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Mezzotint Portrait of Oliver Cromwell (1599-1648) - By Joseph Sympson After Sir Peter Lely.
The Mezzotint Man
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£720
The Mezzotint Man

The Mezzotint Man

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Mezzotint Portrait of Oliver Cromwell (1599-1648) - By Joseph Sympson After Sir Peter Lely.

17th century
Description

OLIVER CROMWELL (1599-1648) - BY JOSEPH SYMPSON AFTER SIR PETER LELY.

Fine and comparatively rare mezzotint portrait of Oliver Cromwell (1599-1648) by Joseph Sympson after Sir Peter Lely. Oliver Cromwell, the English statesman, politician and soldier, widely regarded as one of the most important figures in the history of the British Isles. One of three mezzotints of the sitter that we are currently offering, and each depicts the sitter bust length in armour.

Oliver Cromwell is one of the most famous figures in British history. For some he provokes strong emotions, even more than 350 years after his death. He is known throughout the world, and was voted one of the ten most important figures in British history in 2001.

There are a number of reasons why Cromwell is significant and is worthy of focus today:

Cromwell was from a relatively humble background, born and brought up in relative obscurity from a ‘middling sort’ family in Huntingdon. He rose to become the first commoner to become Head of State in British history.

Cromwell divides opinions: partly this is down to those after the Restoration who wanted blacken his name, partly because some of his actions, such as his Irish campaign, were controversial even during his lifetime and continue to cause discussion and debate even today. Some love him; others loathe him – either way he is impossible to ignore.

He was one of the key figures in the Civil Wars that tore the country apart in the 1640s, and one of the main architects of Parliament’s victory in this bloody conflict.

The modern British army was founded from the New Modelled Army that Cromwell helped found and led so effectively. The red coat still worn as the dress uniform by regiments today was derived from that of Cromwell’s regiments.

Cromwell was a key figure in the trial and execution of King Charles I. This was the first time that a monarch had been deposed and put on trial by his own people, as opposed to being simply deposed by a rival royal. It has been argued that this helped establish a legal precedent that heads of state were answerable to the law and their people – an important principle that led to the existence of the International Criminal Court and War Crimes Tribunals today.

The Protectorate over which Cromwell presided was the first government in British history to have a written constitution - indeed the first such document in a modern nation state - a document that set out the rules for how the country should be governed, and enshrined the principle of freedom of religious conscience. For a time in the 1650s there was the greatest period of religious toleration there had yet been in England, or would be again for over a century.

Cromwell as a person is contradictory, paradoxical, fascinating and often misunderstood. The popular image of him is as a dour, humourless individual, dressed in black. His portraits show him actually in fine clothes; he seems to have been a devoted husband and father, enjoyed music, dancing and horse racing and had a good sense of humour. He could be a commanding and energetic figure, but also battled with depression and periods of melancholy. He is often quoted; from “warts and all” to “keeping your powder dry”.

The period that Cromwell lived through led to the foundation of our modern parliamentary democracy; people then raised questions about the nature of freedom, government, religion and equality that we still wrestle with today. ( The Cromwell Museum)

This mezzotint is in a fine state of conservation and is housed in a quality ebonised frame with museum quality mount.

Provenance: The historic Heydon Grange in Norfolk

Framed Dimensions: 49cm x 39cm

Price: £720

All prices include UK mainland delivery. For other territories please ask.

Physical Dimensions
Height
49cm (19.29")
Width
39cm (15.35")
Depth
2cm (0.79")
Declaration

The Mezzotint Man has dated this Antique Mezzotint Portrait Print to the 17th Century.

Reference Numbers
Sellingantiques Reference
SA1210431
Description
OLIVER CROMWELL (1599-1648) - BY JOSEPH SYMPSON AFTER SIR PETER LELY.
Fine and comparatively rare mezzotint portrait of Oliver Cromwell (1599-1648) by Joseph Sympson after Sir Peter Lely.
The Mezzotint Man

Oliver Cromwell, the English statesman, politician and soldier, widely regarded as one of the most important figures in the history of the British Isles. One of three mezzotints of the sitter that we are currently offering, and each depicts the sitter bust length in armour.

fig 1. Framed monochrome mezzotint print depicting Oliver Cromwell in armour set within an oval cartouche.
fig 1. Mezzotint Portrait of Oliver Cromwell (1599-1648) - By Joseph Sympson After Sir Peter Lely.

Oliver Cromwell is one of the most famous figures in British history. For some he provokes strong emotions, even more than 350 years after his death. He is known throughout the world, and was voted one of the ten most important figures in British history in 2001.

fig 2. Framed monochrome mezzotint print depicting Oliver Cromwell in armour set within an oval cartouche.
fig 2. Mezzotint Portrait of Oliver Cromwell (1599-1648) - By Joseph Sympson After Sir Peter Lely.

There are a number of reasons why Cromwell is significant and is worthy of focus today:

Cromwell was from a relatively humble background, born and brought up in relative obscurity from a ‘middling sort’ family in Huntingdon. He rose to become the first commoner to become Head of State in British history.

fig 3. Framed monochrome mezzotint print depicting Oliver Cromwell in armour set within an oval cartouche.
fig 3. Mezzotint Portrait of Oliver Cromwell (1599-1648) - By Joseph Sympson After Sir Peter Lely.

Cromwell divides opinions: partly this is down to those after the Restoration who wanted blacken his name, partly because some of his actions, such as his Irish campaign, were controversial even during his lifetime and continue to cause discussion and debate even today. Some love him; others loathe him – either way he is impossible to ignore.

fig 4. Framed monochrome mezzotint print depicting Oliver Cromwell in armour set within an oval cartouche.
fig 4. Mezzotint Portrait of Oliver Cromwell (1599-1648) - By Joseph Sympson After Sir Peter Lely.

He was one of the key figures in the Civil Wars that tore the country apart in the 1640s, and one of the main architects of Parliament’s victory in this bloody conflict.

The modern British army was founded from the New Modelled Army that Cromwell helped found and led so effectively. The red coat still worn as the dress uniform by regiments today was derived from that of Cromwell’s regiments.

fig 5. Framed monochrome mezzotint print depicting Oliver Cromwell in armour set within an oval cartouche.
fig 5. Mezzotint Portrait of Oliver Cromwell (1599-1648) - By Joseph Sympson After Sir Peter Lely.

Cromwell was a key figure in the trial and execution of King Charles I. This was the first time that a monarch had been deposed and put on trial by his own people, as opposed to being simply deposed by a rival royal. It has been argued that this helped establish a legal precedent that heads of state were answerable to the law and their people – an important principle that led to the existence of the International Criminal Court and War Crimes Tribunals today.

The Protectorate over which Cromwell presided was the first government in British history to have a written constitution - indeed the first such document in a modern nation state - a document that set out the rules for how the country should be governed, and enshrined the principle of freedom of religious conscience. For a time in the 1650s there was the greatest period of religious toleration there had yet been in England, or would be again for over a century.

Cromwell as a person is contradictory, paradoxical, fascinating and often misunderstood. The popular image of him is as a dour, humourless individual, dressed in black. His portraits show him actually in fine clothes; he seems to have been a devoted husband and father, enjoyed music, dancing and horse racing and had a good sense of humour. He could be a commanding and energetic figure, but also battled with depression and periods of melancholy. He is often quoted; from “warts and all” to “keeping your powder dry”.

The period that Cromwell lived through led to the foundation of our modern parliamentary democracy; people then raised questions about the nature of freedom, government, religion and equality that we still wrestle with today. ( The Cromwell Museum)

This mezzotint is in a fine state of conservation and is housed in a quality ebonised frame with museum quality mount.

Provenance: The historic Heydon Grange in Norfolk

Framed Dimensions: 49cm x 39cm

Price: £720

All prices include UK mainland delivery. For other territories please ask.

Height
49cm (19.29")
Width
39cm (15.35")
Depth
2cm (0.79")
Date of Manufacture

The Mezzotint Man has dated this Antique Mezzotint Portrait Print to the 17th Century.

Reference Numbers
Sellingantiques Ref
SA1210431
The Mezzotint Man
The Mezzotint Man
Sellingantiques verified Since Mar 2026

Dealers in fine antiquarian portrait prints

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Framed monochrome mezzotint print depicting Oliver Cromwell in armour set within an oval cartouche.
1 / 6
Archive I Framed monochrome mezzotint print depicting Oliver Cromwell in armour set within an oval cartouche.

MEZZOTINT PORTRAIT OF OLIVER CROMWELL (1599-1648) - BY JOSEPH SYMPSON AFTER SIR PETER LELY.

Archive II Framed monochrome mezzotint print depicting Oliver Cromwell in armour set within an oval cartouche. View II
Archive III Framed monochrome mezzotint print depicting Oliver Cromwell in armour set within an oval cartouche. View III
Archive IV Framed monochrome mezzotint print depicting Oliver Cromwell in armour set within an oval cartouche. View IV
Archive V Framed monochrome mezzotint print depicting Oliver Cromwell in armour set within an oval cartouche. View V
Archive VI Framed monochrome mezzotint print depicting Oliver Cromwell in armour set within an oval cartouche. View VI
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Framed monochrome mezzotint print depicting Oliver Cromwell in armour set within an oval cartouche.
MEZZOTINT PORTRAIT OF OLIVER CROMWELL (1599-1648) - BY JOSEPH SYMPSON AFTER SIR PETER LELY.
Ref: SA1210431
Framed monochrome mezzotint print depicting Oliver Cromwell in armour set within an oval cartouche.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

A mezzotint is a tonal printmaking technique developed in the 17th century that enables soft gradations of light and shadow without using cross-hatching. Artists create the image by working from dark to light on a copper plate that has been uniformly roughened with a metal rocker tool.

Traditional mezzotints were produced using copper plates, hand-mixed oil-based inks, and handmade cotton or linen rag paper. Prints were often mounted behind glass in timber frames to protect the delicate paper substrate.

Authentic period prints display a visible impression boundary known as a plate mark around the image area. Under magnification, the soft tonal transitions lack the dot matrix patterns characteristic of modern mechanical reproduction processes, and the paper typically exhibits age-appropriate chain lines or watermarks.

An antique portrait print can be styled as a focal point above a sideboard or integrated into an eclectic gallery wall. Pairing dark monochrome artwork with contemporary framing materials or neutral interiors provides a balanced juxtaposition between historical subject matter and modern aesthetics.

Paper prints require framing with acid-free matting and UV-filtering glass to prevent yellowing, foxing, and fading. Display the piece away from direct sunlight, radiators, and areas with high humidity to maintain stable environmental conditions.
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