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Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits
Mansion House Antiques & Fine Art
for sale €23,400     $25,400
£20,000
Mansion House Antiques & Fine Art

Mansion House Antiques & Fine Art

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Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

19th century
Description

Cattle & Sheep Resting In A Landscape With An Horned Billy Goat.

HUGE PAINTING ( Dating around 1870-80 )

Exhibition Standard Example 42.5 x 56.5 Inches.

Bears the signature T.Sidney Cooper RA.

ABOUT

Thomas Sidney Cooper who was born in St Peter''''s Street Canterbury on 26 September 1803 to William and Sarah Cooper. He was christened Thomas Cooper and at some point adopted Sydney or Sidney as his middle name.

At the age of 12 he started working as a coach painter and later a scene painter, continuing to draw and paint in his spare time.

When he was 21 he was helped by his uncle to move to London and study at the Royal Academy. However, he didn’t complete the course and returned to Canterbury. Shortly afterwards in 1824, he travelled to Brussels where he met Eugène Joseph Verboeckhoven who had a great influence on his work. He also met and married Charlotte Pearson the daughter of a mathematician.

After the revolution broke out they returned to London in 1831 where Cooper started selling paintings of the cattle that he sketched at Smithfield Market.

The couple lived at Portland Terrace, St John’s Wood and together had four children.

His son Thomas George Cooper (1836-1901) became an artist and also his great nephew William Sidney Cooper (1854-1927) both of whom he taught.

In 1833 he made his debut at the Royal Academy, where he continued to exhibit regularly until his death.

He also exhibited at the Royal Society of British Artists and the British Institution between 1833 and 1863.

He was elected ARA in 1845 and RA in 1867. From the early 1840’s he lived at 16 Wellington Terrace, until the 1850’s when he moved to 2 Dorset Square, Regent’s Park.

He continued to live there for over 10 years until he moved to 42 Chepstow Villas, Bayswater. Around 1849, he had a second house built in Harbledown, Canterbury and named it Vernon Holme after his patron and from where he would also paint and exhibit.

Cooper specialised in paintings of cattle or sheep, which earned him the nickname of ''''Cow Cooper''''. He became one of the most accomplished and successful animal landscape painters of the 19th century. He built Alms Houses in Canterbury and in 1882 set up the Canterbury Sidney Cooper School of Art. In July 1901, he was awarded the Commander of the Royal Victorian Order (CVO).

Cooper died at Harbledown, Canterbury on 7 February 1902 and was buried at St Martin Churchyard.

Examples of his work can be found at the Royal Museum in Canterbury, Tate Gallery, Victoria and Albert Museum, Atkinson Art Gallery, Birmingham Museum, Brighton and Hove Museum, Northampton Museum Sheffield Museum and other public collections.

As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition.

This is a lovely example commissioned on a large scale and deservingly presented in a stunning exhibition standard frame.

FRAMED SIZE

Height : 42.5 Inches ( 108 cm )

Width : x 56.5 Inches ( 144 cm )

Depth : 4.5 Inches ( 11.5 cm )

CONDITION

Very Good Order throughout, good solid frame, re touching of gilding, historical past light clean, all looks spectacular and ready to hang.

DELIVERY

By Fine Art Specialist UK £150

Worldwide : EU £900 / USA £1000

( Fed-Ex Express Air Freight )

TELEPHONE ENQUIRIES 07765 856171

Ref : 0921

Physical Dimensions
Height
108cm (42.52")
Width
144cm (56.69")
Depth
11.5cm (4.53")
Declaration

Mansion House Antiques & Fine Art has dated this Victorian Cattle Oil Painting to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1190781
Dealers Internal Reference
0921
Dealers Notes

Payments are accepted by Bank Transfer & by Debit / Credit Cards Via the BUY NOW Payment Link Tab shown below each items description.

PAY-PAL Account Holders are welcome. CHEQUES Drawn from UK banks.

Description
Cattle & Sheep Resting In A Landscape With An Horned Billy Goat.

HUGE PAINTING ( Dating around 1870-80 )

Exhibition Standard Example 42.5 x 56.5 Inches.

Bears the signature T.Sidney Cooper RA.

ABOUT

Thomas Sidney Cooper who was born in St Peter''''s Street Canterbury on 26 September 1803 to William and Sarah Cooper.
Mansion House Antiques & Fine Art

He was christened Thomas Cooper and at some point adopted Sydney or Sidney as his middle name.

fig 1. A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture.
fig 1. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

At the age of 12 he started working as a coach painter and later a scene painter, continuing to draw and paint in his spare time.

When he was 21 he was helped by his uncle to move to London and study at the Royal Academy. However, he didn’t complete the course and returned to Canterbury. Shortly afterwards in 1824, he travelled to Brussels where he met Eugène Joseph Verboeckhoven who had a great influence on his work. He also met and married Charlotte Pearson the daughter of a mathematician.

fig 2. A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture.
fig 2. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

After the revolution broke out they returned to London in 1831 where Cooper started selling paintings of the cattle that he sketched at Smithfield Market.

The couple lived at Portland Terrace, St John’s Wood and together had four children.

fig 3. A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture.
fig 3. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

His son Thomas George Cooper (1836-1901) became an artist and also his great nephew William Sidney Cooper (1854-1927) both of whom he taught.

In 1833 he made his debut at the Royal Academy, where he continued to exhibit regularly until his death.

fig 4. A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture.
fig 4. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

He also exhibited at the Royal Society of British Artists and the British Institution between 1833 and 1863.

He was elected ARA in 1845 and RA in 1867. From the early 1840’s he lived at 16 Wellington Terrace, until the 1850’s when he moved to 2 Dorset Square, Regent’s Park.

fig 5. A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture.
fig 5. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

He continued to live there for over 10 years until he moved to 42 Chepstow Villas, Bayswater. Around 1849, he had a second house built in Harbledown, Canterbury and named it Vernon Holme after his patron and from where he would also paint and exhibit.

fig 6. A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture.
fig 6. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

Cooper specialised in paintings of cattle or sheep, which earned him the nickname of ''''Cow Cooper''''. He became one of the most accomplished and successful animal landscape painters of the 19th century. He built Alms Houses in Canterbury and in 1882 set up the Canterbury Sidney Cooper School of Art. In July 1901, he was awarded the Commander of the Royal Victorian Order (CVO).

fig 7. A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture.
fig 7. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

Cooper died at Harbledown, Canterbury on 7 February 1902 and was buried at St Martin Churchyard.

Examples of his work can be found at the Royal Museum in Canterbury, Tate Gallery, Victoria and Albert Museum, Atkinson Art Gallery, Birmingham Museum, Brighton and Hove Museum, Northampton Museum Sheffield Museum and other public collections.

fig 8. A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture.
fig 8. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition.

This is a lovely example commissioned on a large scale and deservingly presented in a stunning exhibition standard frame.

fig 9. A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture.
fig 9. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

FRAMED SIZE

Height : 42.5 Inches ( 108 cm )

Width : x 56.5 Inches ( 144 cm )

Depth : 4.5 Inches ( 11.5 cm )

CONDITION

Very Good Order throughout, good solid frame, re touching of gilding, historical past light clean, all looks spectacular and ready to hang.

DELIVERY

By Fine Art Specialist UK £150

Worldwide : EU £900 / USA £1000

( Fed-Ex Express Air Freight )

TELEPHONE ENQUIRIES 07765 856171

Ref : 0921

Height
108cm (42.52")
Width
144cm (56.69")
Depth
11.5cm (4.53")
Date of Manufacture

Mansion House Antiques & Fine Art has dated this Victorian Cattle Oil Painting to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1190781
Dealers Internal Ref
0921
Mansion House Antiques & Fine Art
Mansion House Antiques & Fine Art
Sellingantiques verified Since Nov 2009

Private fine art dealer specialising in quality 17th 18th 19th & 20thc oil paintings shipping worldwide

Dealer Profile

You can view the stock and full dealer information on the Mansion House Antiques & Fine Art Profile Page

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A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture.
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Archive I A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture.

Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

Archive II A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View II
Archive III A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View III
Archive IV A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View IV
Archive V A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View V
Archive VI A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View VI
Archive VII A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View VII
Archive VIII A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View VIII
Archive IX A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View IX
Archive X A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View X
Archive XI A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View XI
Archive XII A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View XII
Archive XIII A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View XIII
Archive XIV A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View XIV
Archive XV A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View XV
Archive XVI A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View XVI
Archive XVII A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View XVII
Archive XVIII A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View XVIII
Archive XIX A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View XIX
Archive XX A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View XX
Archive XXI A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View XXI
Archive XXII A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View XXII
Archive XXIII A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View XXIII
Archive XXIV A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View XXIV
Archive XXV A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View XXV
Archive XXVI A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View XXVI
Archive XXVII A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View XXVII
Archive XXVIII A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture. View XXVIII
Enlarged Archival View
Telephone 07765 856 171
Location
East Midlands
United Kingdom
Dealer Profile Page sellingantiques.co.uk/mha
Verified Since Nov 2009
Items For Sale 125
Items Sold 652
Mansion House Antiques & Fine Art
Mansion House Antiques & Fine Art
Verified Since Nov 2009
View Dealer Info
Location: East Midlands, United Kingdom
Verified
Nov 2009
For Sale
125
Sold
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A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture.
Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits
Ref: SA1190781
A Victorian pastoral oil painting depicting a reddish-brown and white cow standing alongside several resting sheep in a grassy pasture.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Victorian pastoral paintings typically focus on rural British country life, featuring livestock and detailed natural landscapes influenced by 17th-century Dutch art and 19th-century agricultural appreciation.

Artists primarily used oil paints composed of natural pigments bound with linseed oil, applied onto stretched linen or cotton canvas and mounted on wooden stretchers.

Authentic 19th-century oil paintings often exhibit natural craquelure across the paint layer, age-appropriate oxidisation on the canvas reverse, artist signatures, and period frame construction.

A rural landscape painting adds traditional character when positioned above a mantelpiece, sideboard, or console table within classic, country, or eclectic interiors.

Keep canvas artworks away from direct sunlight, high humidity, and radiator heat, dusting the surface gently with a dry, soft brush rather than liquid solutions.
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