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Sumida Gawa Stoneware Vase with Applied Rakan Figure, Signed Ryōsai, Meiji–taishō Period
Ritas Bazaar
for sale €234     $254
£200

Ritas Bazaar

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Sumida Gawa Stoneware Vase with Applied Rakan Figure, Signed Ryōsai, Meiji–taishō Period

1900 - 1920
For Sale by Ritas Bazaar
Description

A hand-thrown Sumida ware (隅田焼 / Sumida-gawa) trumpet vase of gu form, Japan, late Meiji to early Taishō period, c. 1900–1920, signed Ryōsai and attributed to the workshop of Inoue Ryōsai (井上良斎).

A buff stoneware body of the paler Sumida variant, left largely unglazed to display the heavily ribbed, wheel-thrown surface — the pronounced throwing rings running across the waisted cylindrical body and the stepped, flaring foot. The flared trumpet mouth and upper body are covered in a lustrous aubergine-black treacle glaze that pools at the rim and drips irregularly down over the pale body in tongues and runs, thinning in places to reveal amber, olive and blue-grey streaks — the flambé effect characteristic of the workshop.

The applied decoration is separately modeled and glazed in porcelaneous white, iron-brown and cobalt underglaze blue, attached to the body before the final firing.

A rakan (Buddhist arhat, 羅漢), bald and finely wrinkled, is shown seated on olive-glazed craggy rockwork at the front of the vase, wrapped in flowing russet-brown robes with a pale cowl falling behind one shoulder. He holds aloft a dark spherical hōju (宝珠), the wish-granting jewel, his expression one of quiet amusement. A further porcelaneous fragment of robe in blue-and-white trails around the reverse. The three-dimensional figure wraps the front of the vessel with his drapery and rockwork continuing around the sides. Interior glazed in graduated aubergine-to-cream. Underside fully unglazed, revealing the pale buff clay with concentric turning rings.

Hallmark: applied porcelain cartouche at the lower body on the reverse, painted in underglaze cobalt blue with the signature Ryōsai (良斎), consistent with marks associated with the Inoue Ryōsai workshop.

Dimensions: H 11.5 cm, W 6.5 cm. Weight 155 g.

Condition: good antique condition, honest age-related wear consistent with period use. Please carefully regard all photos as they make an integral part of the listing, and reach out if there are any questions.

Declaration

Ritas Bazaar has dated this Japanese Sumida Gawa Vase to the 1910s.

Reference Numbers
Sellingantiques Reference
SA1209265
Description
A hand-thrown Sumida ware (隅田焼 / Sumida-gawa) trumpet vase of gu form, Japan, late Meiji to early Taishō period, c. 1900–1920, signed Ryōsai and attributed to the workshop of Inoue Ryōsai (井上良斎).

A buff stoneware body of the paler Sumida variant, left largely unglazed to display the heavily ribbed, wheel-thrown surface — the pronounced throwing rings running across the waisted cylindrical body and the stepped, flaring foot. The flared trumpet mouth and upper body are covered in a lustrous aubergine-black treacle glaze that pools at the rim and drips irregularly down over the pale body in tongues and runs, thinning in places to reveal amber, olive and blue-grey streaks — the flambé effect characteristic of the workshop.

The applied decoration is separately modeled and glazed in porcelaneous white, iron-brown and cobalt underglaze blue, attached to the body before the final firing.
Ritas Bazaar
fig 1. A Japanese Sumida Gawa stoneware vase featuring a ribbed cream body, dripping dark glaze along the flared rim, and an applied high-relief figure of a Rakan.
fig 1. Sumida Gawa Stoneware Vase with Applied Rakan Figure, Signed Ryōsai, Meiji–taishō Period

A rakan (Buddhist arhat, 羅漢), bald and finely wrinkled, is shown seated on olive-glazed craggy rockwork at the front of the vase, wrapped in flowing russet-brown robes with a pale cowl falling behind one shoulder. He holds aloft a dark spherical hōju (宝珠), the wish-granting jewel, his expression one of quiet amusement. A further porcelaneous fragment of robe in blue-and-white trails around the reverse. The three-dimensional figure wraps the front of the vessel with his drapery and rockwork continuing around the sides. Interior glazed in graduated aubergine-to-cream. Underside fully unglazed, revealing the pale buff clay with concentric turning rings.

fig 2. A Japanese Sumida Gawa stoneware vase featuring a ribbed cream body, dripping dark glaze along the flared rim, and an applied high-relief figure of a Rakan.
fig 2. Sumida Gawa Stoneware Vase with Applied Rakan Figure, Signed Ryōsai, Meiji–taishō Period

Hallmark: applied porcelain cartouche at the lower body on the reverse, painted in underglaze cobalt blue with the signature Ryōsai (良斎), consistent with marks associated with the Inoue Ryōsai workshop.

fig 3. A Japanese Sumida Gawa stoneware vase featuring a ribbed cream body, dripping dark glaze along the flared rim, and an applied high-relief figure of a Rakan.
fig 3. Sumida Gawa Stoneware Vase with Applied Rakan Figure, Signed Ryōsai, Meiji–taishō Period

Dimensions: H 11.5 cm, W 6.5 cm. Weight 155 g.

Condition: good antique condition, honest age-related wear consistent with period use. Please carefully regard all photos as they make an integral part of the listing, and reach out if there are any questions.

Date of Manufacture

Ritas Bazaar has dated this Japanese Sumida Gawa Vase to the 1910s.

Reference Numbers
Sellingantiques Ref
SA1209265
Ritas Bazaar
Sellingantiques verified Since Nov 2025
Dealer Profile

You can view the stock and full dealer information on the Ritas Bazaar Profile Page

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A Japanese Sumida Gawa stoneware vase featuring a ribbed cream body, dripping dark glaze along the flared rim, and an applied high-relief figure of a Rakan.
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Archive I A Japanese Sumida Gawa stoneware vase featuring a ribbed cream body, dripping dark glaze along the flared rim, and an applied high-relief figure of a Rakan.

Sumida Gawa Stoneware Vase with Applied Rakan Figure, Signed Ryōsai, Meiji–Taishō Period

Archive II A Japanese Sumida Gawa stoneware vase featuring a ribbed cream body, dripping dark glaze along the flared rim, and an applied high-relief figure of a Rakan. View II
Archive III A Japanese Sumida Gawa stoneware vase featuring a ribbed cream body, dripping dark glaze along the flared rim, and an applied high-relief figure of a Rakan. View III
Archive IV A Japanese Sumida Gawa stoneware vase featuring a ribbed cream body, dripping dark glaze along the flared rim, and an applied high-relief figure of a Rakan. View IV
Archive V A Japanese Sumida Gawa stoneware vase featuring a ribbed cream body, dripping dark glaze along the flared rim, and an applied high-relief figure of a Rakan. View V
Archive VI A Japanese Sumida Gawa stoneware vase featuring a ribbed cream body, dripping dark glaze along the flared rim, and an applied high-relief figure of a Rakan. View VI
Archive VII A Japanese Sumida Gawa stoneware vase featuring a ribbed cream body, dripping dark glaze along the flared rim, and an applied high-relief figure of a Rakan. View VII
Archive VIII A Japanese Sumida Gawa stoneware vase featuring a ribbed cream body, dripping dark glaze along the flared rim, and an applied high-relief figure of a Rakan. View VIII
Archive IX A Japanese Sumida Gawa stoneware vase featuring a ribbed cream body, dripping dark glaze along the flared rim, and an applied high-relief figure of a Rakan. View IX
Archive X A Japanese Sumida Gawa stoneware vase featuring a ribbed cream body, dripping dark glaze along the flared rim, and an applied high-relief figure of a Rakan. View X
Archive XI A Japanese Sumida Gawa stoneware vase featuring a ribbed cream body, dripping dark glaze along the flared rim, and an applied high-relief figure of a Rakan. View XI
Archive XII A Japanese Sumida Gawa stoneware vase featuring a ribbed cream body, dripping dark glaze along the flared rim, and an applied high-relief figure of a Rakan. View XII
Archive XIII A Japanese Sumida Gawa stoneware vase featuring a ribbed cream body, dripping dark glaze along the flared rim, and an applied high-relief figure of a Rakan. View XIII
Archive XIV A Japanese Sumida Gawa stoneware vase featuring a ribbed cream body, dripping dark glaze along the flared rim, and an applied high-relief figure of a Rakan. View XIV
Archive XV A Japanese Sumida Gawa stoneware vase featuring a ribbed cream body, dripping dark glaze along the flared rim, and an applied high-relief figure of a Rakan. View XV
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Location: Hertfordshire, United Kingdom
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A Japanese Sumida Gawa stoneware vase featuring a ribbed cream body, dripping dark glaze along the flared rim, and an applied high-relief figure of a Rakan.
Sumida Gawa Stoneware Vase with Applied Rakan Figure, Signed Ryōsai, Meiji–Taishō Period
Ref: SA1209265
A Japanese Sumida Gawa stoneware vase featuring a ribbed cream body, dripping dark glaze along the flared rim, and an applied high-relief figure of a Rakan.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Sumida Gawa ware is a style of Japanese pottery produced near the Sumida River in Tokyo, originating in the late 19th century during the Meiji period. It is characterised by heavy stoneware construction, applied high-relief figures, and dark flambe glazes over ribbed or cold-painted surfaces.

Sumida Gawa wares were constructed using heavy stoneware clay. Upper sections feature thick, flowing glazes, while three-dimensional relief figures were hand-moulded and applied to the exterior body before being finished with enamels or cold paint.

Authentic pieces feature sculptural, three-dimensional relief figures attached to the body, alongside thick dripping glaze near the top rim. Many authentic examples contain impressed ceramic signature tiles or marks from recognised artists such as Inoue Ryosai.

A Japanese stoneware vase functions as a decorative accent on a bookshelf, console table, or mantelpiece. Placing the piece against contemporary backdrops or unadorned timber highlights its tactile relief carving and glazes.

Dust the stoneware surface gently using a soft, dry brush or microfibre cloth to clean around raised figures. Avoid water immersion or chemical cleansers, as cold-painted enamels and unfired surface pigments can suffer damage.
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