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ID #SA1152483
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£880
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Harry Davis. "Fish". Sporting Watercolour
William Greenwood Fine Art
for sale €1,030     $1,118
£880

William Greenwood Fine Art

Sellingantiques Verified Since Oct 2012
Browse dealers 211 items
Id #SA1152483
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Harry Davis. "Fish". Sporting Watercolour

1900 - 1920
Description

Artist: Harry Davis. ( 1885-1970).

Title: "The Angler's catch".

Signed and dated 1910.

Watercolour. Framed.

Size: 9 1/2"x 13". Framed size: 18 1/2"x 21 3/4".

Now cleaned and framed. In very good ready to hang condition. Free UK delivery.

For more information please contact us at:

Tel: 01677 424830

Mob: 07885 175279

Email: williamgreenwoodfineart@gmail.com

Website: wgreenwoodfineart.co.uk   

Trade enquiries welcome.

Harry Davis was born in Worcester in 1885. His father, Alfred, was a china figure maker who worked for Royal Worcester and his grandfather Josiah Davis was one of the most talented gilders ever to work at the factory. Harry started out at St Peter’s School (where the museum is now housed) then at the age of 13, started work for Royal Worcester. Along with all the young boys he began doing very menial tasks and was formally apprenticed for seven years under the talented landscape artist, Ted Salter, on 3 November 1899.

Harry started work under the wing of his grandfather, who taught him to draw. He also learned an enormous amount from his tutor who taught the eager young boy to paint soft misty landscapes in the style of Corot. Harry was deeply shocked when Salter was killed, cycling over a level crossing, on his way to work in November 1902.

Ted Salter had reinforced Harry’s love of the countryside and of fishing. A keen fisherman, Harry was a follower of Isaac Walton, 17th century author of the most successful angling book of all time, ‘The Compleat Angler’. He perfected the difficult art of painting fish with amazing accuracy, possible only to someone with a deep understanding of fish and their behaviour. Harry was an active member of the Royal Worcester Fishing Club and later in life painted two wonderful trophies for the club to present to competition winners each year.

Harry quickly proved that he had tremendous natural ability and striking individuality. He was always versatile and painted a large range of subjects with ease. Landscapes with sheep, cattle, pigs, fish, snow scenes, London Scenes, polar bears, palaces and gardens, but he was never a ‘Jack of all trades’ he would accept nothing less than perfection in everything he did.

On the 4 July 1910 Harry married ‘Cissie’ (Ethel) Powell, a dressmaker, at St Peter’s church that stood next to the Severn Street factory. A fine watercolour of cattle drinking from a stream, given to the couple as a wedding present by their friend Harry Stinton, is now in the museum collection.

In 1919 all Royal Worcester employees who served for their country, including Harry Davis, were presented with an urn with their name, department and dates of service inscribed in gold.

In 1923 Royal Worcester received a prestigious £7,000 order from His Highness Shri Ranjitsinhji Vibhaji, Maharaja Jam Saheb of Nawanagar. The legendary Sussex and England cricketer owned palaces in both India and England and wanted a service to use in India illustrating his English estate and a set to use in England decorated with scenes of his Indian home. Harry Davis was given the challenge and designed and painted 24 of the most wonderful scenes. He worked from photographs, yet created views full of light and atmosphere with intricate architectural details that were widely admired.

Harry succeeded William Hawkins as foreman of the ‘Men Painters’ department in 1928. He was responsible for training many young apprentices and in the early 1930s to help with his teaching, Harry produced several sets of etchings for decorative plates, 12 castles, 12 cottages and 12 cathedrals. The scenes were expertly etched onto copper plates and then printed as an outline onto the china. Many artists in the department ‘filled in’ the colours over the printed designs adding their signature to the finished work. Sometimes Harry himself did some of the filling in, signing himself H SIVAD, Davis bac

Physical Dimensions
Height
47cm (18.50")
Width
55cm (21.65")
Depth
4cm (1.57")
Declaration

William Greenwood Fine Art has dated this Antique Sporting Watercolour Painting to the 1910s.

Reference Numbers
Sellingantiques Reference
SA1152483
Dealers Internal Reference
wgp
Description
Artist: Harry Davis. ( 1885-1970).

Title: "The Angler's catch".

Signed and dated 1910.

Watercolour. Framed.

Size: 9 1/2"x 13". Framed size: 18 1/2"x 21 3/4".

Now cleaned and framed. In very good ready to hang condition. Free UK delivery.

fig 1. An Edwardian watercolour painting depicting freshly caught trout resting on a grassy riverbank alongside a fishing rod and reel.
fig 1. Harry Davis. "Fish". Sporting Watercolour

For more information please contact us at:

Tel: 01677 424830

Mob: 07885 175279

Email: williamgreenwoodfineart@gmail.com

Website: wgreenwoodfineart.co.uk   

Trade enquiries welcome.

Harry Davis was born in Worcester in 1885.

His father, Alfred, was a china figure maker who worked for Royal Worcester and his grandfather Josiah Davis was one of the most talented gilders ever to work at the factory.
William Greenwood Fine Art

Harry started out at St Peter’s School (where the museum is now housed) then at the age of 13, started work for Royal Worcester. Along with all the young boys he began doing very menial tasks and was formally apprenticed for seven years under the talented landscape artist, Ted Salter, on 3 November 1899.

fig 2. An Edwardian watercolour painting depicting freshly caught trout resting on a grassy riverbank alongside a fishing rod and reel.
fig 2. Harry Davis. "Fish". Sporting Watercolour

Harry started work under the wing of his grandfather, who taught him to draw. He also learned an enormous amount from his tutor who taught the eager young boy to paint soft misty landscapes in the style of Corot. Harry was deeply shocked when Salter was killed, cycling over a level crossing, on his way to work in November 1902.

fig 3. An Edwardian watercolour painting depicting freshly caught trout resting on a grassy riverbank alongside a fishing rod and reel.
fig 3. Harry Davis. "Fish". Sporting Watercolour

Ted Salter had reinforced Harry’s love of the countryside and of fishing. A keen fisherman, Harry was a follower of Isaac Walton, 17th century author of the most successful angling book of all time, ‘The Compleat Angler’. He perfected the difficult art of painting fish with amazing accuracy, possible only to someone with a deep understanding of fish and their behaviour. Harry was an active member of the Royal Worcester Fishing Club and later in life painted two wonderful trophies for the club to present to competition winners each year.

fig 4. An Edwardian watercolour painting depicting freshly caught trout resting on a grassy riverbank alongside a fishing rod and reel.
fig 4. Harry Davis. "Fish". Sporting Watercolour

Harry quickly proved that he had tremendous natural ability and striking individuality. He was always versatile and painted a large range of subjects with ease. Landscapes with sheep, cattle, pigs, fish, snow scenes, London Scenes, polar bears, palaces and gardens, but he was never a ‘Jack of all trades’ he would accept nothing less than perfection in everything he did.

On the 4 July 1910 Harry married ‘Cissie’ (Ethel) Powell, a dressmaker, at St Peter’s church that stood next to the Severn Street factory. A fine watercolour of cattle drinking from a stream, given to the couple as a wedding present by their friend Harry Stinton, is now in the museum collection.

In 1919 all Royal Worcester employees who served for their country, including Harry Davis, were presented with an urn with their name, department and dates of service inscribed in gold.

In 1923 Royal Worcester received a prestigious £7,000 order from His Highness Shri Ranjitsinhji Vibhaji, Maharaja Jam Saheb of Nawanagar. The legendary Sussex and England cricketer owned palaces in both India and England and wanted a service to use in India illustrating his English estate and a set to use in England decorated with scenes of his Indian home. Harry Davis was given the challenge and designed and painted 24 of the most wonderful scenes. He worked from photographs, yet created views full of light and atmosphere with intricate architectural details that were widely admired.

Harry succeeded William Hawkins as foreman of the ‘Men Painters’ department in 1928. He was responsible for training many young apprentices and in the early 1930s to help with his teaching, Harry produced several sets of etchings for decorative plates, 12 castles, 12 cottages and 12 cathedrals. The scenes were expertly etched onto copper plates and then printed as an outline onto the china. Many artists in the department ‘filled in’ the colours over the printed designs adding their signature to the finished work. Sometimes Harry himself did some of the filling in, signing himself H SIVAD, Davis bac

Height
47cm (18.50")
Width
55cm (21.65")
Depth
4cm (1.57")
Date of Manufacture

William Greenwood Fine Art has dated this Antique Sporting Watercolour Painting to the 1910s.

Reference Numbers
Sellingantiques Ref
SA1152483
Dealers Internal Ref
wgp
William Greenwood Fine Art
Sellingantiques verified Since Oct 2012
Dealer Profile

You can view the stock and full dealer information on the William Greenwood Fine Art Profile Page

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An Edwardian watercolour painting depicting freshly caught trout resting on a grassy riverbank alongside a fishing rod and reel.
1 / 5
Archive I An Edwardian watercolour painting depicting freshly caught trout resting on a grassy riverbank alongside a fishing rod and reel.

Harry Davis. "Fish". Sporting Watercolour

Archive II An Edwardian watercolour painting depicting freshly caught trout resting on a grassy riverbank alongside a fishing rod and reel. View II
Archive III An Edwardian watercolour painting depicting freshly caught trout resting on a grassy riverbank alongside a fishing rod and reel. View III
Archive IV An Edwardian watercolour painting depicting freshly caught trout resting on a grassy riverbank alongside a fishing rod and reel. View IV
Archive V An Edwardian watercolour painting depicting freshly caught trout resting on a grassy riverbank alongside a fishing rod and reel. View V
Enlarged Archival View
Location
Oakdene
Church Wynd
Burneston
Bedale
DL8 2JE
United Kingdom
Verified Since Oct 2012
Items For Sale 211
Items Sold 515
William Greenwood Fine Art
Verified Since Oct 2012
View Dealer Info
Location: Oakdene, Church Wynd, Burneston, Bedale, DL8 2JE, United Kingdom
Verified
Oct 2012
For Sale
211
Sold
515
An Edwardian watercolour painting depicting freshly caught trout resting on a grassy riverbank alongside a fishing rod and reel.
Harry Davis. "Fish". Sporting Watercolour
Ref: SA1152483
An Edwardian watercolour painting depicting freshly caught trout resting on a grassy riverbank alongside a fishing rod and reel.
Detail View 1
Detail View 2
Detail View 3
Detail View 4
Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

British sporting art gained prominence in the eighteenth and nineteenth centuries, depicting country pursuits such as fly fishing, hunting, and equestrian activities. These works captured both the natural landscape and the trophies or equipment associated with traditional field sports.

Edwardian watercolour paintings typically utilised natural pigment washes painted onto heavy cotton rag paper or board. Artists layered transparent glazes of colour to achieve depth, particularly when depicting natural elements like water, fish scales, and flora.

Authentic Edwardian watercolours often feature artist signatures, dates, or framer labels from the early twentieth century. Natural paper aging, gentle foxing, subtle tone shifting, and period-correct mounting techniques also indicate genuine age.

Incorporate sporting watercolours into dark wood interiors, such as a study or hallway gallery wall, to add character and heritage tone. Pairing classic natural subject matter with streamlined modern frames creates a balanced blend of traditional and contemporary aesthetics.

To protect watercolour paintings from fading and paper degradation, mount them behind UV-protective glass using acid-free materials. Display the artwork away from direct sunlight, damp areas, or fluctuating humidity levels.
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