4,812  PAGES BROWSED TODAY PAGES TODAY 0  ANTIQUES UPLOADED TODAY NEW ARRIVALS
ID #SA1206408
FOR SALE
£2,500
Email Buy
Save
The 1862 London International Exhibition Medal for Smith, Beck & Beck of London
Jason Clarke Antiques
for sale €2,925     $3,175
£2,500
Jason Clarke Antiques

Jason Clarke Antiques

Sellingantiques Verified Since Jul 2015
View Dealers Stock Page
Id #SA1206408
PDF SHARE
SAVE

The 1862 London International Exhibition Medal for Smith, Beck & Beck of London

19th century
Description

For sale, the 1862 London International Exhibition bronze medal for the renowned scientific instrument making firm, Smith Beck & Beck.

This superbly executed medal was awarded and individually engraved to each of the 1862 Exhibitors.

Struck entirely from bronze, the obverse face shows Britannia seated with shield to her side and a sleeping lion at her feet. She is surrounded by six women each individually representing Industry, Agriculture and The Arts. The rim below the lion is marked with, D. Maclise R.A. DES. & Leonard C. Wyon FEC.

The reverse shows a wreath of oak running around the inner circumference with the words, 1862 Londini Honoris Causa which effectively translates to “London, a mark of esteem or respect” to the centre. In small letters to the base, the name of L.C. Wyon FEC is repeated.

The edge of the medal is further engraved to Smith Beck & Beck. Class VIII.

The International Exhibition was declared open by The Duke of Cambridge on the 1st of May 1862 in South Kensington on a site which is now occupied by The Natural History Museum. To give some idea of its scale, it featured nearly thirty thousand exhibitors from thirty-six countries throughout the six months of its existence and welcomed over six million visitors.

This second exhibition was meant to follow up on the huge success of the 1851 Exhibition, originally intended to have been opened in 1861, it was delayed due to the Italian War of Independence, the Civil War in America and not least because of the death of Prince Albert, its Chief Patron and supporter. The latter reason is of course why Queen Victoria was not present at the delayed opening in 1862.

The building that housed the Exhibition was designed using brick and iron by the architect Captain Francis Fowke and contracted out to the firm of Kelk & Lucas. Sadly, Parliament declined the Government’s wishes to purchase the building after the Exhibition but the materials which were reclaimed were eventually put to use in the building of Alexandra Palace. Fowke was also responsible for proposing the building of The Natural history Museum which was eventually constructed in 1881 and remains on the site to this day.

The earlier history of the medal’s recipients can be traced back to around 1839 when James Smith set up as a microscope manufacturer after having worked for the famous optician Tulley. He was encouraged into business through his close association with Joseph Jackson Lister, the man responsible for the development of achromatic lenses for use in microscopy, having previously manufactured brass work for Lister’s early experiments.

The Beck brothers were nephews of Lister, and Smith initially took on Richard Beck as an apprentice, finally culminating in the formation of a partnership between the two men (Smith & Beck) in 1847. The other brother Joseph Beck served an apprenticeship at the equally renowned company of Troughton & Simms under Williams Simms and moved to Smith & Beck in 1851 probably in support of his family’s participation in The Great Exhibition. He finally joining the partnership fully in 1857 whereafter the firm became Smith, Beck & Beck.

Following the success of the 1851 Exhibition, the new partnership took part in the second of these historic events in 1862. The catalogue entry stating as follows:

Smith Beck & Beck – 6 Coleman Street, E.C. – Achromatic microscopes; objects; achromatic stereoscopes; cabinets and other optical instruments.

The company was placed within Class XIII – Philosophical Instruments and it is worth mentioned some of the other names with whom they exhibited alongside. Patrick Adie, Charles Babbage, Louis Casella, T. Cooke & Sons, JH Dallmeyer, JB Dancer, Elliott Brothers, J. Hicks, Kew Observatory, Negretti & Zambra, Pastorelli and Pillischer were just a few of the recognisa

Physical Dimensions
Height
7.5cm (2.95")
Width
7.5cm (2.95")
Depth
0.5cm (0.20")
Declaration

Jason Clarke Antiques has dated this 1862 Exhibition Bronze Medallion to the 1860s.

Reference Numbers
Sellingantiques Reference
SA1206408
Description
For sale, the 1862 London International Exhibition bronze medal for the renowned scientific instrument making firm, Smith Beck & Beck.

This superbly executed medal was awarded and individually engraved to each of the 1862 Exhibitors.

Struck entirely from bronze, the obverse face shows Britannia seated with shield to her side and a sleeping lion at her feet.
Jason Clarke Antiques

She is surrounded by six women each individually representing Industry, Agriculture and The Arts. The rim below the lion is marked with, D. Maclise R.A. DES. & Leonard C. Wyon FEC.

fig 1. A circular Victorian bronze exhibition medallion depicting classical allegorical figures, Britannia, and a reclining lion in high relief.
fig 1. The 1862 London International Exhibition Medal for Smith, Beck & Beck of London

The reverse shows a wreath of oak running around the inner circumference with the words, 1862 Londini Honoris Causa which effectively translates to “London, a mark of esteem or respect” to the centre. In small letters to the base, the name of L.C. Wyon FEC is repeated.

fig 2. A circular Victorian bronze exhibition medallion depicting classical allegorical figures, Britannia, and a reclining lion in high relief.
fig 2. The 1862 London International Exhibition Medal for Smith, Beck & Beck of London

The edge of the medal is further engraved to Smith Beck & Beck. Class VIII.

The International Exhibition was declared open by The Duke of Cambridge on the 1st of May 1862 in South Kensington on a site which is now occupied by The Natural History Museum. To give some idea of its scale, it featured nearly thirty thousand exhibitors from thirty-six countries throughout the six months of its existence and welcomed over six million visitors.

fig 3. A circular Victorian bronze exhibition medallion depicting classical allegorical figures, Britannia, and a reclining lion in high relief.
fig 3. The 1862 London International Exhibition Medal for Smith, Beck & Beck of London

This second exhibition was meant to follow up on the huge success of the 1851 Exhibition, originally intended to have been opened in 1861, it was delayed due to the Italian War of Independence, the Civil War in America and not least because of the death of Prince Albert, its Chief Patron and supporter. The latter reason is of course why Queen Victoria was not present at the delayed opening in 1862.

fig 4. A circular Victorian bronze exhibition medallion depicting classical allegorical figures, Britannia, and a reclining lion in high relief.
fig 4. The 1862 London International Exhibition Medal for Smith, Beck & Beck of London

The building that housed the Exhibition was designed using brick and iron by the architect Captain Francis Fowke and contracted out to the firm of Kelk & Lucas. Sadly, Parliament declined the Government’s wishes to purchase the building after the Exhibition but the materials which were reclaimed were eventually put to use in the building of Alexandra Palace. Fowke was also responsible for proposing the building of The Natural history Museum which was eventually constructed in 1881 and remains on the site to this day.

fig 5. A circular Victorian bronze exhibition medallion depicting classical allegorical figures, Britannia, and a reclining lion in high relief.
fig 5. The 1862 London International Exhibition Medal for Smith, Beck & Beck of London

The earlier history of the medal’s recipients can be traced back to around 1839 when James Smith set up as a microscope manufacturer after having worked for the famous optician Tulley. He was encouraged into business through his close association with Joseph Jackson Lister, the man responsible for the development of achromatic lenses for use in microscopy, having previously manufactured brass work for Lister’s early experiments.

fig 6. A circular Victorian bronze exhibition medallion depicting classical allegorical figures, Britannia, and a reclining lion in high relief.
fig 6. The 1862 London International Exhibition Medal for Smith, Beck & Beck of London

The Beck brothers were nephews of Lister, and Smith initially took on Richard Beck as an apprentice, finally culminating in the formation of a partnership between the two men (Smith & Beck) in 1847. The other brother Joseph Beck served an apprenticeship at the equally renowned company of Troughton & Simms under Williams Simms and moved to Smith & Beck in 1851 probably in support of his family’s participation in The Great Exhibition. He finally joining the partnership fully in 1857 whereafter the firm became Smith, Beck & Beck.

Following the success of the 1851 Exhibition, the new partnership took part in the second of these historic events in 1862. The catalogue entry stating as follows:

Smith Beck & Beck – 6 Coleman Street, E.C. – Achromatic microscopes; objects; achromatic stereoscopes; cabinets and other optical instruments.

The company was placed within Class XIII – Philosophical Instruments and it is worth mentioned some of the other names with whom they exhibited alongside. Patrick Adie, Charles Babbage, Louis Casella, T. Cooke & Sons, JH Dallmeyer, JB Dancer, Elliott Brothers, J. Hicks, Kew Observatory, Negretti & Zambra, Pastorelli and Pillischer were just a few of the recognisa

Height
7.5cm (2.95")
Width
7.5cm (2.95")
Depth
0.5cm (0.20")
Date of Manufacture

Jason Clarke Antiques has dated this 1862 Exhibition Bronze Medallion to the 1860s.

Reference Numbers
Sellingantiques Ref
SA1206408
Jason Clarke Antiques
Jason Clarke Antiques
Sellingantiques verified Since Jul 2015
Dealer Profile

You can view the stock and full dealer information on the Jason Clarke Antiques Profile Page

PDF SHARE
SAVE
A circular Victorian bronze exhibition medallion depicting classical allegorical figures, Britannia, and a reclining lion in high relief.
1 / 7
Archive I A circular Victorian bronze exhibition medallion depicting classical allegorical figures, Britannia, and a reclining lion in high relief.

The 1862 London International Exhibition Medal for Smith, Beck & Beck of London

Archive II A circular Victorian bronze exhibition medallion depicting classical allegorical figures, Britannia, and a reclining lion in high relief. View II
Archive III A circular Victorian bronze exhibition medallion depicting classical allegorical figures, Britannia, and a reclining lion in high relief. View III
Archive IV A circular Victorian bronze exhibition medallion depicting classical allegorical figures, Britannia, and a reclining lion in high relief. View IV
Archive V A circular Victorian bronze exhibition medallion depicting classical allegorical figures, Britannia, and a reclining lion in high relief. View V
Archive VI A circular Victorian bronze exhibition medallion depicting classical allegorical figures, Britannia, and a reclining lion in high relief. View VI
Archive VII A circular Victorian bronze exhibition medallion depicting classical allegorical figures, Britannia, and a reclining lion in high relief. View VII
Enlarged Archival View
Telephone 07815 046645
Location
Newbury
Berkshire
United Kingdom
Verified Since Jul 2015
Items For Sale 82
Items Sold 605
Jason Clarke Antiques
Jason Clarke Antiques
Verified Since Jul 2015
View Dealer Info
Location: Newbury, Berkshire, United Kingdom
Verified
Jul 2015
For Sale
82
Sold
605
A circular Victorian bronze exhibition medallion depicting classical allegorical figures, Britannia, and a reclining lion in high relief.
The 1862 London International Exhibition Medal for Smith, Beck & Beck of London
Ref: SA1206408
A circular Victorian bronze exhibition medallion depicting classical allegorical figures, Britannia, and a reclining lion in high relief.
Detail View 1
Detail View 2
Detail View 3
Detail View 4
Detail View 5
Detail View 6
Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

International exhibition medals were awarded to manufacturers and inventors to commemorate achievements in industry, science, and the fine arts during international world fairs. These official awards served as mark of technical excellence and were widely used by firms in marketing and promotional materials throughout the Victorian era.

Victorian exhibition medals were predominantly struck or cast in bronze, copper, or silver-gilded alloys. Masters were sculpted in high relief by notable sculptors before dies were engraved to stamp or cast the metal, producing crisp allegorical figures and sharp typography.

Authentic 1862 medals typically feature classical allegorical relief sculpture by prominent period artists, often depicting Britannia alongside figures representing trade, art, and manufacture. They carry specific edge lettering or relief inscriptions detailing the recipient, exhibition year, and designer credits.

Large bronze medallions can be mounted on a bespoke acrylic or brass stand on a bookshelf, displayed within a shadow-box frame, or arranged alongside nineteenth-century leather-bound volumes and brass scientific instruments.

Preserve the original surface patina by dusting gently with a soft, dry microfibre cloth or horsehair brush. Avoid abrasive metal polishes or chemical cleaners, and apply a thin layer of microcrystalline wax occasionally to protect against oxidation and moisture.
items
Add keywords to the filter
Price
£100
£250000
Era
Movements
Material
Origin
Stock Location
Freshness
Online Payments
Categories