Regent Antiques has dated this piece to the 1800s.
The frame is decorated with acanthus leaf bows, leafy scrolls and foliage and is surmounted with a striking carved central shell motif.
It features it's original gilding, mirror plate and back boards.
The quality and craftsmanship of this stunning piece are absolutely superb.
Add an elegant touch to a special wall in your home with this fantastic mirror.
Condition:
In really excellent condition, please see photos for confirmation.
Dimensions in cm:
Height 168 cm x Width 130 cm x Depth 18 cm - Frame
Height 106 cm x Width 80 cm - Mirror
Dimensions in inches:
Height 5 foot, 6 inches x Width 4 foot, 3 inches x Depth 7 inches - Frame
Height 3 foot, 6 inches x Width 2 foot, 7 inches - Mirror
Rococo
Although Rococo is usually thought of as developing first in the decorative arts and interior design, its origins lie in the late Baroque architectural work of Borromini (1599–1667) mostly in Rome and Guarini (1624–1683) mostly in Northern Italy but also in Vienna, Prague, Lisbon, and Paris. Italian architects of the late Baroque/early Rococo were wooed to Catholic (Southern) Germany, Bohemia and Austria by local princes, bishops and prince-bishops. Inspired by their example, regional families of Central European builders went further, creating churches and palaces that took the local German Baroque style to the greatest heights of Rococo elaboration and sensation.
An exotic but in some ways more formal type of Rococo appeared in France where Louis XIV's succession brought a change in the court artists and general artistic fashion. By the end of the king's long reign, rich Baroque designs were giving way to lighter elements with more curves and natural patterns. These elements are obvious in the architectural designs of Nicolas Pineau. During the Régence, court life moved away from Versailles and this artistic change became well established, first in the royal palace and then throughout French high society.
An exotic but in some ways more formal type of Rococo appeared in France where Louis XIV's succession brought a change in the court artists and general artistic fashion. By the end of the king's long reign, rich Baroque designs were giving way to lighter elements with more curves and natural patterns. These elements are obvious in the architectural designs of Nicolas Pineau. During the Régence, court life moved away from Versailles and this artistic change became well established, first in the royal palace and then throughout French high society.
The delicacy and playfulness of Rococo designs is often seen as perfectly in tune with the excesses of Louis XV's reign.
The 1730s represented the height of Rococo development in France. The style had spread beyond architecture and furniture to painting and sculpture, exemplified by the works of Antoine Watteau and François Boucher. Rococo still maintained the Baroque taste for complex forms and intricate patterns, but by this point, it had begun to integrate a variety of diverse characteristics, including a taste for Oriental designs and asymmetric compositions. The Rococo style was spread by French artists and engraved publications.
In Great Britain, Rococo was always thought of as the "French taste" and was never widely adopted as an architectural style, although its influence was strongly felt in such areas as silverwork, porcelain, and silks, and Thomas Chippendale transformed British furniture design through his adaptation and refinement of the style. William Hogarth helped develop a theoretical foundation for Rococo beauty. Though not intentionally referenc
Regent Antiques has dated this piece to the 1800s.
We specialise in english and continental furniture, silver, porcelain and decorative items.
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Antique French Rococo Giltwood Wall Mirror C.1840 19th C 168 X 130cm
