Sandbanks Antiques has dated this Meiji Period Oni Netsuke to the 19th Century.
This is a superb Meiji Period (1868–1912) Japanese Netsuke, standing 3.5cm tall and 4.5cm wide.
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In this satirical scene, a once-fearsome Oni (ogre) has humorously "converted" to Buddhism. He is shown as a wandering priest sitting beside a massive Temple Bell (tsurigane), holding a mallet and a subscription ledger. The carving is highly expressive, using a polychrome stain to create deep shadows and bring out the muscular detail of the demon and the heavy texture of the bronze bell.

The Signatures & Engravings
This piece is uniquely detailed, featuring a "triple-threat" of markings that confirm its high-end origin:
The Workshop Mark: Inscribed in red on the side of the ledger is the character (Tomo). This links the piece to the Tomochika School, a legendary lineage of Tokyo carvers famous for their witty, high-detail folklore figures.

The Prestige Seal: On the base is a small red lacquer inlay containing the character (To), meaning "carved." This separate inlay was an "upgrade" used by master workshops to signal superior craftsmanship for the collector market.

The Narrative "Text": The fine, script-like engravings on the front of the ledger represent a donor list. These aren't signatures, but part of the art—they represent the names of people the "demon priest" has supposedly convinced to donate to his temple.

Condition Good
Provenance The G S. May Esquire Private Collection, London
Brought Tokyo 1948
Collector’s Note
Because this is carved from bone (evidenced by the natural "pitting" on the base) rather than restricted ivory, it is a highly liquid and desirable asset in the modern global antique market. It combines popular folklore, a famous artist lineage, and a robust 4.5cm sculptural presence.
Sandbanks Antiques has dated this Meiji Period Oni Netsuke to the 19th Century.
Specialising in antique silver, gold boxes, gold coins and objects de vertu. Rare fine-quality imperial chinese porcelain, jades, cloisonné
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