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King Charles I After Van Dyck 18th Huge Oval Old Master Portrait Painting
Mansion House Antiques & Fine Art
for sale €15,152     $16,447
£12,950
Mansion House Antiques & Fine Art

Mansion House Antiques & Fine Art

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King Charles I After Van Dyck 18th Huge Oval Old Master Portrait Painting

18th century
Description

This fine portrait of Charles I is a desirable sitter and very striking image of the King when he was at the peak of his powers in full armour, surrounded by symbols of royalty.

Stunning oil portrait on canvas depicting famous Charles I of England. The painting is presented in this oval format and in a magnificent oval frame which wonderfully compliments the painting.

On this large scale, the work offers superb interior decoration - and in lovely fully restored condition.

ABOUT KING CHARLES 1st

Charles I (19 November 1600 – 30 January 1649) was King of England, King of Scotland, and King of Ireland from 27 March 1625 until his execution in 1649. Charles was born into the House of Stuart as the second son of King James VI of Scotland, but after his father inherited the English throne in 1603 (as James I), he moved to England, where he spent much of the rest of his life. He became heir apparent to the three kingdoms of England, Scotland and Ireland in 1612 on the death of his elder brother Henry Frederick, Prince of Wales.

An unsuccessful and unpopular attempt to marry him to the Spanish Habsburg princess Maria Anna culminated in an eight-month visit to Spain in 1623 that demonstrated the futility of the marriage negotiations. Two years later he married the Bourbon princess Henrietta Maria of France. After his succession in 1625, Charles quarrelled with the Parliament of England, which sought to curb his royal prerogative. Charles believed in the divine right of kings, and was determined to govern according to his own conscience. Many of his subjects opposed his policies, in particular the levying of taxes without parliamentary consent, and perceived his actions as those of a tyrannical absolute monarch.

His religious policies, coupled with his marriage to a Roman Catholic, generated the antipathy and mistrust of Reformed groups such as the English Puritans and Scottish Covenanters, who thought his views were too Catholic. He supported high church Anglican ecclesiastics, such as Richard Montagu and William Laud, and failed to aid Protestant forces successfully during the Thirty Years' War. His attempts to force the Church of Scotland to adopt high Anglican practices led to the Bishops' Wars, strengthened the position of the English and Scottish parliaments, and helped precipitate his own downfall. From 1642, Charles fought the armies of the English and Scottish parliaments in the English Civil War.

After his defeat in 1645, he surrendered to a Scottish force that eventually handed him over to the English Parliament. Charles refused to accept his captors' demands for a constitutional monarchy, and temporarily escaped captivity in November 1647. Re-imprisoned on the Isle of Wight, Charles forged an alliance with Scotland, but by the end of 1648 Oliver Cromwell's New Model Army had consolidated its control over England. Charles was tried, convicted, and executed for high treason in January 1649.

The monarchy was abolished and the Commonwealth of England was established as a republic. The monarchy would be restored to Charles's son, Charles II, in 1660.

ABOUT: SIR ANTHONY VAN DYCK (22 March 1599–9 December 1641)

Flemish Baroque artist who became the leading court painter in England, after enjoying great success in Italy and Flanders. He is most famous for his portraits of Charles I of England and his family and court, painted with a relaxed elegance that was to be the dominant influence on English portrait-painting for the next 150 years.

CONDITION

In excellent condition after professional clean.Restored frame re-gilded.Canvas past historic reline which is solid.

FRAMED MEASUREMENTS

Height :46 Ins (118 cm) x Width :40 Ins (102 cm)

( Huge 3 Foot 10 Inches High )

DELIVERY : UK £150 / EU £750 / USA £850

Ref 0892

Physical Dimensions
Height
118cm (46.46")
Width
102cm (40.16")
Depth
5cm (1.97")
Declaration

Mansion House Antiques & Fine Art has dated this King Charles I Portrait to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1207044
Dealers Internal Reference
0892
Dealers Notes

Payments are accepted by Bank Transfer & by Debit / Credit Cards Via the BUY NOW Payment Link Tab shown below each items description.

PAY-PAL Account Holders are welcome. CHEQUES Drawn from UK banks.

Description
This fine portrait of Charles I is a desirable sitter and very striking image of the King when he was at the peak of his powers in full armour, surrounded by symbols of royalty.

Stunning oil portrait on canvas depicting famous Charles I of England.

The painting is presented in this oval format and in a magnificent oval frame which wonderfully compliments the painting.
Mansion House Antiques & Fine Art
fig 1. An eighteenth-century oval oil painting depicting King Charles I wearing plate armour and a lace collar within a gilded frame.
fig 1. King Charles I After Van Dyck 18th Huge Oval Old Master Portrait Painting

On this large scale, the work offers superb interior decoration - and in lovely fully restored condition.

ABOUT KING CHARLES 1st

Charles I (19 November 1600 – 30 January 1649) was King of England, King of Scotland, and King of Ireland from 27 March 1625 until his execution in 1649. Charles was born into the House of Stuart as the second son of King James VI of Scotland, but after his father inherited the English throne in 1603 (as James I), he moved to England, where he spent much of the rest of his life. He became heir apparent to the three kingdoms of England, Scotland and Ireland in 1612 on the death of his elder brother Henry Frederick, Prince of Wales.

fig 2. An eighteenth-century oval oil painting depicting King Charles I wearing plate armour and a lace collar within a gilded frame.
fig 2. King Charles I After Van Dyck 18th Huge Oval Old Master Portrait Painting

An unsuccessful and unpopular attempt to marry him to the Spanish Habsburg princess Maria Anna culminated in an eight-month visit to Spain in 1623 that demonstrated the futility of the marriage negotiations. Two years later he married the Bourbon princess Henrietta Maria of France. After his succession in 1625, Charles quarrelled with the Parliament of England, which sought to curb his royal prerogative. Charles believed in the divine right of kings, and was determined to govern according to his own conscience. Many of his subjects opposed his policies, in particular the levying of taxes without parliamentary consent, and perceived his actions as those of a tyrannical absolute monarch.

fig 3. An eighteenth-century oval oil painting depicting King Charles I wearing plate armour and a lace collar within a gilded frame.
fig 3. King Charles I After Van Dyck 18th Huge Oval Old Master Portrait Painting

His religious policies, coupled with his marriage to a Roman Catholic, generated the antipathy and mistrust of Reformed groups such as the English Puritans and Scottish Covenanters, who thought his views were too Catholic. He supported high church Anglican ecclesiastics, such as Richard Montagu and William Laud, and failed to aid Protestant forces successfully during the Thirty Years' War. His attempts to force the Church of Scotland to adopt high Anglican practices led to the Bishops' Wars, strengthened the position of the English and Scottish parliaments, and helped precipitate his own downfall. From 1642, Charles fought the armies of the English and Scottish parliaments in the English Civil War.

fig 4. An eighteenth-century oval oil painting depicting King Charles I wearing plate armour and a lace collar within a gilded frame.
fig 4. King Charles I After Van Dyck 18th Huge Oval Old Master Portrait Painting

After his defeat in 1645, he surrendered to a Scottish force that eventually handed him over to the English Parliament. Charles refused to accept his captors' demands for a constitutional monarchy, and temporarily escaped captivity in November 1647. Re-imprisoned on the Isle of Wight, Charles forged an alliance with Scotland, but by the end of 1648 Oliver Cromwell's New Model Army had consolidated its control over England. Charles was tried, convicted, and executed for high treason in January 1649.

fig 5. An eighteenth-century oval oil painting depicting King Charles I wearing plate armour and a lace collar within a gilded frame.
fig 5. King Charles I After Van Dyck 18th Huge Oval Old Master Portrait Painting

The monarchy was abolished and the Commonwealth of England was established as a republic. The monarchy would be restored to Charles's son, Charles II, in 1660.

ABOUT: SIR ANTHONY VAN DYCK (22 March 1599–9 December 1641)

fig 6. An eighteenth-century oval oil painting depicting King Charles I wearing plate armour and a lace collar within a gilded frame.
fig 6. King Charles I After Van Dyck 18th Huge Oval Old Master Portrait Painting

Flemish Baroque artist who became the leading court painter in England, after enjoying great success in Italy and Flanders. He is most famous for his portraits of Charles I of England and his family and court, painted with a relaxed elegance that was to be the dominant influence on English portrait-painting for the next 150 years.

fig 7. An eighteenth-century oval oil painting depicting King Charles I wearing plate armour and a lace collar within a gilded frame.
fig 7. King Charles I After Van Dyck 18th Huge Oval Old Master Portrait Painting

CONDITION

In excellent condition after professional clean.Restored frame re-gilded.Canvas past historic reline which is solid.

FRAMED MEASUREMENTS

Height :46 Ins (118 cm) x Width :40 Ins (102 cm)

( Huge 3 Foot 10 Inches High )

DELIVERY : UK £150 / EU £750 / USA £850

Ref 0892

Height
118cm (46.46")
Width
102cm (40.16")
Depth
5cm (1.97")
Date of Manufacture

Mansion House Antiques & Fine Art has dated this King Charles I Portrait to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1207044
Dealers Internal Ref
0892
Mansion House Antiques & Fine Art
Mansion House Antiques & Fine Art
Sellingantiques verified Since Nov 2009

Private fine art dealer specialising in quality 17th 18th 19th & 20thc oil paintings shipping worldwide

Dealer Profile

You can view the stock and full dealer information on the Mansion House Antiques & Fine Art Profile Page

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An eighteenth-century oval oil painting depicting King Charles I wearing plate armour and a lace collar within a gilded frame.
1 / 12
Archive I An eighteenth-century oval oil painting depicting King Charles I wearing plate armour and a lace collar within a gilded frame.

King Charles I After Van Dyck 18th Huge Oval Old Master Portrait Painting

Archive II An eighteenth-century oval oil painting depicting King Charles I wearing plate armour and a lace collar within a gilded frame. View II
Archive III An eighteenth-century oval oil painting depicting King Charles I wearing plate armour and a lace collar within a gilded frame. View III
Archive IV An eighteenth-century oval oil painting depicting King Charles I wearing plate armour and a lace collar within a gilded frame. View IV
Archive V An eighteenth-century oval oil painting depicting King Charles I wearing plate armour and a lace collar within a gilded frame. View V
Archive VI An eighteenth-century oval oil painting depicting King Charles I wearing plate armour and a lace collar within a gilded frame. View VI
Archive VII An eighteenth-century oval oil painting depicting King Charles I wearing plate armour and a lace collar within a gilded frame. View VII
Archive VIII An eighteenth-century oval oil painting depicting King Charles I wearing plate armour and a lace collar within a gilded frame. View VIII
Archive IX An eighteenth-century oval oil painting depicting King Charles I wearing plate armour and a lace collar within a gilded frame. View IX
Archive X An eighteenth-century oval oil painting depicting King Charles I wearing plate armour and a lace collar within a gilded frame. View X
Archive XI An eighteenth-century oval oil painting depicting King Charles I wearing plate armour and a lace collar within a gilded frame. View XI
Archive XII An eighteenth-century oval oil painting depicting King Charles I wearing plate armour and a lace collar within a gilded frame. View XII
Enlarged Archival View
Telephone 07765 856 171
Location
East Midlands
United Kingdom
Dealer Profile Page sellingantiques.co.uk/mha
Verified Since Nov 2009
Items For Sale 131
Items Sold 652
Mansion House Antiques & Fine Art
Mansion House Antiques & Fine Art
Verified Since Nov 2009
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Location: East Midlands, United Kingdom
Verified
Nov 2009
For Sale
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An eighteenth-century oval oil painting depicting King Charles I wearing plate armour and a lace collar within a gilded frame.
King Charles I After Van Dyck 18th Huge Oval Old Master Portrait Painting
Ref: SA1207044
An eighteenth-century oval oil painting depicting King Charles I wearing plate armour and a lace collar within a gilded frame.
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Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Portraits from this era often drew inspiration from 17th-century court painters like Sir Anthony van Dyck, utilizing dramatic chiaroscuro lighting, rich dark backgrounds, and formal poses that emphasized status, regalia, and military armour.

These works were typically executed using oil pigments on hand-stretched linen canvas or oak panels, housed inside carved timber frames finished with water gilding or oil gilding.

Authenticity is evaluated through examination of craquelure patterns, evidence of hand-woven canvas stretcher bars, natural oxidisation on the reverse timber, and period-correct pigments under ultraviolet light.

Hanging a dark, formal portrait against modern muted wall shades or minimalist panelling creates a striking focal point, particularly when placed above a fireplace mantel or integrated into a gallery wall.

Keep the painting away from direct sunlight, radiators, and high humidity. Clean light surface dust gently with a soft, dry camel-hair brush, avoiding moisture or chemical cleaners on unvarnished paint or delicate gilt leaf.
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