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ID #SA1218434
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William Thomas Wood "Late Summer Roses" Oil Painting
McTague of Harrogate
for sale €2,282     $2,477
£1,950
McTague of Harrogate

McTague of Harrogate

Sellingantiques Verified Since Apr 2011
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    Mctague of harrogate are yorkshire based dealers in old pictures. Please see website mctague.co.uk
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    McTague of Harrogate is a registered member of BADA 
Id #SA1218434
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William Thomas Wood "Late Summer Roses" Oil Painting

1920 - 1940
Description

William Thomas Wood (1877 - 1958) was a landscape and flower painter, born in Ipswich, Suffolk in 1877. He studied at the Regent Street Polytechnic and in Italy.

In 1900, at the age of 23, he was living in Putney and exhibited his first work at the Royal Academy entitled Summer Heat. Between 1900 and 1947 he exhibited more than 55 works at the Royal Academy including February Flowers (1925), Corfe Castle (1926), Snow Shadows (1930), Cottage Garden Flowers (1933) and Morning Light (1947). In 1918 Wood was appointed the British official war artist for the Balkans.

Wood lived most of his life in London and exhibited frequently. His work was extremely popular during his lifetime and he had a number of one-man shows at the Leicester Galleries as well as receiving nine official public purchases. He was elected an Associate to the Royal Watercolor Society (R.W.S.) in 1913, and became a full member in 1918. Largely as a result of his war experience, A.J. Mann hired Wood in 1920 to illustrate The Salonika Front. He served as Vice President of the R.W.S. from 1923-1926 and became a member of the Royal Institute of Oil Painters (R.O.I.) in 1927. He died on June 2nd 1958.

Works by William T. Wood may be seen in the Victoria and Albert Museum, as well as the museums in Hull, Leeds, Manche­st­er and Perth.

The Present painting "Late Summer Roses" is an exceptional example. Measuring 15"x 13" it is signed and is framed in an English frame hand finished in gold leaf giving an overall size of 20"x 18".

Physical Dimensions
Height
50cm (19.69")
Width
45cm (17.72")
Depth
7cm (2.76")
Declaration

McTague of Harrogate has dated this Floral Still Life Painting to the 1930s.

Reference Numbers
Sellingantiques Reference
SA1218434
Dealers Notes

Please note the shop is now open by appointment.

Free delivery mainland UK on any item.

Please telephone Paul 07885 108190

Description
William Thomas Wood (1877 - 1958) was a landscape and flower painter, born in Ipswich, Suffolk in 1877. He studied at the Regent Street Polytechnic and in Italy.
In 1900, at the age of 23, he was living in Putney and exhibited his first work at the Royal Academy entitled Summer Heat.
McTague of Harrogate

Between 1900 and 1947 he exhibited more than 55 works at the Royal Academy including February Flowers (1925), Corfe Castle (1926), Snow Shadows (1930), Cottage Garden Flowers (1933) and Morning Light (1947). In 1918 Wood was appointed the British official war artist for the Balkans.

fig 1. An oil painting depicting an arrangement of pale cream and pink roses in a small blue ceramic vase set against a dark muted background.
fig 1. William Thomas Wood "Late Summer Roses" Oil Painting

Wood lived most of his life in London and exhibited frequently. His work was extremely popular during his lifetime and he had a number of one-man shows at the Leicester Galleries as well as receiving nine official public purchases. He was elected an Associate to the Royal Watercolor Society (R.W.S.) in 1913, and became a full member in 1918. Largely as a result of his war experience, A.J. Mann hired Wood in 1920 to illustrate The Salonika Front. He served as Vice President of the R.W.S. from 1923-1926 and became a member of the Royal Institute of Oil Painters (R.O.I.) in 1927. He died on June 2nd 1958.

fig 2. An oil painting depicting an arrangement of pale cream and pink roses in a small blue ceramic vase set against a dark muted background.
fig 2. William Thomas Wood "Late Summer Roses" Oil Painting

Works by William T. Wood may be seen in the Victoria and Albert Museum, as well as the museums in Hull, Leeds, Manche­st­er and Perth.

The Present painting "Late Summer Roses" is an exceptional example. Measuring 15"x 13" it is signed and is framed in an English frame hand finished in gold leaf giving an overall size of 20"x 18".

Height
50cm (19.69")
Width
45cm (17.72")
Depth
7cm (2.76")
Date of Manufacture

McTague of Harrogate has dated this Floral Still Life Painting to the 1930s.

Reference Numbers
Sellingantiques Ref
SA1218434
McTague of Harrogate
McTague of Harrogate
Sellingantiques verified Since Apr 2011

Mctague of harrogate are yorkshire based dealers in old pictures. Please see website mctague.co.uk

Dealer Profile

You can view the stock and full dealer information on the McTague of Harrogate Profile Page

Trade Associations

McTague of Harrogate is a registered member of BADA 

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SAVE
An oil painting depicting an arrangement of pale cream and pink roses in a small blue ceramic vase set against a dark muted background.
1 / 3
Archive I An oil painting depicting an arrangement of pale cream and pink roses in a small blue ceramic vase set against a dark muted background.

William Thomas Wood "Late Summer Roses" oil painting

Archive II An oil painting depicting an arrangement of pale cream and pink roses in a small blue ceramic vase set against a dark muted background. View II
Archive III An oil painting depicting an arrangement of pale cream and pink roses in a small blue ceramic vase set against a dark muted background. View III
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North Yorkshire
United Kingdom

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Verified Since Apr 2011
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McTague of Harrogate
McTague of Harrogate
Verified Since Apr 2011
View Dealer Info
Location: North Yorkshire, United Kingdom, , Viewing by appointment.,
Verified
Apr 2011
For Sale
255
Sold
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An oil painting depicting an arrangement of pale cream and pink roses in a small blue ceramic vase set against a dark muted background.
William Thomas Wood "Late Summer Roses" oil painting
Ref: SA1218434
An oil painting depicting an arrangement of pale cream and pink roses in a small blue ceramic vase set against a dark muted background.
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Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

During the early 20th century, British painters adapted Continental Impressionist techniques, focusing on light, loose brushwork, and atmospheric compositions. Still life studies of domestic flowers allowed artists to experiment with colour relationships, form, and subtle tonal values.

Artists typically painted with oil-based pigments mixed with linseed oil, applied to linen canvas stretched over wooden stretcher bars or mounted on board. Priming layers usually consisted of gesso or lead-white oil ground to prepare the surface.

Authenticity is evaluated through visible brushwork, age-appropriate surface craquelure, period signature placement, and historical provenance. Scientific examination may include analyzing canvas weave density and paint composition consistent with the period.

A muted floral oil painting provides textural contrast when paired with modern minimalism, dark accent walls, or classic timber joinery. Placing the artwork in a quiet nook or gallery wall adds visual interest without overpowering surrounding decor.

To preserve an oil painting, display it away from direct sunlight, dampness, and heat sources. Dust gently with a soft, dry natural-hair brush, and consult a professional conservator for varnish removal or structural repairs.
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