb 2026
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Location: York, Yorkshire, United Kingdom, , By appointment only.
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A black and white wood engraving of a male figure using a scythe in a field, presented within a neutral window mount.
Clare Leighton (1898–1989) – 'The Scyther', 1935 Wood Engraving from Four Hedges, Mounted
Ref: SA1220686
A black and white wood engraving of a male figure using a scythe in a field, presented within a neutral window mount.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

During the interwar period, British artists revived wood engraving as a primary medium for book illustration and standalone printmaking. Prominent engravers captured rural life, landscape changes, and agricultural traditions through high-contrast relief printing.

Wood engravings were executed on end-grain blocks of dense hardwood, typically boxwood, using specialised steel gravers. Prints were pulled onto rag or wove paper using oil-based relief inks to produce crisp, fine lines.

Authentic wood engravings demonstrate extreme line clarity and fine hatching created by carving into dense end-grain wood. Period paper stock, evidence of plate impression, and association with known mid-century publishing houses also assist with verification.

Monochrome wood engravings suit minimal contemporary frames with acid-free window mounts. Hanging prints individually on narrow wall sections or grouping them in gallery arrangements complements both modern and period decor.

Prints should be framed using museum-grade UV-filtering glass and mounted with acid-free, archival materials to prevent yellowing. Keep artwork away from direct sunlight, radiators, and high-humidity environments to avoid foxing.
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