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ID #SA1216441
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Mezzotint Portrait of Princess Augusta of Brunswick and Lunenberg - By Purcell After Reynolds.
The Mezzotint Man
for sale €679     $737
£580
The Mezzotint Man

The Mezzotint Man

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Mezzotint Portrait of Princess Augusta of Brunswick and Lunenberg - By Purcell After Reynolds.

18th century
Description

PRINCESS AUGUSTA OF BRUNSWICK AND LUNENBERG - BY PURCELL AFTER REYNOLDS.

Her Royal Highness Augusta, Hereditary Princess of Brunswick & Lunenberg.

Mezzotint, engraved by Purcell after the work by Reynolds, published by Robert Sayer, Map & Printseller, London.

Charlotte Augusta, Princess of Brunswick-Wolfenbüttell (1737-1813) was a daughter of Frederick Lewis, Prince of Wales, and the elder sister of George III. In 1764 she married Charles William Ferdinand, Duke of Brunswick at St. James’s Palace. In 1806, when France declared war on Prussia , the Duke was appointed commander-in-chief of the Prussian army. Within a few months he dies from serious injuries received at the Battle of Auerstadt and the princess returns to Britain, granted protection by her brother, King George III. One of her daughters, Caroline, was to become Queen to George IV.

It is thought that almost all of Purcell's mezzotints were piracies of other people’s mezzotints and it is difficult to understand how Sayer and Purcell avoided prosecution for breaching copyright. Clearly Purcell's frequent use of pseudonyms should be considered an effective smokescreen. He seems to have used around five; perhaps Johnson, definitely Charles Corbutt, Charles Corbett, Philip Corbutt (as in this case) and Patrick Purcell.

Within a high quality later eighteenth century style print frame.

Mezzotint

Sheet: 51cm x 36cm

Framed: 60cm x 44cm

Price: £580

Physical Dimensions
Height
60cm (23.62")
Width
44cm (17.32")
Depth
2cm (0.79")
Declaration

The Mezzotint Man has dated this 18th Century Mezzotint Print to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1216441
Description
PRINCESS AUGUSTA OF BRUNSWICK AND LUNENBERG - BY PURCELL AFTER REYNOLDS.

Her Royal Highness Augusta, Hereditary Princess of Brunswick & Lunenberg.

Mezzotint, engraved by Purcell after the work by Reynolds, published by Robert Sayer, Map & Printseller, London.
The Mezzotint Man
fig 1. An 18th-century monochrome mezzotint portrait of Princess Augusta wearing a tiara and ermine trim, presented in a black frame with a gilded inner lip.
fig 1. Mezzotint Portrait of Princess Augusta of Brunswick and Lunenberg - By Purcell After Reynolds.

Charlotte Augusta, Princess of Brunswick-Wolfenbüttell (1737-1813) was a daughter of Frederick Lewis, Prince of Wales, and the elder sister of George III. In 1764 she married Charles William Ferdinand, Duke of Brunswick at St. James’s Palace. In 1806, when France declared war on Prussia , the Duke was appointed commander-in-chief of the Prussian army. Within a few months he dies from serious injuries received at the Battle of Auerstadt and the princess returns to Britain, granted protection by her brother, King George III. One of her daughters, Caroline, was to become Queen to George IV.

fig 2. An 18th-century monochrome mezzotint portrait of Princess Augusta wearing a tiara and ermine trim, presented in a black frame with a gilded inner lip.
fig 2. Mezzotint Portrait of Princess Augusta of Brunswick and Lunenberg - By Purcell After Reynolds.

It is thought that almost all of Purcell's mezzotints were piracies of other people’s mezzotints and it is difficult to understand how Sayer and Purcell avoided prosecution for breaching copyright. Clearly Purcell's frequent use of pseudonyms should be considered an effective smokescreen. He seems to have used around five; perhaps Johnson, definitely Charles Corbutt, Charles Corbett, Philip Corbutt (as in this case) and Patrick Purcell.

fig 3. An 18th-century monochrome mezzotint portrait of Princess Augusta wearing a tiara and ermine trim, presented in a black frame with a gilded inner lip.
fig 3. Mezzotint Portrait of Princess Augusta of Brunswick and Lunenberg - By Purcell After Reynolds.

Within a high quality later eighteenth century style print frame.

Mezzotint

Sheet: 51cm x 36cm

Framed: 60cm x 44cm

Price: £580

Height
60cm (23.62")
Width
44cm (17.32")
Depth
2cm (0.79")
Date of Manufacture

The Mezzotint Man has dated this 18th Century Mezzotint Print to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1216441
The Mezzotint Man
The Mezzotint Man
Sellingantiques verified Since Mar 2026

Dealers in fine antiquarian portrait prints

Dealer Profile

You can view the stock and full dealer information on the The Mezzotint Man Profile Page

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An 18th-century monochrome mezzotint portrait of Princess Augusta wearing a tiara and ermine trim, presented in a black frame with a gilded inner lip.
1 / 6
Archive I An 18th-century monochrome mezzotint portrait of Princess Augusta wearing a tiara and ermine trim, presented in a black frame with a gilded inner lip.

Mezzotint Portrait of Princess Augusta of Brunswick and Lunenberg - By Purcell After Reynolds.

Archive II An 18th-century monochrome mezzotint portrait of Princess Augusta wearing a tiara and ermine trim, presented in a black frame with a gilded inner lip. View II
Archive III An 18th-century monochrome mezzotint portrait of Princess Augusta wearing a tiara and ermine trim, presented in a black frame with a gilded inner lip. View III
Archive IV An 18th-century monochrome mezzotint portrait of Princess Augusta wearing a tiara and ermine trim, presented in a black frame with a gilded inner lip. View IV
Archive V An 18th-century monochrome mezzotint portrait of Princess Augusta wearing a tiara and ermine trim, presented in a black frame with a gilded inner lip. View V
Archive VI An 18th-century monochrome mezzotint portrait of Princess Augusta wearing a tiara and ermine trim, presented in a black frame with a gilded inner lip. View VI
Enlarged Archival View
Telephone 07889 859729
Location
North Yorkshire
United Kingdom
Verified Since Mar 2026
Items For Sale 33
Items Sold 9
The Mezzotint Man
The Mezzotint Man
Verified Since Mar 2026
View Dealer Info
Location: North Yorkshire, United Kingdom
Verified
Mar 2026
For Sale
33
Sold
9
An 18th-century monochrome mezzotint portrait of Princess Augusta wearing a tiara and ermine trim, presented in a black frame with a gilded inner lip.
MEZZOTINT PORTRAIT OF PRINCESS AUGUSTA OF BRUNSWICK AND LUNENBERG - BY PURCELL AFTER REYNOLDS.
Ref: SA1216441
An 18th-century monochrome mezzotint portrait of Princess Augusta wearing a tiara and ermine trim, presented in a black frame with a gilded inner lip.
Detail View 1
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Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Mezzotint is a tonal printmaking technique popular in the 18th century that allowed artists to create rich, soft gradations of shade from light to dark without line hatching. It was widely used in Britain to reproduce oil portraits created by prominent painters.

Artisans prepared a copper plate using a metal tool called a rocker to texture the entire surface, which would print solid black if inked. Areas were then scraped and burnished smooth to hold less ink, creating delicate highlights and middle tones when printed on rag paper.

Authentic pieces typically exhibit plate marks pressed into the paper, plate inscriptions or publication lines along the lower margin, and characteristic velvety tonal textures rather than modern dot-matrix patterns under magnification.

Hang monochrome portrait prints in a gallery wall arrangement alongside contemporary photography, or display a single framed piece above a console table or mantelpiece to create a focal point in traditional or layered spaces.

Position prints away from direct sunlight and high humidity to prevent fading, foxing, or paper deterioration. Use museum-grade UV-protective glass and acid-free mounting materials to preserve the paper condition over time.
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