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Set of Four Horse Drawings
Rue des Fontenelles
for sale €936     $1,016
£800

Rue des Fontenelles

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Set of Four Horse Drawings

19th century
Description

Set of four horse sketches by Brigadier-General Alfred Crowdy Lovett CBE (1862–27 May 1919) on rare woven stamped paper and signature visible on one of the sketches. They are mounted in fairly basic frames. Hew was a British military artist known for his illustrations of military uniforms in British India. His work included watercolours and chromolithographs that depicted the uniforms of the British Army during the colonial era. His art serves as a historical record of military attire from that period.

Alfred Crowdy Lovett was born in 1862 to James C. Lovett, a senior postal department official, and Ellen H. Lovett. He was raised in Croydon, London. Lovett exhibited an early talent for art, securing third place in a competition run by The Boy's Own Paper, a well-known British magazine.

Lovett joined the Gloucestershire Regiment in 1882. His service included postings in Karachi and western India, where he lived in Poona, Ahmednagar, and Bombay from 1883 to 1893. Following this period, Lovett participated in a military campaign in Aden and later returned to England to work as a military instructor. Around 1901–1902, Lovett resumed active service and played a significant role in several early campaigns of World War I, notably at Mons and Ypres on the French-Belgian border. He became the commanding officer of the 1st Gloucesters in 1911. During World War I, he led his regiment in key engagements, such as the battles of Aisne and the First Battle of Ypres. He took command of the 3rd Brigade during the Battle of Gheluvelt after the two divisional commanders were wounded. For his service in 1914, he was appointed a Companion of the Order of the Bath (CB). Following the war, he commanded the East Lancashire Reserve Division (Territorial Force) from 1916 until his death in 1919.

Throughout his military service, he maintained his passion for art, focusing on soldiers and military uniforms. His work included depictions of civilians in India and was frequently featured in Royal Academy exhibitions. His art gained significant acclaim for its intricate detail and historical representation, making him a notable figure in Military art.

Despite he rise of military photography following the Crimean War (1853–1854), which introduced a more realistic portrayal of war, Lovett's paintings continued to reflect the ceremonial and traditional aspects of military life.

Dimensions - 55 x 75 cm (drawing 40 x 60 cm)

Physical Dimensions
Height
55cm (21.65")
Width
75cm (29.53")
Depth
2cm (0.79")
Declaration

Rue des Fontenelles has dated these Framed Horse Pencil Drawings to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1204003
Description
Set of four horse sketches by Brigadier-General Alfred Crowdy Lovett CBE (1862–27 May 1919) on rare woven stamped paper and signature visible on one of the sketches. They are mounted in fairly basic frames. Hew was a British military artist known for his illustrations of military uniforms in British India.
His work included watercolours and chromolithographs that depicted the uniforms of the British Army during the colonial era.
Rue des Fontenelles

His art serves as a historical record of military attire from that period.

fig 1. A set of four individually framed graphite pencil drawings depicting horse anatomical studies in side profile mounted with white matting in thin black frames.
fig 1. Set of Four Horse Drawings

Alfred Crowdy Lovett was born in 1862 to James C. Lovett, a senior postal department official, and Ellen H. Lovett. He was raised in Croydon, London. Lovett exhibited an early talent for art, securing third place in a competition run by The Boy's Own Paper, a well-known British magazine.

fig 2. A set of four individually framed graphite pencil drawings depicting horse anatomical studies in side profile mounted with white matting in thin black frames.
fig 2. Set of Four Horse Drawings

Lovett joined the Gloucestershire Regiment in 1882. His service included postings in Karachi and western India, where he lived in Poona, Ahmednagar, and Bombay from 1883 to 1893. Following this period, Lovett participated in a military campaign in Aden and later returned to England to work as a military instructor. Around 1901–1902, Lovett resumed active service and played a significant role in several early campaigns of World War I, notably at Mons and Ypres on the French-Belgian border. He became the commanding officer of the 1st Gloucesters in 1911. During World War I, he led his regiment in key engagements, such as the battles of Aisne and the First Battle of Ypres. He took command of the 3rd Brigade during the Battle of Gheluvelt after the two divisional commanders were wounded. For his service in 1914, he was appointed a Companion of the Order of the Bath (CB). Following the war, he commanded the East Lancashire Reserve Division (Territorial Force) from 1916 until his death in 1919.

fig 3. A set of four individually framed graphite pencil drawings depicting horse anatomical studies in side profile mounted with white matting in thin black frames.
fig 3. Set of Four Horse Drawings

Throughout his military service, he maintained his passion for art, focusing on soldiers and military uniforms. His work included depictions of civilians in India and was frequently featured in Royal Academy exhibitions. His art gained significant acclaim for its intricate detail and historical representation, making him a notable figure in Military art.

fig 4. A set of four individually framed graphite pencil drawings depicting horse anatomical studies in side profile mounted with white matting in thin black frames.
fig 4. Set of Four Horse Drawings

Despite he rise of military photography following the Crimean War (1853–1854), which introduced a more realistic portrayal of war, Lovett's paintings continued to reflect the ceremonial and traditional aspects of military life.

Dimensions - 55 x 75 cm (drawing 40 x 60 cm)

Height
55cm (21.65")
Width
75cm (29.53")
Depth
2cm (0.79")
Date of Manufacture

Rue des Fontenelles has dated these Framed Horse Pencil Drawings to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1204003
Rue des Fontenelles
Sellingantiques verified Since Mar 2015

Specialists in french antiiques, decorative objects and french and european paintings.

Dealer Profile

You can view the stock and full dealer information on the Rue des Fontenelles Profile Page

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A set of four individually framed graphite pencil drawings depicting horse anatomical studies in side profile mounted with white matting in thin black frames.
1 / 6
Archive I A set of four individually framed graphite pencil drawings depicting horse anatomical studies in side profile mounted with white matting in thin black frames.

Set of Four Horse Drawings

Archive II A set of four individually framed graphite pencil drawings depicting horse anatomical studies in side profile mounted with white matting in thin black frames. View II
Archive III A set of four individually framed graphite pencil drawings depicting horse anatomical studies in side profile mounted with white matting in thin black frames. View III
Archive IV A set of four individually framed graphite pencil drawings depicting horse anatomical studies in side profile mounted with white matting in thin black frames. View IV
Archive V A set of four individually framed graphite pencil drawings depicting horse anatomical studies in side profile mounted with white matting in thin black frames. View V
Archive VI A set of four individually framed graphite pencil drawings depicting horse anatomical studies in side profile mounted with white matting in thin black frames. View VI
Enlarged Archival View
Location
Chagford
Devon
United Kingdom
Verified Since Mar 2015
Items For Sale 154
Items Sold 1,179
Rue des Fontenelles
Verified Since Mar 2015
View Dealer Info
Location: Chagford, Devon, United Kingdom
Verified
Mar 2015
For Sale
154
Sold
1,179
A set of four individually framed graphite pencil drawings depicting horse anatomical studies in side profile mounted with white matting in thin black frames.
Set of Four Horse Drawings
Ref: SA1204003
A set of four individually framed graphite pencil drawings depicting horse anatomical studies in side profile mounted with white matting in thin black frames.
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Archival Detail
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Equestrian pencil studies are detailed graphite sketches depicting horses in profile or anatomical positions, historically created by artists to record equine proportion, muscular structure, and movement.

These works typically feature graphite or charcoal applied to woven or laid paper, often mounted with acid-free board under glass within wooden frames for preservation.

Authentic graphite drawings exhibit fine variations in line pressure, natural paper ageing or foxing, subtle indentations from the drawing tool, and minor smudging typical of untidy graphite application.

A symmetrical grid arrangement of four uniform frames creates balanced structure above a sideboard, mantelpiece, or console table in both traditional and contemporary room schemes.

Keep graphite drawings away from direct UV sunlight to prevent discolouration, mount them using archival materials, and maintain consistent ambient humidity to prevent paper warping.
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